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ART WIKI

Onde ver arte e quando visitar.

Coleções: Art Institute of Chicago, Centro de Arte Britânico de Yale, Cooper Hewitt, Smithsonian Design Museum, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Yale University Art Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (44 museus), Paris Musées (12 museus), Joconde, a base de museus do Ministério da Cultura da França (495 museus) e o Catalogo generale dei Beni Culturali do Ministério da Cultura da Itália (25 museus). As imagens pertencem aos titulares dos direitos.

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'We censure nature for a span too short' (Page 23), William Blake, 1797William Blake'We censure nature for a span too short' (Page 23)1797Centro de Arte Britânico de Yale
Alas! (Plate 9), William Blake, 1826William BlakeAlas! (Plate 9)1826Centro de Arte Britânico de Yale
'Till at Death's toll, whose restless iron tongue' (Page 7), William Blake, 1797William Blake'Till at Death's toll, whose restless iron tongue' (Page 7)1797Centro de Arte Britânico de Yale
Trundling a Hoop &c., William Blake, 1800William BlakeTrundling a Hoop &c.1800Centro de Arte Britânico de Yale
"I want! I want!" (Plate 11), William Blake, 1826William Blake"I want! I want!" (Plate 11)1826Centro de Arte Britânico de Yale
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows, William Blake, 1793William BlakeVisions of the Daughters of Albion: The Eye Sees More than the Heart Knows1793Centro de Arte Britânico de Yale
Fire (Plate 7), William Blake, 1826William BlakeFire (Plate 7)1826Centro de Arte Britânico de Yale
Death's Door (Plate 17), William Blake, 1826William BlakeDeath's Door (Plate 17)1826Centro de Arte Britânico de Yale
Night the Third. Narcissa; Title Page, William Blake, 1797William BlakeNight the Third. Narcissa; Title Page1797Centro de Arte Britânico de Yale
Love Songs, Class III. Headpiece, William Blake, 1783William BlakeLove Songs, Class III. Headpiece1783Centro de Arte Britânico de Yale
For Children. The Gates of Paradise, London, by William Blake, William Blake, 1793William BlakeFor Children. The Gates of Paradise, London, by William Blake1793Centro de Arte Britânico de Yale
'Swift on his downy pinion flies from woe' (Page 1), William Blake, 1797William Blake'Swift on his downy pinion flies from woe' (Page 1)1797Centro de Arte Britânico de Yale
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18), William Blake, 1793William BlakeI Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)1793Centro de Arte Britânico de Yale
Water (Plate 4), William Blake, 1826William BlakeWater (Plate 4)1826Centro de Arte Britânico de Yale
Earth (Plate 5), William Blake, 1793William BlakeEarth (Plate 5)1793Centro de Arte Britânico de Yale
Fear & Hope Are -- Vision (Plate 15), William Blake, 1793William BlakeFear & Hope Are -- Vision (Plate 15)1793Centro de Arte Britânico de Yale
William Cowper, William Blake, 1803-1804William BlakeWilliam Cowper1803-1804Centro de Arte Britânico de Yale
'The vale of death! that hush'd cimmerian vale' (Page 54), William Blake, 1797William Blake'The vale of death! that hush'd cimmerian vale' (Page 54)1797Centro de Arte Britânico de Yale
'Love, and love only, is the loan for love' (Page 37), William Blake, 1797William Blake'Love, and love only, is the loan for love' (Page 37)1797Centro de Arte Britânico de Yale
Epicurus, William Blake, 1821William BlakeEpicurus1821Centro de Arte Britânico de Yale
The Dog; Frontispiece, William Blake, 1805William BlakeThe Dog; Frontispiece1805Centro de Arte Britânico de Yale
Octavius Augustus Cæsar, William Blake, 1821William BlakeOctavius Augustus Cæsar1821Centro de Arte Britânico de Yale
