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StartpaginaKaartCatalogus
  1. Collectie/
  2. Art Institute of Chicago/
  3. Untitled
Untitled, Yves Tanguy, 1928
YYves TanguyVerenigde Staten, 1900–1955

Untitled

1928 · Painting

Over het schilderij

The largely self-taught Yves Tanguy decided to become an artist around 1923, when he was inspired by a painting by Giorgio de Chirico that he saw in a shop window. Tanguy became interested in Surrealism a year later, after reading the periodical La révolution surréaliste. André Breton welcomed him into the Surrealist group in 1925. Inspired by the metaphysical qualities of de Chirico’s work, as well as the biomorphic forms of Jean Arp, Max Ernst, and Joan Miró, Tanguy quickly developed his own fantastic vocabulary of organic, amoeba-like shapes that populate mysterious, dreamlike settings.

Verder lezen

Tanguy painted this primordial landscape on a hinged wooden screen. Little information exists about the circumstances of the work’s making, but the artist probably intended it for a patron’s home, since many Surrealists were interested in the decorative arts and produced folding screens, furniture, and other domestic objects. In this unusual example, although the screen retains the potential to close off the private sphere, it simultaneously opens up more intimate dreams and fantasies to the outside world.

Art Institute of Chicago · CC BY 4.0

Gegevens

1928 · op 28-jarige leeftijd
19001955
Inventarisnummer
1988.434a-b

Intussen, in het leven van Yves Tanguy

Het hele leven
  1. 1927

    His first solo exhibition in Paris

    Having quickly developed a style of his own, he gives his first solo exhibition in Paris.

  2. 1927

    Marries Jeannette Ducrocq

    Later that same year he marries Jeannette Ducrocq (1896–1977), his first wife.

  3. c. 1927

    A contract with Breton for twelve paintings a year

    André Breton gives him a contract to paint twelve pieces a year. With a fixed income, Tanguy paints less and ends up creating only eight works for Breton.

  4. 3 December 1930

    Right-wing activists storm a screening of “L’Âge d’Or”

    Activists of the right-wing Ligue des patriotes storm the lobby of the cinema at an early screening of Buñuel and Dalí’s film “L’Âge d’Or” and destroy works by Dalí, Miró, Man Ray and other Surrealists. Tanguy’s painting “Fraud in the Garden” (1930) is among those slashed; it has since been restored.

  5. 1930s

    His influence on younger Surrealist painters

    His style becomes an important influence on several younger painters — Roberto Matta, Wolfgang Paalen, Toyen and Esteban Francés — who adopt a Surrealist style in the 1930s.

  6. 1930s

    A bohemian life and the failure of his first marriage

Meer van Yves Tanguy

Alle werken

In dezelfde zaal · Gallery 395, Art Institute of Chicago

Museumpagina

Over hetzelfde thema · Landscape

Alle werken over dit thema

Throughout the 1930s Tanguy embraces the bohemian lifestyle of the struggling artist with gusto, which eventually leads to the failure of his first marriage, to Jeannette Ducrocq.

Mag men het zien?

Ja, het ontvangt bezoek

Art Institute of Chicago

Chicago, Verenigde Staten

Zaal395

Publiek tentoongesteld. Wie daarvoor instaat, staat hieronder.

Gecontroleerd
3 dagen geleden
Ongewijzigd sinds
28 sep 2026
Bron
Het museum
Op de kaartMuseumpagina

Wat het toont

LandscapeHemelgewelfBlack (color)CloudsBiomorphicJoseph Winterbotham Collection

In de catalogus

SchilderijenOlieverfFranse schilderkunstAmerikaanse schilderkunstModernisme20e eeuwSurrealismeVerenigde Staten

Bronnen

  • Art Institute of Chicago
  • Afbeelding: Art Institute of Chicago — © the artist or rights holder
The Look of Amber, Yves Tanguy, 1929

The Look of Amber

1929 · National Gallery of Art

Untitled, Yves Tanguy, 1926

Untitled

1926 · Art Institute of Chicago

Title Unknown, Yves Tanguy, 1928

Title Unknown

1928 · Cleveland Museum of Art

The Certitude of the Never Seen, Yves Tanguy, 1933

The Certitude of the Never Seen

1933 · Art Institute of Chicago

Untitled, Yves Tanguy, 1940

Untitled

1940 · Art Institute of Chicago

Untitled, Yves Tanguy, 1949

Untitled

1949 · Art Institute of Chicago

Thar, Yves Tanguy, 1952

Thar

1952 · Art Institute of Chicago

Untitled, Yves Tanguy, 1936

Untitled

1936 · Niet te zien · National Gallery of Art

The Plough and the Song, Arshile Gorky, 1946–47

Arshile Gorky

The Plough and the Song, 1946–47

Spoon Woman, Alberto Giacometti, 1926–27 (cast 1954)

Alberto Giacometti

Spoon Woman, 1926–27 (cast 1954)

Golden Bird, Constantin Brancusi, 1919/20 (base c. 1922)

Constantin Brancusi

Golden Bird, 1919/20 (base c. 1922)

Averno, Richard Rezac, 2020

Richard Rezac

Averno, 2020

Veil, Richard Rezac, 1987

Richard Rezac

Veil, 1987

Vigil, Richard Rezac, 1986

Richard Rezac

Vigil, 1986

All Alone, Jean Fautrier, 1957

Jean Fautrier

All Alone, 1957

Cyclops, William Baziotes, 1947

William Baziotes

Cyclops, 1947

Wheat Field with Cypresses, Vincent van Gogh, 1889

Vincent van Gogh

Wheat Field with Cypresses, 1889

Metropolitan Museum of Art

Houses on the Achterzaan, Claude Monet, 1871

Claude Monet

Houses on the Achterzaan, 1871

Metropolitan Museum of Art

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Landschap met stenen brug, c. 1638

Rijksmuseum Amsterdam

Hiëronymus lezend in een Italiaans landschap, Rembrandt van Rijn, c. 1653

Rembrandt van Rijn

Hiëronymus lezend in een Italiaans landschap, c. 1653

Rijksmuseum Amsterdam

From Glacier Point, Ansel Adams, 1927

Ansel Adams

From Glacier Point, 1927

Niet te zien · National Gallery of Art

Oak Tree, Snowstorm, Yosemite National Park, California, Ansel Adams, 1948, printed 1981

Ansel Adams

Oak Tree, Snowstorm, Yosemite National Park, California, 1948, printed 1981

Niet te zien · National Gallery of Art

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, Ansel Adams, c. 1935, printed 1979

Ansel Adams

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, c. 1935, printed 1979

Niet te zien · National Gallery of Art

Canyon de Chelly National Monument, Arizona, Ansel Adams, 1942, printed 1981

Ansel Adams

Canyon de Chelly National Monument, Arizona, 1942, printed 1981

Niet te zien · National Gallery of Art