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ART WIKI

Onde ver arte e quando visitar.

Coleções: Art Institute of Chicago, Centro de Arte Britânico de Yale, Cooper Hewitt, Smithsonian Design Museum, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Yale University Art Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (44 museus), Paris Musées (12 museus), Joconde, a base de museus do Ministério da Cultura da França (495 museus) e o Catalogo generale dei Beni Culturali do Ministério da Cultura da Itália (25 museus). As imagens pertencem aos titulares dos direitos.

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Chapter VII, "Stretch'd for a work of eternity..." (Plate 19), William Blake, 1794William BlakeChapter VII, "Stretch'd for a work of eternity..." (Plate 19)1794Centro de Arte Britânico de Yale
'That touch, with charm celestial heals the soul' (Page 90), William Blake, 1797William Blake'That touch, with charm celestial heals the soul' (Page 90)1797Centro de Arte Britânico de Yale
'Where sense runs savage broke from reason's chain' (Page 46), William Blake, ca. 1797William Blake'Where sense runs savage broke from reason's chain' (Page 46)ca. 1797Centro de Arte Britânico de Yale
The Little Black Boy (Plate 6), William Blake, 1789William BlakeThe Little Black Boy (Plate 6)1789Centro de Arte Britânico de Yale
The Book of Thel, Title Page (Plate 2), William Blake, 1789William BlakeThe Book of Thel, Title Page (Plate 2)1789Centro de Arte Britânico de Yale
Urizen Swims through Dark Waters  (Plate 5), William Blake, 1794William BlakeUrizen Swims through Dark Waters (Plate 5)1794Centro de Arte Britânico de Yale
'The present moment terminates our sight' (Page 13), William Blake, 1797William Blake'The present moment terminates our sight' (Page 13)1797Centro de Arte Britânico de Yale
Aristophanes Clouds. Scene I, William Blake, 1795William BlakeAristophanes Clouds. Scene I1795Centro de Arte Britânico de Yale
My Son! My Son! (Plate 10), William Blake, 1793William BlakeMy Son! My Son! (Plate 10)1793Centro de Arte Britânico de Yale
'Ungrateful, shall we grieve their hovering shades' (Page 55), William Blake, 1797William Blake'Ungrateful, shall we grieve their hovering shades' (Page 55)1797Centro de Arte Britânico de Yale
Love Songs, Class I. Headpiece, William Blake, 1783William BlakeLove Songs, Class I. Headpiece1783Centro de Arte Britânico de Yale
Fable XXII. The Goat Without a Beard, William Blake, 1793William BlakeFable XXII. The Goat Without a Beard1793Centro de Arte Britânico de Yale
'The present moment terminates our sight' (Page 13), William Blake, 1797William Blake'The present moment terminates our sight' (Page 13)1797Centro de Arte Britânico de Yale
The Abduction of Proserpine on a Unicorn, Albrecht Durer, 1516Albrecht DürerThe Abduction of Proserpine on a Unicorn1516Yale University Art Gallery
The Sudarium Held by One Angel, Albrecht Durer, 1516Albrecht DürerThe Sudarium Held by One Angel1516Yale University Art Gallery
Christ on the Mount of Olives, Albrecht Durer, 1515Albrecht DürerChrist on the Mount of Olives1515Yale University Art Gallery
Sudarium Held by One Angel, Albrecht Durer, 1516Albrecht DürerSudarium Held by One Angel1516Yale University Art Gallery
The Desperate Man, Albrecht Durer, ca. 1514Albrecht DürerThe Desperate Manca. 1514Yale University Art Gallery
The Abduction of Proserpine on a Unicorn, Albrecht Durer, 1516Albrecht DürerThe Abduction of Proserpine on a Unicorn1516Yale University Art Gallery
Christ on the Mount of Olives, Albrecht Durer, 1515Albrecht DürerChrist on the Mount of Olives1515Yale University Art Gallery
Alas! (Plate 9), William Blake, 1793William BlakeAlas! (Plate 9)1793Centro de Arte Britânico de Yale
Cupid & Psyche, William Blake, 1794William BlakeCupid & Psyche1794Centro de Arte Britânico de Yale
"Does thy God O Priest take such vengeance as this?" (Plate 14), William Blake, 1826William Blake"Does thy God O Priest take such vengeance as this?" (Plate 14)1826Centro de Arte Britânico de Yale
'Angels should paint it, angels ever there' (Page 40), William Blake, 1797William Blake'Angels should paint it, angels ever there' (Page 40)1797Centro de Arte Britânico de Yale
