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StartpaginaKaartCatalogus
  1. Collectie/
  2. Art Institute of Chicago/
  3. Study for "Glazier" (Self-Portrait)
Study for "Glazier" (Self-Portrait), Willem de Kooning, c. 1938
Willem de Kooning, portretWillem de KooningVerenigde Staten, 1904–1997

Study for "Glazier" (Self-Portrait)

c. 1938 · Drawing and Watercolor

Mag men het zien?

Ontvangt momenteel niet

Art Institute of Chicago

Chicago, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
eergisteren
Ongewijzigd sinds
2 okt 2026
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

c. 1938
19041997
Inventarisnummer
2023.3034

In de catalogus

Tekeningen & aquarellenPotloodModernisme20e eeuwVerenigde Staten

Komen en gaan

  1. Momenteel niet te zien

    Art Institute of Chicago · 2 okt 2026 — nu · Gecontroleerd

  2. Te zien · Regenstein Hall

    Art Institute of Chicago · 28 sep 2026 — 2 okt 2026 · Gecontroleerd

Bronnen

  • Art Institute of Chicago
  • Afbeelding: Art Institute of Chicago — © the artist or rights holder

Intussen, in het leven van Willem de Kooning

Het hele leven
  1. 1937

    Leaves the Federal Project: no citizenship

    In 1937 De Kooning had to leave the Federal Art Project because he did not have U.S. citizenship, and he began to work full-time as an artist, earning income from commissions and by giving lessons.

  2. 1938

    Meets Elaine Fried

    In 1938 her teacher introduced Elaine Fried, then 20 and an admirer of Willem’s work, to the 34-year-old De Kooning in a Manhattan cafeteria. He began to teach her drawing and painting in his loft on West 21st Street, sternly demanding precise linear definition, and destroyed many of her drawings, which impelled Elaine to strive for both precision and grace.

  3. turn of the 1930s and 1940s

    His own manner takes shape

    De Kooning’s individual manner took shape at the turn of the 1930s and 1940s under the influence of Picasso and Miró.

  4. 1940s

    Meets Franz Kline

    De Kooning met the younger painter Franz Kline, who was also working in the figurative style of American realism and had been drawn to monochrome. Kline, who died young, became one of De Kooning’s closest artist friends; his influence is evident in De Kooning’s calligraphic black images of this period.

Meer van Willem de Kooning

Alle werken
Painting, Willem de Kooning, 1948

Painting

1948 · Museum of Modern Art

Woman, II, Willem de Kooning, 1952

Woman, II

1952 · Museum of Modern Art

Litho #2 (Waves #2), Willem de Kooning, 1960

Litho #2 (Waves #2)

1960 · Art Institute of Chicago

Joe Gould, Willem de Kooning, (n.d.)

Joe Gould

(n.d.) · Niet te zien · Museum of Modern Art

Legend and Fact, Willem de Kooning, 1940

Legend and Fact

1940 · Niet te zien · National Gallery of Art

Valentine, Willem de Kooning, 1947

Valentine

1947 · Niet te zien · Museum of Modern Art

Night, Willem de Kooning, 1948

Night

1948 · Niet te zien · Minneapolis Institute of Art

Woman, Willem de Kooning, 1949-50

Woman

1949-50 · Niet te zien · Museum of Modern Art

Buren in huis: Art Institute of Chicago

Museumpagina
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Dimanche d'été à la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Rue de Paris, temps de pluie, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Twee zusjes, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

Mand met appelen, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942