Working Model for UNESCO Reclining Figure, Henry Moore, 1957
Henry Moore, portretHenry MooreEngeland, 1898–1986

Working Model for UNESCO Reclining Figure

1957 · Sculpture

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Waar is „Working Model for UNESCO Reclining Figure” nu? Art Institute of Chicago, Gallery 389 (corridor), Chicago. Ja, nu te zien. Gecontroleerd 29 september 2026.

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Over de sculptuur

In the 1950s, Henry Moore executed a number of important public commissions, including Reclining Figure for the headquarters of the United Nations Educational, Scientific, and Cultural Organization in Paris. The Art Institute’s sculpture is one of six smaller bronze versions of the unique, over-16-foot-long marble figure that Moore installed at UNESCO in 1958. The artist looked to many cultures—particularly to enduring examples of art from ancient Greece and the Yucatán region of Mexico—to give his figural works their monumental forms and profound resonance with the art of the past. This reclining figure connects not only to history but also to the earth—its swelling masses and rounded voids suggest the female form as well as a landscape of valleys, mountains, and caves.

Art Institute of ChicagoCC BY 4.0

Gegevens

Inventarisnummer
1960.9

Wat het toont

In de catalogus

Bronnen

In het leven van Henry Moore

Het hele leven
  1. 1940–1986

    A bomb in Hampstead: the move to Hoglands

    In September 1940 bomb shrapnel hit the Moores’ Hampstead home and they left London for Hoglands, a farmhouse in the hamlet of Perry Green near Much Hadham in Hertfordshire. It remained Moore’s home and workshop for the rest of his life; though he grew wealthy he never felt the need to move to larger premises.

  2. 1950s

    Assistants at Much Hadham

    In the 1950s the scale of Moore’s sculptures grew so much that he took on a growing number of assistants at Much Hadham, among them Anthony Caro, Roland Piché, Maurice Lowe and Richard Wentworth.

  3. 16 juli 1955 – 18 september 1955

    Exhibition: documenta

  4. 11 juli 1959 – 11 oktober 1959

    Exhibition: Documenta II

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