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ART WIKI

Onde ver arte e quando visitar.

Coleções: Art Institute of Chicago, Centro de Arte Britânico de Yale, Cooper Hewitt, Smithsonian Design Museum, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Yale University Art Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (44 museus), Paris Musées (12 museus), Joconde, a base de museus do Ministério da Cultura da França (495 museus) e o Catalogo generale dei Beni Culturali do Ministério da Cultura da Itália (25 museus). As imagens pertencem aos titulares dos direitos.

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114.143 obras de 146 museus133 expostas agoraLimpar tudo

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Love Songs, Class III. Tailpiece, William Blake, 1783William BlakeLove Songs, Class III. Tailpiece1783Centro de Arte Britânico de Yale
Landscape with the Cannon, Albrecht Dürer, 1518Albrecht DürerLandscape with the Cannon1518Museu de Arte de Cleveland
"To The Accuser who is The God of This World..." (Plate 19), William Blake, 1826William Blake"To The Accuser who is The God of This World..." (Plate 19)1826Centro de Arte Britânico de Yale
Venus Counsels Cupid, William Blake, 1794William BlakeVenus Counsels Cupid1794Centro de Arte Britânico de Yale
'When faith is virtue, reason makes it so' (Page 92), William Blake, 1797William Blake'When faith is virtue, reason makes it so' (Page 92)1797Centro de Arte Britânico de Yale
Canto V. Verse 43, William Blake, 1803William BlakeCanto V. Verse 431803Centro de Arte Britânico de Yale
London (Plate 39), William Blake, 1794William BlakeLondon (Plate 39)1794Centro de Arte Britânico de Yale
Christ on the Cross Between Saint John and Mary, Wenceslaus Hollar after Albrecht Dürer, 1642Albrecht DürerChrist on the Cross Between Saint John and Mary1642Galeria Nacional de Arte
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73), William Blake, ca. 1797William Blake'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)ca. 1797Centro de Arte Britânico de Yale
Self-Portrait, Style of Lucas van Leyden after Albrecht Dürer, 1525Albrecht DürerSelf-Portrait1525Galeria Nacional de Arte
Introduction (Plate 3), William Blake, 1789William BlakeIntroduction (Plate 3)1789Centro de Arte Britânico de Yale
Albrecht Durer's Father, Wenceslaus Hollar after Albrecht Dürer, 1644Albrecht DürerAlbrecht Durer's Father1644Galeria Nacional de Arte
Untitled, Jackson Pollock, 1944–45, printed 1967Jackson PollockUntitled1944–45, printed 1967Yale University Art Gallery
'Its favours here are trials, not rewards' (Page 12), William Blake, 1797William Blake'Its favours here are trials, not rewards' (Page 12)1797Centro de Arte Britânico de Yale
Portrait of Guillaumin with a Hanging Man, Paul Cézanne, 1873Paul CézannePortrait of Guillaumin with a Hanging Man1873Museu de Arte Moderna
The Prodigal Son Driven from the Tavern, Theodoor van Thulden after Sir Peter Paul RubensPeter Paul RubensThe Prodigal Son Driven from the TavernGaleria Nacional de Arte
'The thunder, if in that the Almighty dwells' (Page 80), William Blake, 1797William Blake'The thunder, if in that the Almighty dwells' (Page 80)1797Centro de Arte Britânico de Yale
Night the First. On Life, Death, and Immortality; Title Page, William Blake, ca. 1797William BlakeNight the First. On Life, Death, and Immortality; Title Pageca. 1797Centro de Arte Britânico de Yale
Landscape at Auvers, Paul Cézanne, 1873Paul CézanneLandscape at Auvers1873Yale University Art Gallery
The Painter Guilaumin, Paul Cézanne, 1873Paul CézanneThe Painter Guilaumin1873Yale University Art Gallery
Head of a Young Girl, Paul Cézanne, 1873Paul CézanneHead of a Young Girl1873Yale University Art Gallery
