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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. National Gallery/
  3. John Julius Angerstein, aged about 55
John Julius Angerstein, aged about 55, Thomas Lawrence, c. 1790
Thomas Lawrence, retratoThomas LawrenceReino Unido, 1769–1830

John Julius Angerstein, aged about 55

c. 1790 · Painting · 75.8 × 62.5 cm

Será possível contemplá-la?

Desconhecido

National Gallery

Londres, Reino Unido

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
29 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

c. 1790
17691830
Número de inventário
NG6370

No catálogo

PinturasPintura britânicaNeoclassicismoSéculo XVIII

Fontes

  • Wikidata
  • Imagem: National Gallery — Thomas Lawrence · Public domain · Wikimedia Commons

Entretanto, na vida de Thomas Lawrence

A vida inteira
  1. 1789

    First royal commission

    At just twenty he is summoned to Windsor Castle to paint portraits of Queen Charlotte and Princess Amelia. The Queen finds him presumptuous and dislikes the finished portrait, which will remain in his studio until his death.

  2. 1789

    Thirteen portraits at the Academy exhibition

    He exhibits thirteen portraits, mostly in oil, among them William Linley and Lady Cremorne (his first attempt at a full-length portrait). The press is warm, and one critic sees in him a future Reynolds, and not a distant one.

  3. 1790

    Queen Charlotte and Elizabeth Farren on show

    The Academy exhibition shows his portrait of Queen Charlotte, which, despite the sitter’s displeasure, wins critical acclaim. Also exhibited is the portrait of the actress Elizabeth Farren, soon to be Countess of Derby: it makes Lawrence still more famous, and a newspaper notes that in it the actress is entirely herself — arch, spirited, elegant and engaging.

  4. 1790

    A failed bid for the Academy

    Although election was possible from the age of 24, his candidacy for associate membership of the Royal Academy is put to the vote but fails: three votes to six, and the place goes to Wheatley.

  5. 1791

    Elected an associate of the Royal Academy

    Elected an associate of the Royal Academy of Arts, a year after the failed attempt of 1790.

  6. 1792

    Post: court painter

Mais obras de Thomas Lawrence

Todas as obras
Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, Sir Thomas Lawrence, 1790

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby

1790 · Museu Metropolitano de Arte

Portrait de Mr et Mrs John Julius Angerstein, Lawrence, Sir Thomas, 4e quart du XVIIIe siècle (1791)

Portrait de Mr et Mrs John Julius Angerstein

4e quart du XVIIIe siècle (1791) · Museu do Louvre

Portrait de Charles William Bell, Lawrence, Sir Thomas, 4e quart du XVIIIe siècle (1797 - 1798)

Portrait de Charles William Bell

4e quart du XVIIIe siècle (1797 - 1798) · Museu do Louvre

Le petit orateur.Portrait des enfants d’Ascoyghe Boucherett, Lawrence, Sir Thomas, Fin du XVIIIe siècle - début du XIXè siècle (vers 1799 - 1800)

Le petit orateur.Portrait des enfants d’Ascoyghe Boucherett

Fin du XVIIIe siècle - début du XIXè siècle (vers 1799 - 1800) · Museu do Louvre

Portrait d’Antonio Canova (1757- 1821), sculpteur, Lawrence, Sir Thomas, 1e quart du XIXe siècle (1800 - 1825)

Portrait d’Antonio Canova (1757- 1821), sculpteur

1e quart du XIXe siècle (1800 - 1825) · Museu do Louvre

Lady Mary Templetown and Her Eldest Son, Sir Thomas Lawrence, 1802

Lady Mary Templetown and Her Eldest Son

1802 · Galeria Nacional de Arte

Portrait de Mrs Isaac Cuthbert, Lawrence, Sir Thomas, 1e quart du XIXe siècle (1816 - 1817)

Portrait de Mrs Isaac Cuthbert

1e quart du XIXe siècle (1816 - 1817) · Museu do Louvre

Isabella Wolff, Sir Thomas Lawrence, 1803/15

Isabella Wolff

1803/15 · Art Institute of Chicago

Da coleção: National Gallery

Página do museu
Virgin of the Rocks, Leonardo da Vinci, 1490s

Leonardo da Vinci

Virgin of the Rocks, 1490s

Long Grass with Butterflies, Vincent van Gogh, 1890

Vincent van Gogh

Long Grass with Butterflies, 1890

Farms near Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Farms near Auvers, 1890

A Wheatfield, with Cypresses, Vincent van Gogh, 1889

Vincent van Gogh

A Wheatfield, with Cypresses, 1889

Head of a Peasant Woman, Vincent van Gogh, 1885

Vincent van Gogh

Head of a Peasant Woman, 1885

The Entombment, Michelangelo, c. 1500s

Michelangelo

O Sepultamento de Cristo, c. 1500s

Manchester Madonna, Michelangelo, c. 1494

Michelangelo

Madona de Manchester, c. 1494

Irises, Claude Monet, 1910s

Claude Monet

Irises, 1910s