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5), William Blake, 1789William BlakeII. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)1789Centro de Arte Britânico de Yale
Songs of Innocence, Title Page (Plate 2), William Blake, 1789William BlakeSongs of Innocence, Title Page (Plate 2)1789Centro de Arte Britânico de Yale
Fettered Urizen Weeping (Plate 12), William Blake, 1794William BlakeFettered Urizen Weeping (Plate 12)1794Centro de Arte Britânico de Yale
"Why wilt thou give to her a Body..." (Plate 12), William Blake, 1804 to 1820William Blake"Why wilt thou give to her a Body..." (Plate 12)1804 to 1820Centro de Arte Britânico de Yale
"By those who drink their blood & the blood of their Covenant..." (Plate 67), William Blake, 1804 to 1820William Blake"By those who drink their blood & the blood of their Covenant..." (Plate 67)1804 to 1820Centro de Arte Britânico de Yale
'O treacherous conscience! while she seems to sleep" (Page 27), William Blake, ca. 1797William Blake'O treacherous conscience! while she seems to sleep" (Page 27)ca. 1797Centro de Arte Britânico de Yale
I Found Him Beneath a Tree (Plate 3), William Blake, 1793William BlakeI Found Him Beneath a Tree (Plate 3)1793Centro de Arte Britânico de Yale
Introduction to the Fables, The Shepherd and the Philosopher, William Blake, 1793William BlakeIntroduction to the Fables, The Shepherd and the Philosopher1793Centro de Arte Britânico de Yale
'His hand the good man fastens on the skies' (Page 86), William Blake, 1797William Blake'His hand the good man fastens on the skies' (Page 86)1797Centro de Arte Britânico de Yale
Running & Leap-frog, William Blake, 1800William BlakeRunning & Leap-frog1800Centro de Arte Britânico de Yale
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73), William Blake, 1797William Blake'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)1797Centro de Arte Britânico de Yale
'Like that, the dial speaks; and points to thee' (Page 33), William Blake, 1797William Blake'Like that, the dial speaks; and points to thee' (Page 33)1797Centro de Arte Britânico de Yale
Landscape with the Cannon, Albrecht Durer, 1518Albrecht DürerLandscape with the Cannon1518Yale University Art Gallery
"Her voice pierc'd Albions clay cold ear..." (Plate 95), William Blake, 1804 to 1820William Blake"Her voice pierc'd Albions clay cold ear..." (Plate 95)1804 to 1820Centro de Arte Britânico de Yale
"Turning his back to the Divine Vision..." (Plate 33), William Blake, 1804 to 1820William Blake"Turning his back to the Divine Vision..." (Plate 33)1804 to 1820Centro de Arte Britânico de Yale
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93), William Blake, 1804 to 1820William Blake"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)1804 to 1820Centro de Arte Britânico de Yale
Los with the child Orc and Enitharmon (Plate 18), William Blake, 1794William BlakeLos with the child Orc and Enitharmon (Plate 18)1794Centro de Arte Britânico de Yale
'What, though my soul fantastick measures trod' (Page 4), William Blake, ca. 1797William Blake'What, though my soul fantastick measures trod' (Page 4)ca. 1797Centro de Arte Britânico de Yale
Praying Child and Howling Dog (Plate 24), William Blake, 1794William BlakePraying Child and Howling Dog (Plate 24)1794Centro de Arte Britânico de Yale
'The longest night though longer far, would fail' (Page 15), William Blake, 1797William Blake'The longest night though longer far, would fail' (Page 15)1797Centro de Arte Britânico de Yale
'This King of Terrors is the Prince of Peace' (Page 63), William Blake, 1797William Blake'This King of Terrors is the Prince of Peace' (Page 63)1797Centro de Arte Britânico de Yale
What is Man!, Frontispiece (Plate 1), William Blake, 1793William BlakeWhat is Man!, Frontispiece (Plate 1)1793Centro de Arte Britânico de Yale
The Leap in Length, with & without a Pole, William Blake, 1800William BlakeThe Leap in Length, with & without a Pole1800Centro de Arte Britânico de Yale
Canto III. Verse 201, William Blake, 1803William BlakeCanto III. Verse 2011803Centro de Arte Britânico de Yale
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