Paysage à Auvers, Paul Cézanne, 1873Paul CézannePaysage à Auvers1873Yale University Art Gallery
"Became a Space & an Allegory..." (Plate 85), William Blake, 1804 to 1820William Blake"Became a Space & an Allegory..." (Plate 85)1804 to 1820Centro de Arte Britânico de Yale
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99), William Blake, 1804 to 1820William Blake"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)1804 to 1820Centro de Arte Britânico de Yale
Head of a Man, Charles-Paul-Jean-Baptiste de Bourgevin Vialart de Saint-Morys, after Sandro Botticelli, 1785Sandro BotticelliHead of a Man1785Galeria Nacional de Arte
Saint Catherine in the Clouds, Sir Peter Paul Rubens, c. 1620Peter Paul RubensSaint Catherine in the Cloudsc. 1620Galeria Nacional de Arte
Christ on the Mount of Olives, Albrecht Dürer, 1515Albrecht DürerChrist on the Mount of Olives1515Museu de Arte de Cleveland
Katharine Furlegerin, Wenceslaus Hollar after Albrecht Dürer, 1646Albrecht DürerKatharine Furlegerin1646Galeria Nacional de Arte
A Crouching Apostle (Saint Peter), Adam von Bartsch, after a drawing formerly attributed to Albrecht Dürer, 1785Albrecht DürerA Crouching Apostle (Saint Peter)1785Galeria Nacional de Arte
Three Lansquenets, Maria Catharina Prestel, after Albrecht Dürer, 1780Albrecht DürerThree Lansquenets1780Galeria Nacional de Arte
Albrecht Durer, Wenceslaus Hollar after Albrecht Dürer, 1645Albrecht DürerAlbrecht Durer1645Galeria Nacional de Arte
'Love, and love only, is the loan for love' (Page 37), William Blake, ca. 1797William Blake'Love, and love only, is the loan for love' (Page 37)ca. 1797Centro de Arte Britânico de Yale
Self-Portrait, Style of Lucas van Leyden after Albrecht Dürer, 1525Albrecht DürerSelf-Portrait1525Galeria Nacional de Arte
Night the Third. Narcissa; Title Page, William Blake, ca. 1797William BlakeNight the Third. Narcissa; Title Pageca. 1797Centro de Arte Britânico de Yale
The Great Cannon, Hieronymus Hopfer after Albrecht DürerAlbrecht DürerThe Great CannonGaleria Nacional de Arte
"I have heard Jerusalems groans..." (Plate 82), William Blake, 1804 to 1820William Blake"I have heard Jerusalems groans..." (Plate 82)1804 to 1820Centro de Arte Britânico de Yale
Bortførelsen på en enhjørning, Albrecht Dürer, 1516Albrecht DürerBortførelsen på en enhjørning1516Museu de Arte de Cleveland
Bust of a Girl, Paul Cezanne, 1873Paul CézanneBust of a Girl1873Galeria Nacional de Arte
The Prodigal Son among the Swine, Theodoor van Thulden after Sir Peter Paul RubensPeter Paul RubensThe Prodigal Son among the SwineGaleria Nacional de Arte
Guillaumin, Paul Cézanne, 1873Paul CézanneGuillaumin1873Yale University Art Gallery
Landscape at Auvers, Paul Cézanne, 1873Paul CézanneLandscape at Auvers1873Yale University Art Gallery
Tete de Femme, Paul Cézanne, 1873Paul CézanneTete de Femme1873Yale University Art Gallery
Chapter IV, "Ages on ages roll'd over him..." (Plate 9), William Blake, 1794William BlakeChapter IV, "Ages on ages roll'd over him..." (Plate 9)1794Centro de Arte Britânico de Yale
'The thunder, if in that the Almighty dwells' (Page 80), William Blake, 1797William Blake'The thunder, if in that the Almighty dwells' (Page 80)1797Centro de Arte Britânico de Yale
Night (Plate 16), William Blake, 1789William BlakeNight (Plate 16)1789Centro de Arte Britânico de Yale
My Pretty Rose Tree (Plate 47), William Blake, 1794William BlakeMy Pretty Rose Tree (Plate 47)1794Centro de Arte Britânico de Yale
Head of a Girl, Paul Cézanne, 1873Paul CézanneHead of a Girl1873Yale University Art Gallery
"In living creations appear'd..." (Plate 6), William Blake, 1794William Blake"In living creations appear'd..." (Plate 6)1794Centro de Arte Britânico de Yale
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