"My son! my Son!" (Plate 10), William Blake, 1826William Blake"My son! my Son!" (Plate 10)1826Centro de Arte Britânico de Yale
'Teaching, we learn; and giving, we retain' (Page 35), William Blake, 1797William Blake'Teaching, we learn; and giving, we retain' (Page 35)1797Centro de Arte Britânico de Yale
For the Sexes: The Gates of Paradise, Title Page (Plate 1), William Blake, 1826William BlakeFor the Sexes: The Gates of Paradise, Title Page (Plate 1)1826Centro de Arte Britânico de Yale
'The goddess bursts in thunder and in flame' (Page 95), William Blake, 1797William Blake'The goddess bursts in thunder and in flame' (Page 95)1797Centro de Arte Britânico de Yale
Preservation of Equilibrium, William Blake, 1800William BlakePreservation of Equilibrium1800Centro de Arte Britânico de Yale
Psyche Disobeys, William Blake, 1794William BlakePsyche Disobeys1794Centro de Arte Britânico de Yale
Canto VI. Verse 294, William Blake, 1803William BlakeCanto VI. Verse 2941803Centro de Arte Britânico de Yale
'Till death, that mighty hunter, earths them all' (Page 70), William Blake, 1797William Blake'Till death, that mighty hunter, earths them all' (Page 70)1797Centro de Arte Britânico de Yale
The Argument. "Man has no notion of moral fitness..." (Plate 2", William Blake, ca. 1788William BlakeThe Argument. "Man has no notion of moral fitness..." (Plate 2"ca. 1788Centro de Arte Britânico de Yale
The Trance of Juliet, William Blake, 1799William BlakeThe Trance of Juliet1799Centro de Arte Britânico de Yale
The Peasants' Nest: Cowper's tame Hares, William Blake, 1802William BlakeThe Peasants' Nest: Cowper's tame Hares1802Centro de Arte Britânico de Yale
Aristophanes Clouds. Scene I, William Blake, 1795William BlakeAristophanes Clouds. Scene I1795Centro de Arte Britânico de Yale
I Want! I Want! (Plate 11), William Blake, 1793William BlakeI Want! I Want! (Plate 11)1793Centro de Arte Britânico de Yale
Air (Plate 6), William Blake, 1793William BlakeAir (Plate 6)1793Centro de Arte Britânico de Yale
V. "Mans desires are limited by his perceptions..." (Plate 7), William Blake, ca. 1788William BlakeV. "Mans desires are limited by his perceptions..." (Plate 7)ca. 1788Centro de Arte Britânico de Yale
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq., William Blake, 1804William BlakeA Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.1804Centro de Arte Britânico de Yale
'Emblem of that which shall awake the dead' (Page 19), William Blake, 1797William Blake'Emblem of that which shall awake the dead' (Page 19)1797Centro de Arte Britânico de Yale
Fire (Plate 7), William Blake, 1793William BlakeFire (Plate 7)1793Centro de Arte Britânico de Yale
Psyche Repents, William Blake, 1794William BlakePsyche Repents1794Centro de Arte Britânico de Yale
The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4), William Blake, 1827William BlakeThe Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)1827Centro de Arte Britânico de Yale
Ancient Ballads, Tailpiece, William Blake, 1783William BlakeAncient Ballads, Tailpiece1783Centro de Arte Britânico de Yale
Aged Ignorance (Plate 13), William Blake, 1826William BlakeAged Ignorance (Plate 13)1826Centro de Arte Britânico de Yale
Earth (Plate 5), William Blake, 1826William BlakeEarth (Plate 5)1826Centro de Arte Britânico de Yale
The Conjugal Union of Cupid, William Blake, 1794William BlakeThe Conjugal Union of Cupid1794Centro de Arte Britânico de Yale
"Therefore God becomes as we are..." (Plate 9), William Blake, ca. 1788William Blake"Therefore God becomes as we are..." (Plate 9)ca. 1788Centro de Arte Britânico de Yale
Ciampolo the Barrator Tormented by the Devils (Plate 2), William Blake, 1827William BlakeCiampolo the Barrator Tormented by the Devils (Plate 2)1827Centro de Arte Britânico de Yale
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