ART WIKI32 963 em exposição
MapaColeçãoArtistasMuseusExposiçõesRevista
Entrar

ART WIKI

Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

Secções

  • Mapa
  • Pesquisa
  • Coleção
  • Obras-primas
  • Em exposição agora
  • Artistas

Mais

  • Museus e galerias
  • Exposições
  • Revista
  • De onde vêm os dados
  • Privacidade e cookies
InícioMapaCatálogo
  1. Coleção/
  2. Galeria Nacional de Arte/
  3. Cardinal Pietro Bembo
Cardinal Pietro Bembo, Titian, 1539/1540

Cardinal Pietro Bembo

1539/1540 · Painting

Sobre a pintura

Portrait of Cardinal Pietro Bembo is a 1539–1540 oil on canvas painting by Titian, now in the National Gallery of Art in Washington, D.C.

Wikipédia · CC BY-SA

Pormenores

1539/1540
14901576
Número de inventário
1952.5.28

Entretanto, na vida de Titian

A vida inteira
  1. 1530–1539

    The young Tintoretto in Titian's workshop

    According to Tom Nichols, the very young Tintoretto, brought to Titian's studio by his father, probably entered the workshop between 1530 and 1539, but only for a very brief time. According to Ridolfi, after being cast out of the studio he resolved to become a painter by studying the canvases of Titian and the reliefs of Michelangelo, and wrote on his wall the motto “Michelangelo's design and Titian's colour”.

  2. 1537–1538

    “The Battle of Cadore”: a threat to repay the money

    The battle canvas for the Doge's Palace, commissioned in 1513, remained unfinished by June 1537: according to a document dated 23 June 1537 the Council demanded he return the funds paid for the years in which he had done no work, and a serious competitor, Pordenone, who since at least 1520 had challenged Titian's primacy in Venice, was available to replace him. He completed the canvas, the “Battle of Cadore”, in 1538; it was later lost in a fire at the Doge's Palace.

  3. 1540 · Local de trabalho

    Milan

  4. 1540

    A pension from the Marquis del Vasto

    In 1540 Titian received a pension of 50 ducats from Alfonso d'Avalos, Marquis del Vasto.

  5. 15 August 1541

    A stipend from Emperor Charles V

    On 15 August 1541 Charles V awarded Titian an annual stipend of 100 scudi payable at a bank in Milan.

Mais obras de Titian

Todas as obras

Na mesma sala · M-023, Galeria Nacional de Arte

Página do museu

Sobre o mesmo tema · Male

Todas as obras sobre o tema

1542

A contract to supply grain to Cadore

Titian was adept in managing his affairs: he invested in real estate, lent money at interest and dealt in lumber and grain; in 1542 he obtained a contract for supplying grain to Cadore when local stores were low.

Titian, retratoTitianItália, 1490–1576

Será possível contemplá-la?

Sim, recebe visitas

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Sala23 · Edifício Oeste, piso principal

Exposta ao público. Quem o garante vem indicado abaixo.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

O que mostra

MaleBembo, Cardinal Pietro

No catálogo

PinturasÓleoPintura italianaPintura venezianaRenascimentoSéculo XVIVenetianRetrato

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — Museum open access
Venus and Adonis, Titian, 1550s

Venus and Adonis

1550s · Museu Metropolitano de Arte

Filippo Archinto (born about 1500, died 1558), Archbishop of Milan, Titian, mid-1550s

Filippo Archinto (born about 1500, died 1558), Archbishop of Milan

mid-1550s · Museu Metropolitano de Arte

La Mise au tombeau ou Le Transport du Christ vers le tombeau, Titien, 1e quart du XVIe siècle (1500 - 1525)

La Mise au tombeau ou Le Transport du Christ vers le tombeau

1e quart du XVIe siècle (1500 - 1525) · Museu do Louvre

Portrait d'homme, dit L'Homme au gant, Titien, 1e quart du XVIe siècle (1500 - 1525)

