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StartpaginaKaartCatalogus
  1. Collectie/
  2. Art Institute of Chicago/
  3. St. George's Chapel, Windsor
St. George's Chapel, Windsor, William Henry Fox Talbot, c. 1843/47
William Henry Fox Talbot, portretWilliam Henry Fox TalbotEngeland, 1800–1877

St. George's Chapel, Windsor

c. 1843/47 · Photograph

Mag men het zien?

Ontvangt momenteel niet

Art Institute of Chicago

Chicago, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
3 dagen geleden
Ongewijzigd sinds
19 aug 2026
Bron
Het museum
Op de kaartMuseumpagina

Over het werk

William Henry Fox Talbot was one of the inventors of photography, developing the first positive-negative process. Although he did use his technique to produce portraits, the lengthy exposure time made it better suited to still lifes and architectural studies. Talbot received special permission to photograph inside the precincts of Windsor Castle (his half-sister was a lady in waiting to Queen Victoria, an avid supporter of photography). There he produced, among other images, this photograph of Saint George’s chapel, the castle’s place of worship.

Art Institute of Chicago · CC BY 4.0

Gegevens

c. 1843/47
18001877
Inventarisnummer
1967.157

Wat het toont

Collected by Hugh Edwards

In de catalogus

Foto’sZoutdrukRomantiekRealisme19e eeuwEngeland

Bronnen

  • Art Institute of Chicago
  • Afbeelding: Art Institute of Chicago — CC0

Intussen, in het leven van William Henry Fox Talbot

Het hele leven
  1. 1840–1841

    Post: High Sheriff of Wiltshire

  2. 1840s

    Photomechanics: the road to photogravure

    In the 1840s Talbot turned to the photomechanical reproduction of pictures; this work led to photoglyphic engraving, the precursor of photogravure. Rendering a photograph in printer’s ink made editions cheaper and avoided the fading of early silver prints.

  3. February 1841

    Patents the calotype

    Talbot obtained an English patent for the calotype process and sold licences at £20 each, later lowering the fee for amateurs to £4 while professionals paid up to £300 a year; scientists saw it as a hindrance to scientific freedom. He justified his rigour by the roughly £5,000 he had spent on photography; for science the method was free, and Talbot himself published the first known photomicrograph of a mineral crystal.

  4. August 1841

    First licence goes to the miniaturist Henry Collen

    Having announced the calotype, in August Talbot licensed the miniature painter Henry Collen, who became the first professional calotypist. The most celebrated practitioners of the process were Hill & Adamson.

  5. 1842

    Birth of his son Charles Henry

    Charles Henry Talbot was born into the Talbot family; with his birth the nursemaid Eliza Frayland joined the household, later captured in the family calotype of 1844.

  6. 1844–1846

    “The Pencil of Nature”, the first photobook, appears

    Longman, Brown, Green & Longmans issued the book in separate parts: 24 prints, each pasted in by hand and accompanied by a short text. Talbot is regarded as the author of the first photographic book; scholars see in it the design of a new canon built on biblical rhetoric.

Meer van William Henry Fox Talbot

Alle werken
Oak Tree, William Henry Fox Talbot, mid-1840s

Oak Tree

mid-1840s · Niet te zien · National Gallery of Art

Lace, William Henry Fox Talbot, 1840s

Lace

1840s · Niet te zien · Museum of Modern Art

Leaf Study, William Henry Fox Talbot, 1839/1840

Leaf Study

1839/1840 · Niet te zien · National Gallery of Art

Lace, William Henry Fox Talbot, 1839-1844

Lace

1839-1844 · Niet te zien · National Gallery of Art

Porseleinen beeld naar Giambologna, voorstellende de Sabijnse maagdenroof, William Henry Fox Talbot, in or after 1839-04 - in or before 1840-04

Porseleinen beeld naar Giambologna, voorstellende de Sabijnse maagdenroof

in or after 1839-04 - in or before 1840-04 · Rijksmuseum Amsterdam

Entrée van de Magdalen College Chapel in Oxford, William Henry Fox Talbot, c. 1840 - c. 1850

Entrée van de Magdalen College Chapel in Oxford

c. 1840 - c. 1850 · Rijksmuseum Amsterdam

[Group of Trees from the American Walnut], William Henry Fox Talbot, June 1, 1840

[Group of Trees from the American Walnut]

June 1, 1840 · Niet te zien · J. Paul Getty Museum

Winter Trees, Reflected in a Pond, William Henry Fox Talbot, 1841-1842

Winter Trees, Reflected in a Pond

1841-1842 · Niet te zien · National Gallery of Art

Buren in huis: Art Institute of Chicago

Museumpagina
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Dimanche d'été à la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Rue de Paris, temps de pluie, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Twee zusjes, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

Mand met appelen, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942