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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Hermitage/
  3. Cupids Hunting
Cupids Hunting, Nicolas Poussin, 1630
Nicolas Poussin, retratoNicolas PoussinFrança, 1594–1665

Cupids Hunting

1630 · Painting · 67.5 × 50 cm

Será possível contemplá-la?

Sim, recebe visitas

Hermitage

São Petersburgo, Rússia

Sala279

Exposta ao público. Quem o garante vem indicado abaixo.

Verificado
29 de ago. de 2026
Neste estado desde
30 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1630 · aos 36 anos
15941665
Número de inventário
ГЭ-1196

No catálogo

PinturasÓleoPintura francesaBarrocoSéculo XVIIFrança

Fontes

  • Hermitage
  • Imagem: Hermitage — Museum open access

Entretanto, na vida de Nicolas Poussin

A vida inteira
  1. 1620s

    The Cavaliere Marino takes the painter under his wing

    Poussin’s work caught the attention of the Italian poet Cavaliere Marino, then living in France; his patronage let the thirty-year-old painter work in peace. According to Bellori the poet took him into his house and helped him with the invention of subjects and the rendering of emotion, and in Marino’s house Poussin gained access to a library with treatises by Alberti and Dürer and manuscripts and drawings by Leonardo.

  2. c. 1629

    A grave illness: the Dughet family nurses Poussin

    Around 1629 Poussin fell gravely ill and was nursed by the family of the French pastry-cook Dughet; on recovering he became engaged to the eldest daughter, Anne-Marie. The wedding in the church of San Lorenzo in Lucina took place on 1 September 1630.

  3. 1630

    Gives up monumental commissions

    In 1630 the commission headed by Domenichino and d’Arpino gave the decoration of the Chapel of the Immaculate Conception in San Luigi dei Francesi to the Lorrainer Charles Mellin, not to Poussin. After that he firmly renounced the monumental genre and turned to “cabinet painting” for private patrons.

  4. 9 de agosto de 1630

    Married: Anne-Marie Dughet

  5. 1630s

    Cassiano dal Pozzo — his chief patron

    Poussin’s flowering coincided with his complete abandonment of church commissions: he gathered a circle of patrons around him but strove for independence, accepting commissions from connoisseurs without binding himself to any of them permanently. The most important was Cassiano dal Pozzo; in the surviving correspondence the relationship comes close to servitude, although the painter did not live in his house.

  6. 1632

    Elected to the Academy of St Luke

    In 1632 Poussin was elected a member of the Academy of St Luke — two years after he had given up monumental commissions for cabinet painting.

Mais obras de Nicolas Poussin

Todas as obras
The Abduction of the Sabine Women, Nicolas Poussin, probably 1633–34

The Abduction of the Sabine Women

probably 1633–34 · Museu Metropolitano de Arte

Blind Orion Searching for the Rising Sun, Nicolas Poussin, 1658

Blind Orion Searching for the Rising Sun

1658 · Museu Metropolitano de Arte

La Sainte Famille avec saint Jean, sainte Elisabeth et saint Joseph priant, Poussin, Nicolas, Milieu du XVIIe siècle (vers 1650 - 1951)

La Sainte Famille avec saint Jean, sainte Elisabeth et saint Joseph priant

Milieu du XVIIe siècle (vers 1650 - 1951) · Museu do Louvre

Victory of Joshua over the Amalekites, Nicolas Poussin, 1623

Victory of Joshua over the Amalekites

1623 · Hermitage

Mars et Vénus, Poussin, Nicolas, 1e tiers du XVIIe siècle (vers 1625)

Mars et Vénus

1e tiers du XVIIe siècle (vers 1625) · Museu do Louvre

Bacchanale à la joueuse de guitare, Poussin, Nicolas, 2e quart du XVIIe siècle (vers 1625)

Bacchanale à la joueuse de guitare

2e quart du XVIIe siècle (vers 1625) · Museu do Louvre

La Nourriture de Bacchus, Poussin, Nicolas, 2e quart du XVIIe siècle (vers 1626)

La Nourriture de Bacchus

2e quart du XVIIe siècle (vers 1626) · Museu do Louvre

The Agony in the Garden, Nicolas Poussin, 1626–27

The Agony in the Garden

1626–27 · Museu Metropolitano de Arte

Vizinhas de sala: Hermitage

Página do museu
Madona Litta, Leonardo da Vinci, 1490

Leonardo da Vinci

Madona Litta, 1490

Virgem Benois, Leonardo da Vinci, 15th century

Leonardo da Vinci

Virgem Benois, 15th century

Morning. Going to Work (after Millet ), Vincent van Gogh, 01.1890

Vincent van Gogh

Morning. Going to Work (after Millet ), 01.1890

Thatched Cottages and Houses, Vincent van Gogh, 05.1890

Vincent van Gogh

Thatched Cottages and Houses, 05.1890

White House at Night, Vincent van Gogh, 1890

Vincent van Gogh

White House at Night, 1890

Landscape with House and Ploughman, Vincent van Gogh, 01.12.1889

Vincent van Gogh

Landscape with House and Ploughman, 01.12.1889

Portrait de Madame Trabuc, Vincent van Gogh, 09.1889

Vincent van Gogh

Portrait de Madame Trabuc, 09.1889

Lilac Bush, Vincent van Gogh, 05.1889

Vincent van Gogh

Lilac Bush, 05.1889