Portrait d'homme, dit L'Homme au gant

1e quart du XVIe siècle (1500 - 1525) · Museu do Louvre

Allégorie conjugale (Allégorie de la séparation?), dit à tort Allégorie d'Alphonse d'Avalos, Titien, XVIe siècle (1500 - 1600)

Allégorie conjugale (Allégorie de la séparation?), dit à tort Allégorie d'Alphonse d'Avalos

XVIe siècle (1500 - 1600) · Museu do Louvre

La Vierge à l' Enfant avec saint Étienne, saint Jérôme et saint Maurice, Titien, 1e quart du XVIe siècle (1500 - 1525)

La Vierge à l' Enfant avec saint Étienne, saint Jérôme et saint Maurice

1e quart du XVIe siècle (1500 - 1525) · Museu do Louvre

Les Pèlerins d'Emmaüs, Titien, XVIe siècle (1500 - 1600)

Les Pèlerins d'Emmaüs

XVIe siècle (1500 - 1600) · Museu do Louvre

Saint Jérôme pénitent, Titien, XVIe siècle (1500 - 1600)

Saint Jérôme pénitent

XVIe siècle (1500 - 1600) · Museu do Louvre

Venus and Adonis, Titian and Workshop, c. 1540s/c. 1560-1565

Titian

Venus and Adonis, c. 1540s/c. 1560-1565

Vincenzo Cappello, Titian and Workshop, c. 1550/1560

Titian

Vincenzo Cappello, c. 1550/1560

Doge Andrea Gritti, Titian, c. 1546/1550

Titian

Doge Andrea Gritti, c. 1546/1550

Saint Lucy and a Donor, Veronese Workshop, c. 1585/1595

Paolo Veronese

Saint Lucy and a Donor, c. 1585/1595

Venus Blindfolding Cupid, Workshop or Follower of Titian, c. 1566/1570 or c. 1576/1580

anonymous

Venus Blindfolding Cupid, c. 1566/1570 or c. 1576/1580

Andrea de' Franceschi, after Titian, late 16th or early 17th century

anonymous

Andrea de' Franceschi, late 16th or early 17th century

The Annunciation to the Shepherds, Jacopo Bassano, probably 1555/1560

Jacopo Bassano

The Annunciation to the Shepherds, probably 1555/1560

The Baptism of Christ, Paris Bordone, c. 1535/1540

Paris Bordone

The Baptism of Christ, c. 1535/1540

Jose Clemente Orozco, New York City, Ansel Adams, 1933, printed 1981

Ansel Adams

Jose Clemente Orozco, New York City, 1933, printed 1981

Não exposta · Galeria Nacional de Arte

Alfred Stieglitz and Painting by Georgia O'Keeffe, An American Place, New York City, Ansel Adams, 1939, printed 1981

Ansel Adams

Alfred Stieglitz and Painting by Georgia O'Keeffe, An American Place, New York City, 1939, printed 1981

Não exposta · Galeria Nacional de Arte

Old Man Carrying a Basket, Facing Right, Vincent van Gogh, 1882

Vincent van Gogh

Old Man Carrying a Basket, Facing Right, 1882

Não exposta · Galeria Nacional de Arte

Man Polishing a Boot, Vincent van Gogh, 1882

Vincent van Gogh

Man Polishing a Boot, 1882

Não exposta · Galeria Nacional de Arte

Young Man [verso], Pablo Picasso, c. 1906

Pablo Picasso

Young Man [verso], c. 1906

Não exposta · Galeria Nacional de Arte

Acrobat in Repose (Le saltimbanque au repos), Pablo Picasso, 1905, published 1913

Pablo Picasso

Acrobat in Repose (Le saltimbanque au repos), 1905, published 1913

Não exposta · Galeria Nacional de Arte

Pedro Mañach, Pablo Picasso, 1901

Pablo Picasso

Pedro Mañach, 1901

Galeria Nacional de Arte

Two Sculptors before a Statue (Deux sculpteurs devant une statue), Pablo Picasso, 1931

Pablo Picasso

Two Sculptors before a Statue (Deux sculpteurs devant une statue), 1931

Não exposta · Galeria Nacional de Arte