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Onde está a obra-prima, e a que horas se abre a porta.

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  1. Coleção/
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  3. A Bank on Hampstead Heath
A Bank on Hampstead Heath, John Constable, 1820s

A Bank on Hampstead Heath

1820s · Painting · 25.4 × 20.6 cm

Pormenores

1820s
17761837
Número de inventário
NG2658

Entretanto, na vida de John Constable

A vida inteira
  1. 1821

    “The Hay Wain” at the Royal Academy

    The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.

  2. 1824

    The Paris Salon: a gold medal

    The Anglo-French dealer John Arrowsmith bought The Hay Wain and other works, and in 1824 they were shown at the Paris Salon, where they caused a sensation. The Hay Wain was awarded a gold medal by Charles X.

  3. 1824

    Delacroix repaints the background of “The Massacre at Chios”

    After seeing Constable’s pictures at Arrowsmith’s gallery, Delacroix repainted the background of his Massacre at Chios, saying the paintings had done him a great deal of good. In his journal he noted that Constable’s meadow greens are a combination of many different shades.

  4. 1824–1828

    The family in Brighton for Maria’s health

    When Maria began to show symptoms of tuberculosis, Constable took lodgings for the family in Brighton in the hope that sea air would restore her health, dividing his time between Brighton and Charlotte Street in London. He was unsure at first that Brighton suited painting, and complained to Fisher that the beach was only Piccadilly by the sea.

  5. 23 November 1828

    The death of his wife Maria

Mais obras de John Constable

Todas as obras

Da coleção: National Gallery

Página do museu

After the birth of their seventh child the family returned to Hampstead, where Maria died of tuberculosis at the age of 41. “Hourly do I feel the loss of my departed Angel,” Constable wrote to his brother.

  • February 1829

    Elected to the Royal Academy at fifty-two

    In February 1829, three months after his wife’s death, Constable was elected a member of the Royal Academy, at the age of 52.

  • John Constable, retratoJohn ConstableReino Unido, 1776–1837

    Será possível contemplá-la?

    Desconhecido

    National Gallery

    Londres, Reino Unido

    O proprietário é conhecido; não se sabe se hoje está exposta.

    Neste estado desde
    29 de set. de 2026
    Fonte
    O museu
    No mapaPágina do museu

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    PinturasPintura britânicaNeoclassicismoRomantismoSéculo XIX

    Fontes

    • Wikidata
    • Imagem: National Gallery — John Constable · Public domain · Wikimedia Commons
    Stoke-by-Nayland, John Constable, ca. 1810–11

    Stoke-by-Nayland

    ca. 1810–11 · Museu Metropolitano de Arte

    Wivenhoe Park, Essex, John Constable, 1816

    Wivenhoe Park, Essex

    1816 · Galeria Nacional de Arte

    The White Horse, John Constable, 1818-1819

    The White Horse

    1818-1819 · Galeria Nacional de Arte

    La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

    La baie de Weymouth à l'approche de l'orage

    1e quart du XIXe siècle (1818 - 1819) · Museu do Louvre

    Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

    Salisbury Cathedral from Lower Marsh Close

    1820 · Galeria Nacional de Arte

    Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

    Vue de Salisbury

    1e quart du XIXe siècle (1820) · Museu do Louvre

    Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

    Vallon à Helmingham [Helmingham Dell]

    1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · Museu do Louvre

    Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

    Salisbury Cathedral from the Bishop's Grounds

    ca. 1825 · Museu Metropolitano de Arte

    Virgin of the Rocks, Leonardo da Vinci, 1490s

    Leonardo da Vinci

    Virgin of the Rocks, 1490s

    Long Grass with Butterflies, Vincent van Gogh, 1890

    Vincent van Gogh

    Long Grass with Butterflies, 1890

    Farms near Auvers, Vincent van Gogh, 1890

    Vincent van Gogh

    Farms near Auvers, 1890

    A Wheatfield, with Cypresses, Vincent van Gogh, 1889

    Vincent van Gogh

    A Wheatfield, with Cypresses, 1889

    Head of a Peasant Woman, Vincent van Gogh, 1885

    Vincent van Gogh

    Head of a Peasant Woman, 1885

    The Entombment, Michelangelo, c. 1500s

    Michelangelo

    O Sepultamento de Cristo, c. 1500s

    Manchester Madonna, Michelangelo, c. 1494

    Michelangelo

    Madona de Manchester, c. 1494

    Irises, Claude Monet, 1910s

    Claude Monet

    Irises, 1910s