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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Galeria Nacional de Arte/
  3. Vincenzo Cappello
Vincenzo Cappello, Titian and Workshop, c. 1550/1560

Vincenzo Cappello

c. 1550/1560 · Painting

Pormenores

c. 1550/1560
14901576
Número de inventário
1957.14.3

Entretanto, na vida de Titian

A vida inteira
  1. 1547–1548

    Augsburg: the “Equestrian Portrait of Charles V”

    In 1547 Titian was summoned from Venice to Augsburg to paint portraits of Charles V and other dignitaries; at the Diet in early 1548 he completed six paintings, among them the “Equestrian Portrait of Charles V”. He also made the emperor aware that he had not received a single payment of his stipend, and on 10 July 1548 Charles V granted him a second annual pension of 100 scudi.

  2. 1548 · Local de trabalho

    Augsburg

  3. 1550–1551 · Local de trabalho

    Augsburg

  4. 1550s

    An assembly-line workshop for Charles V and Philip II

    From the 1550s commissions from the emperor and then from Philip II monopolised the artist's output. To meet the demand he reorganised his workshop and began to produce variants and replicas of his works almost in assembly-line fashion: “specialised collaborators” made copies, which he then retouched to impart his spirit to them.

  5. 1555

    His daughter Lavinia's wedding

    In 1555 Titian married off his daughter Lavinia to Cornelio Sarcinelli, a member of the local nobility of Serravalle, with a noble dowry of 1,400 ducats.

Mais obras de Titian

Todas as obras

Na mesma sala · M-023, Galeria Nacional de Arte

Página do museu

Sobre o mesmo tema · Male

Todas as obras sobre o tema
Titian, retratoTitianItália, 1490–1576

Será possível contemplá-la?

Sim, recebe visitas

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Sala23 · Edifício Oeste, piso principal

Exposta ao público. Quem o garante vem indicado abaixo.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
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O que mostra

MaleCapello, Vincenzo

No catálogo

PinturasÓleoPintura italianaPintura venezianaRenascimentoSéculo XVIVenetianRetrato

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — Museum open access
Venus and Adonis, Titian, 1550s

Venus and Adonis

1550s · Museu Metropolitano de Arte

La Mise au tombeau ou Le Transport du Christ vers le tombeau, Titien, 1e quart du XVIe siècle (1500 - 1525)

La Mise au tombeau ou Le Transport du Christ vers le tombeau

1e quart du XVIe siècle (1500 - 1525) · Museu do Louvre

Portrait d'homme, dit L'Homme au gant, Titien, 1e quart du XVIe siècle (1500 - 1525)

Portrait d'homme, dit L'Homme au gant

1e quart du XVIe siècle (1500 - 1525) · Museu do Louvre

Allégorie conjugale (Allégorie de la séparation?), dit à tort Allégorie d'Alphonse d'Avalos, Titien, XVIe siècle (1500 - 1600)

Allégorie conjugale (Allégorie de la séparation?), dit à tort Allégorie d'Alphonse d'Avalos

XVIe siècle (1500 - 1600) · Museu do Louvre

La Vierge à l' Enfant avec saint Étienne, saint Jérôme et saint Maurice, Titien, 1e quart du XVIe siècle (1500 - 1525)

La Vierge à l' Enfant avec saint Étienne, saint Jérôme et saint Maurice

1e quart du XVIe siècle (1500 - 1525) · Museu do Louvre

Les Pèlerins d'Emmaüs, Titien, XVIe siècle (1500 - 1600)

Les Pèlerins d'Emmaüs

XVIe siècle (1500 - 1600) · Museu do Louvre

Saint Jérôme pénitent, Titien, XVIe siècle (1500 - 1600)

Saint Jérôme pénitent

XVIe siècle (1500 - 1600) · Museu do Louvre

Portrait d'homme, main à la ceinture, Titien, 1e quart du XVIe siècle (1500 - 1525)

Portrait d'homme, main à la ceinture

1e quart du XVIe siècle (1500 - 1525) · Museu do Louvre

Doge Andrea Gritti, Titian, c. 1546/1550

Titian

Doge Andrea Gritti, c. 1546/1550

Venus and Adonis, Titian and Workshop, c. 1540s/c. 1560-1565

Titian

Venus and Adonis, c. 1540s/c. 1560-1565

Cardinal Pietro Bembo, Titian, 1539/1540

Titian

Cardinal Pietro Bembo, 1539/1540

Saint Lucy and a Donor, Veronese Workshop, c. 1585/1595

Paolo Veronese

Saint Lucy and a Donor, c. 1585/1595

Andrea de' Franceschi, after Titian, late 16th or early 17th century

anonymous

Andrea de' Franceschi, late 16th or early 17th century

Venus Blindfolding Cupid, Workshop or Follower of Titian, c. 1566/1570 or c. 1576/1580

anonymous

Venus Blindfolding Cupid, c. 1566/1570 or c. 1576/1580

The Annunciation to the Shepherds, Jacopo Bassano, probably 1555/1560

Jacopo Bassano

The Annunciation to the Shepherds, probably 1555/1560

The Baptism of Christ, Paris Bordone, c. 1535/1540

Paris Bordone

The Baptism of Christ, c. 1535/1540

Jose Clemente Orozco, New York City, Ansel Adams, 1933, printed 1981

Ansel Adams

Jose Clemente Orozco, New York City, 1933, printed 1981

Não exposta · Galeria Nacional de Arte

Alfred Stieglitz and Painting by Georgia O'Keeffe, An American Place, New York City, Ansel Adams, 1939, printed 1981

Ansel Adams

Alfred Stieglitz and Painting by Georgia O'Keeffe, An American Place, New York City, 1939, printed 1981

Não exposta · Galeria Nacional de Arte

Old Man Carrying a Basket, Facing Right, Vincent van Gogh, 1882

Vincent van Gogh

Old Man Carrying a Basket, Facing Right, 1882

Não exposta · Galeria Nacional de Arte

Man Polishing a Boot, Vincent van Gogh, 1882

Vincent van Gogh

Man Polishing a Boot, 1882

Não exposta · Galeria Nacional de Arte

Young Man [verso], Pablo Picasso, c. 1906

Pablo Picasso

Young Man [verso], c. 1906

Não exposta · Galeria Nacional de Arte

Acrobat in Repose (Le saltimbanque au repos), Pablo Picasso, 1905, published 1913

Pablo Picasso

Acrobat in Repose (Le saltimbanque au repos), 1905, published 1913

Não exposta · Galeria Nacional de Arte

Pedro Mañach, Pablo Picasso, 1901

Pablo Picasso

Pedro Mañach, 1901

Galeria Nacional de Arte

Two Sculptors before a Statue (Deux sculpteurs devant une statue), Pablo Picasso, 1931

Pablo Picasso

Two Sculptors before a Statue (Deux sculpteurs devant une statue), 1931

Não exposta · Galeria Nacional de Arte