Willem de KooningVerenigde Staten, 1904–1997Untitled (Massacre Scene)
Kan ik het zien?
Nu niet te zien
Waar is „Untitled (Massacre Scene)” nu? Collectie: Art Institute of Chicago, Chicago. Nu niet te zien. Gecontroleerd 29 september 2026.
Chicago, Verenigde Staten
Het hoort bij de collectie, maar is momenteel niet tentoongesteld.
- Gecontroleerd
- Ongewijzigd sinds
- Bron
- Het museum
Gegevens
- Inventarisnummer
- 2023.3019
In de catalogus
Bronnen
- Art Institute of Chicago
- Afbeelding: Art Institute of Chicago — © the artist or rights holder
In het leven van Willem de Kooning
Het hele leventurn of the 1930s and 1940s
His own manner takes shape
De Kooning’s individual manner took shape at the turn of the 1930s and 1940s under the influence of Picasso and Miró.
1940s
Meets Franz Kline
De Kooning met the younger painter Franz Kline, who was also working in the figurative style of American realism and had been drawn to monochrome. Kline, who died young, became one of De Kooning’s closest artist friends; his influence is evident in De Kooning’s calligraphic black images of this period.
1943
Married: Elaine de Kooning
1943–1957
An “open” marriage with Elaine
Willem and Elaine’s marriage was later called an open marriage: both were casual about sex and about each other’s affairs. Elaine had affairs with men who helped further Willem’s career, such as the art critic Harold Rosenberg, the ARTnews editor Thomas B. Hess and Charles Egan, owner of the Charles Egan Gallery.
