Эдвин Остин ЭббиArchitectural Study: Hurley, LondonЭдвин Остин ЭббиArchitectural Study: Hurley, London
Эдвин Остин ЭббиCaricature of a balding man
Эдвин Остин ЭббиSketch for "Phillada Flouts Me," from Old Songs
Эдвин Остин ЭббиOrlando and Adam, illustration for Act II, Scene iv, As You Like It
Эдвин Остин Эбби"Court before Justice Shallow's Home in Gloucestershire" - King Henry IV (Part II)
Эдвин Остин ЭббиCostard, from Act I, Scene i, Love's Labour's Lost
Эдвин Остин ЭббиStudy of a nude female figure holding a scroll
Эдвин Остин ЭббиStudy of two figures, possibly Jacob and the Angel
Эдвин Остин ЭббиEarly studies for Taming of the Shrew (?)
Эдвин Остин ЭббиSimple: "Yonder he is coming, this way, Sir Hugh" - Act III, Scene I, Merry Wives of Windsor
Эдвин Остин ЭббиStudy for Fiametta's Song (oil painting)
Эдвин Остин ЭббиSketches of Two Male Figures
Эдвин Остин ЭббиIllustration for "With Jockey to the Fair," from Old Songs
Эдвин Остин ЭббиIsabella and the Duke - Act V, Scene I, Measure for Measure
Эдвин Остин ЭббиProteus and Antonio, from Act I, Scene iii, Two Gentlemen of Verona
Эдвин Остин Эбби"Before Justice Shallows House" (study for .1175) - King Henry IV (Part II)
Эдвин Остин ЭббиSketch for a greeting card: A Happy New Year 1891 from M.G.A. and E.A.A.
Эдвин Остин ЭббиPortia: "Away then; I'm lock'd in one of them.", from Act III, Scene ii, Merchant of Venice
Эдвин Остин ЭббиKatharina, illustration for Act I, Scene i, Taming of the Shrew
Эдвин Остин ЭббиUnidentified illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902)
Эдвин Остин ЭббиWoman and dog in an interior - (unidentified illustration for a play?)
Эдвин Остин ЭббиSketches of Cows
Эдвин Остин Эбби"Herds with milk, fields with bread," sketch for "Ode to Solitude," from The Quiet Life
Эдвин Остин ЭббиGalahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)
Эдвин Остин ЭббиSketch for "Ode to Solitude," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine)
Эдвин Остин ЭббиBalthazar sings: "Sigh no more, ladies" (study for .1004) - Act II, Scene III, Much Ado About Nothing
Эдвин Остин Эбби"His looks adorned...," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 47
Эдвин Остин ЭббиSketch for "The Wish(?)," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine)
Эдвин Остин ЭббиUnidentified illustration (to a Shakespeare play?)
Эдвин Остин Эбби"Your crown's awry! I'll mend it and then play!" (study for .1169)- Act V, Scene II, Anthony and Cleopatra (1937.1169)
Эдвин Остин ЭббиTimon: "I prythee, beat the drum and get thee gone" - Act IV, Scene III, Timon of Athens
Эдвин Остин ЭббиJacques, illustration for Act II, Scene v, As You Like It
Эдвин Остин ЭббиClown: "Foh! prithee stand away," from Act V, Scene ii, All's Well That Ends Well
Эдвин Остин ЭббиSketch for The Noble Patron
Эдвин Остин ЭббиSketch of an exterior: buildings and tree
Эдвин Остин Эбби"How often I have loitered o'er thy green" from The Deserted Village
Эдвин Остин ЭббиThe Return of the Native
Эдвин Остин ЭббиProspero and Ariel, illustration for Act V, Scene i, The Tempest
Эдвин Остин ЭббиAaron, from Titus Andronicus
Эдвин Остин ЭббиSketch of a Lady for the scene "Waiting for her Lover," from Old Songs (New York: Harper and Brothers, 1889)
Эдвин Остин ЭббиFerdinand Meets Miranda, illustration for Act III, Scene i, The Tempest
Эдвин Остин ЭббиChristopher Sly, illustration for Introduction, Scene ii, Taming of the Shrew
Эдвин Остин ЭббиSheet of studies of a single face
Эдвин Остин Эбби"Old Prob" - unidentified illustration
Эдвин Остин ЭббиThe Duke Expels Valentine, from Act III, Scene i, Two Gentlemen of Verona
Эдвин Остин ЭббиStudy of an angel (for stained glass? for a ceiling?)
Эдвин Остин ЭббиFerdinand: "Where should this music be?", illustration for Act I, Scene ii, The Tempest
Эдвин Остин ЭббиHelena: "Pardon, madam; the Count Rousillon cannot be my brother," from Act I, Scene iii, All's Well That Ends Well