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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Instituto de Artes de Minneapolis/
  3. Beer Street
Beer Street, William Hogarth, 1751
William Hogarth, retratoWilliam HogarthInglaterra, 1697–1764

Beer Street

1751 · Print · 35.56 × 29.85 cm

Será possível contemplá-la?

De momento, não recebe

Instituto de Artes de Minneapolis

Minneapolis, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1751 · aos 54 anos
16971764
Número de inventário
P.71.161

No catálogo

GravurasÁgua-forteRococóSéculo XVIIIInglaterra

Fontes

  • Instituto de Artes de Minneapolis
  • Imagem: Instituto de Artes de Minneapolis — public domain

Entretanto, na vida de William Hogarth

A vida inteira
  1. 1712–1764 · Local de trabalho

    London

  2. 1749

    A country house in Chiswick

    In 1749 Hogarth bought a country retreat in Chiswick — now Hogarth’s House, a museum — and spent time there for the rest of his life; his main home remained the house in Leicester Fields (now Leicester Square).

  3. 1753

    The treatise “The Analysis of Beauty”

    In 1753 Hogarth published the treatise “The Analysis of Beauty”, in which he declared the S-shaped “line of beauty” — a serpentine line that conveys life and movement — the basis of harmony, and made it his emblem. His adherents praised the book as a fine statement on aesthetics, while enemies and rivals such as Paul Sandby mocked its obscurities and minor errors in endless caricatures.

Mais obras de William Hogarth

Todas as obras
The Sleeping Congregation, William Hogarth, 1728

The Sleeping Congregation

1728 · Instituto de Artes de Minneapolis

The Wedding of Stephen Beckingham and Mary Cox, William Hogarth, 1729

The Wedding of Stephen Beckingham and Mary Cox

1729 · Museu Metropolitano de Arte

Before, William Hogarth, 1730–1731

Before

1730–1731 · Museu J. Paul Getty

After, William Hogarth, 1730–1731

After

1730–1731 · Museu J. Paul Getty

William Hogarth's Business Card, Samuel Ireland after William Hogarth

William Hogarth's Business Card

Não exposta · Galeria Nacional de Arte

Taste in high life, William Hogarth

Taste in high life

Albertina

Lavinia Fenton, Duchess of Bolton, William Hogarth, 18th century

Lavinia Fenton, Duchess of Bolton

18th century · National Gallery

Hogarth's Servants, William Hogarth, 1750s

Hogarth's Servants

1750s · National Gallery

Vizinhas de sala: Instituto de Artes de Minneapolis

Página do museu
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34