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Portrait de Charles William Bell, Lawrence, Sir Thomas, 4e quart du XVIIIe siècle (1797 - 1798)
Thomas Lawrence, retratoThomas LawrenceReino Unido, 1769–1830

Portrait de Charles William Bell

4e quart du XVIIIe siècle (1797 - 1798) · Peintures

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Onde está «Portrait de Charles William Bell» hoje? Museu do Louvre, Salle 713, Aile Denon, Niveau 1, Paris. Sim, exposta agora. Verificado 26 de setembro de 2026.

Museu do Louvre

Paris, França

Sala713, Aile Denon, Niveau 1

Fechado· abre às 9:00

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Pormenores

Número de inventário
RF 1952 14

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PinturasÓleoPintura britânicaNeoclassicismoSéculo XVIII

Fontes

  • Museu do Louvre
  • Imagem: Museu do Louvre — © 2014 GrandPalaisRmn (musée du Louvre) / Michel Urtado

Na vida de Thomas Lawrence

A vida inteira

  1. 1797

    His parents’ deaths and a studio in Greek Street

    His parents die within a few months of each other. Lawrence gives up his house in Piccadilly, to which he had moved from Old Bond Street, and sets up his studio in the family home in Greek Street.

  2. 1798

    Death of Maria Siddons and her sister’s promise

    Maria Siddons, daughter of the actress Sarah Siddons, dies: Lawrence had loved her sister Sally first, then Maria, and after breaking with Maria had turned to Sally again. On her deathbed Maria extracts a promise from her sister never to marry him; Sally keeps it, refuses to see Lawrence again and dies in 1803, while he never marries, staying on friendly terms with their mother and painting several portraits of her.

  3. 1800s

    A witness in the “Delicate Investigation” into the Princess

    The King commissions portraits of his daughter-in-law Caroline, the estranged wife of the Prince of Wales, and of his granddaughter Charlotte; while painting them Lawrence stays at Montagu House, the princess’s residence in Blackheath, and becomes implicated in the “delicate investigation” into Caroline’s morals. He swears an affidavit that although he had sometimes been alone with her the door was never locked or bolted, and, expertly defended by Spencer Perceval, he is exonerated.

Mais obras de Thomas Lawrence

Todas as obras
Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, Sir Thomas Lawrence, 1790

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby

1790 · Museu Metropolitano de Arte

Portrait de Mr et Mrs John Julius Angerstein, Lawrence, Sir Thomas, 4e quart du XVIIIe siècle (1791)

Portrait de Mr et Mrs John Julius Angerstein

4e quart du XVIIIe siècle (1791) · Museu do Louvre

Le petit orateur.Portrait des enfants d’Ascoyghe Boucherett, Lawrence, Sir Thomas, Fin du XVIIIe siècle - début du XIXè siècle (vers 1799 - 1800)

Le petit orateur.Portrait des enfants d’Ascoyghe Boucherett

Fin du XVIIIe siècle - début du XIXè siècle (vers 1799 - 1800) · Museu do Louvre

Portrait d’Antonio Canova (1757- 1821), sculpteur, Lawrence, Sir Thomas, 1e quart du XIXe siècle (1800 - 1825)

Portrait d’Antonio Canova (1757- 1821), sculpteur

1e quart du XIXe siècle (1800 - 1825) · Museu do Louvre

Lady Mary Templetown and Her Eldest Son, Sir Thomas Lawrence, 1802

Lady Mary Templetown and Her Eldest Son

1802 · Galeria Nacional de Arte

Portrait de Mrs Isaac Cuthbert, Lawrence, Sir Thomas, 1e quart du XIXe siècle (1816 - 1817)

Portrait de Mrs Isaac Cuthbert

1e quart du XIXe siècle (1816 - 1817) · Museu do Louvre

Isabella Wolff, Sir Thomas Lawrence, 1803/15

Isabella Wolff

1803/15 · Art Institute of Chicago

Portrait of Catherine Grey, Lady Manners, Thomas Lawrence, 1794

Portrait of Catherine Grey, Lady Manners

1794 · Museu de Arte de Cleveland

Na mesma sala · Salle 713, Aile Denon, Niveau 1, Museu do Louvre

Página do museu
Paysage avec une rivière et une baie dans le lointain ou Confluent de la Severn et de la Wye, Turner, Joseph Mallord William, 2e quart du XIXe siècle (vers 1845)

Joseph Mallord William Turner

Paysage avec une rivière et une baie dans le lointain ou Confluent de la Severn et de la Wye, 2e quart du XIXe siècle (vers 1845)

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

John Constable

Vallon à Helmingham [Helmingham Dell], 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

John Constable

Vue de Salisbury, 1e quart du XIXe siècle (1820)

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

John Constable

La baie de Weymouth à l'approche de l'orage, 1e quart du XIXe siècle (1818 - 1819)

Portrait de Miss Elizabeth Ann Gosset, Gainsborough, Thomas, 3e tiers du XVIIIe siècle (avant 1772)

Thomas Gainsborough

Portrait de Miss Elizabeth Ann Gosset, 3e tiers du XVIIIe siècle (avant 1772)

Lady Macbeth marchant dans son sommeil, dit aussi Lady Macbeth somnambule, Füssli, Johann Heinrich, 4e quart du XVIIIe siècle (vers 1784)

Johann Heinrich Füssli

Lady Macbeth marchant dans son sommeil, dit aussi Lady Macbeth somnambule, 4e quart du XVIIIe siècle (vers 1784)

Portrait de Francis George Hare (1786-1842) dit Master Hare et dit aussi Infancy, Reynolds, Sir Joshua, 4e quart du XVIIIe siècle (1788 - 1789)

Simon François Ravenet

Portrait de Francis George Hare (1786-1842) dit Master Hare et dit aussi Infancy, 4e quart du XVIIIe siècle (1788 - 1789)

Le Pandemonium, 1841, Martin, John, XIXe siècle (1841)

John Martin

Le Pandemonium, 1841, XIXe siècle (1841)