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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Vitality–Yvette Guilbert
Vitality–Yvette Guilbert, Edward Steichen, 1901
Edward Steichen, retratoEdward SteichenEstados Unidos, 1879–1973

Vitality–Yvette Guilbert

1901 · Photograph

Será possível contemplá-la?

Sim, recebe visitas

Museu de Arte Moderna

Nova Iorque, Estados Unidos

SalaMoMA, Floor 5, 504

Exposta ao público. Quem o garante vem indicado abaixo.

Verificado
há 9 dias
Fonte
O museu
No mapaPágina do museu

Pormenores

1901 · aos 22 anos
18791973
Número de inventário
150.1961

Entretanto, na vida de Edward Steichen

A vida inteira
  1. 1899

    Photographs at the Philadelphia Salon

    His photographs are exhibited at the second Philadelphia Photographic Salon.

  2. 1900

    Meets Stieglitz on the way to Paris

    He leaves Milwaukee for Paris to study art; on a letter of introduction from Clarence H. White he meets Alfred Stieglitz in New York, who praises his background in painting and buys three of his photographic prints. He will spend several years in Paris and discover avant-garde art there.

  3. 1900

    American citizenship

    He becomes a US citizen and signs the naturalization papers as Edward J. Steichen, but goes on using his birth name, Éduard, until after the First World War.

  4. 1902

    The Camera Work logo and the Photo-Secession

    When Stieglitz is planning the magazine that becomes Camera Work, he asks Steichen to design its logo with a custom typeface; Steichen becomes the most frequently shown photographer in the journal. In the same year he is one of the founders of the Photo-Secession in New York.

Mais obras de Edward Steichen

Todas as obras

Na mesma sala · MoMA, Floor 5, 504, Museu de Arte Moderna

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FotografiasProva de gelatina e prataImpressionismoModernismoSéculo XX

Fontes

  • Museu de Arte Moderna
  • Imagem: Museu de Arte Moderna — © the artist or rights holder
The Big White Cloud, Edward Steichen, 1903

The Big White Cloud

1903 · Museu de Arte Moderna

Gertrude Käsebier, Edward Steichen, c. 1907

Gertrude Käsebier

c. 1907 · Museu de Arte Moderna

My Little Sister, Edward Steichen, 1895

My Little Sister

1895 · Não exposta · Museu de Arte Moderna

Vrouw met zwarte vaas, Edward Steichen, c. 1896 - in or before 1901

Vrouw met zwarte vaas

c. 1896 - in or before 1901 · Museu Estatal de Amesterdão

Portret van een onbekende vrouw, Edward Steichen, c. 1896 - in or before 1901

Portret van een onbekende vrouw

c. 1896 - in or before 1901 · Museu Estatal de Amesterdão

Beekje in een bos, Edward Steichen, c. 1896 - in or before 1901

Beekje in een bos

c. 1896 - in or before 1901 · Museu Estatal de Amesterdão

Portret van Frits Thaulow, Edward Steichen, c. 1897 - in or before 1902

Portret van Frits Thaulow

c. 1897 - in or before 1902 · Museu Estatal de Amesterdão

Lady in the Doorway, Edward Steichen, 1897

Lady in the Doorway

1897 · Não exposta · Museu de Arte Moderna

The Steerage, Alfred Stieglitz, 1907

Alfred Stieglitz

The Steerage, 1907

Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

Alfred Stieglitz

Snapshot—In the New York Central Yards, 1903

The Hand of Man, Alfred Stieglitz, 1902

Alfred Stieglitz

The Hand of Man, 1902

Gertrude Käsebier, Edward Steichen, c. 1907

Edward Steichen

Gertrude Käsebier, c. 1907

The Big White Cloud, Edward Steichen, 1903

Edward Steichen

The Big White Cloud, 1903

From the Viaduct, 125th Street, New York, Paul Strand, 1916

Paul Strand

From the Viaduct, 125th Street, New York, 1916

Abstraction, Porch Shadows, Connecticut, Paul Strand, 1916

Paul Strand

Abstraction, Porch Shadows, Connecticut, 1916

Happy Days, Gertrude Käsebier, 1903

Gertrude Käsebier

Happy Days, 1903