Edward SteichenEstados Unidos, 1879–1973The Brass Bowl
Será possível contemplá-la?
De momento, não recebe
Instituto de Artes de Minneapolis
Minneapolis, Estados Unidos
Pertence à coleção, mas de momento não está exposta.
- Verificado
- Neste estado desde
- Fonte
- Os dados da própria coleção do museu
Pormenores
- Número de inventário
- 69.133.13.7
No catálogo
Fontes
- Instituto de Artes de Minneapolis: os dados abertos do museu · obtido há 8 dias
- Imagem: Instituto de Artes de Minneapolis — © Minneapolis Institute of Art
Entretanto, na vida de Edward Steichen
A vida inteira1904
First experiments with colour photography
He begins experimenting with colour photography and becomes one of the earliest in the United States to use the Autochrome Lumière process.
1 de julho de 1904
Daughter born: Mary Calderone
1905
The Little Galleries of the Photo-Secession
With Stieglitz he creates the Little Galleries of the Photo-Secession in what had been Steichen’s portrait studio; the gallery later becomes known as 291 after its address and presents some of the first American exhibitions of Rodin, Matisse, Cézanne, Picasso and Brâncuși. Constantly crossing between Europe and the US by steamship, he becomes, in the art historian William A. Ewing’s words, one of the earliest “jet setters,” bringing European art to America.
1908
His sister marries Carl Sandburg
Lilian, whom the poet Carl Sandburg met at the Milwaukee Social Democratic Party office in 1907, becomes his wife; the marriage helps forge a life-long friendship and partnership between Steichen and Sandburg.
