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Waar het meesterwerk hangt en wanneer men u toelaat.

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StartpaginaKaartCatalogus
  1. Collectie/
  2. National Gallery of Art/
  3. Lace
Lace, William Henry Fox Talbot, 1839-1844
William Henry Fox Talbot, portretWilliam Henry Fox TalbotEngeland, 1800–1877

Lace

1839-1844 · Photograph

Mag men het zien?

Ontvangt momenteel niet

National Gallery of Art

Washington D.C., Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
3 dagen geleden
Ongewijzigd sinds
19 aug 2026
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1839-1844
18001877
Inventarisnummer
1995.36.116

Wat het toont

Object

In de catalogus

Foto’sRomantiek19e eeuwBritish

Bronnen

  • National Gallery of Art
  • Afbeelding: National Gallery of Art — Museum open access

Intussen, in het leven van William Henry Fox Talbot

Het hele leven
  1. 1837 · Onderscheiding

    Royal Society Bakerian Medal

  2. 25 January 1839

    First showing of photographs at the Royal Institution

    Shortly after Louis Daguerre’s daguerreotype was announced in early January, Talbot asserted his priority and, at a Friday Evening Discourse at the Royal Institution, exhibited several paper photographs he had made in 1835. Within a fortnight he described the nature of his process to the Royal Society, while Daguerre revealed no useful details of his own until mid-August.

  3. 1840

    Invents the calotype

    Talbot found a way to print any number of positives on salted paper from a paper negative; new chemicals cut the exposure to a minute in bright sunlight. He called the method the “calotype” (from kalos, beautiful), informally the “talbotype”: unlike the daguerreotype with its single positive, it effectively created modern photography.

  4. 1840–1841

    Post: High Sheriff of Wiltshire

  5. February 1841

    Patents the calotype

    Talbot obtained an English patent for the calotype process and sold licences at £20 each, later lowering the fee for amateurs to £4 while professionals paid up to £300 a year; scientists saw it as a hindrance to scientific freedom. He justified his rigour by the roughly £5,000 he had spent on photography; for science the method was free, and Talbot himself published the first known photomicrograph of a mineral crystal.

  6. 1844–1846

    “The Pencil of Nature”, the first photobook, appears

    Longman, Brown, Green & Longmans issued the book in separate parts: 24 prints, each pasted in by hand and accompanied by a short text. Talbot is regarded as the author of the first photographic book; scholars see in it the design of a new canon built on biblical rhetoric.

Meer van William Henry Fox Talbot

Alle werken
Oak Tree, William Henry Fox Talbot, mid-1840s

Oak Tree

mid-1840s · Niet te zien · National Gallery of Art

Lace, William Henry Fox Talbot, 1840s

Lace

1840s · Niet te zien · Museum of Modern Art

Leaf Study, William Henry Fox Talbot, 1839/1840

Leaf Study

1839/1840 · Niet te zien · National Gallery of Art

Porseleinen beeld naar Giambologna, voorstellende de Sabijnse maagdenroof, William Henry Fox Talbot, in or after 1839-04 - in or before 1840-04

Porseleinen beeld naar Giambologna, voorstellende de Sabijnse maagdenroof

in or after 1839-04 - in or before 1840-04 · Rijksmuseum Amsterdam

Entrée van de Magdalen College Chapel in Oxford, William Henry Fox Talbot, c. 1840 - c. 1850

Entrée van de Magdalen College Chapel in Oxford

c. 1840 - c. 1850 · Rijksmuseum Amsterdam

[Group of Trees from the American Walnut], William Henry Fox Talbot, June 1, 1840

[Group of Trees from the American Walnut]

June 1, 1840 · Niet te zien · J. Paul Getty Museum

Winter Trees, Reflected in a Pond, William Henry Fox Talbot, 1841-1842

Winter Trees, Reflected in a Pond

1841-1842 · Niet te zien · National Gallery of Art

Portrait of Nicolaas Henneman, William Henry Fox Talbot, 1842

Portrait of Nicolaas Henneman

1842 · Rijksmuseum Amsterdam

Buren in huis: National Gallery of Art

Museumpagina
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portret van Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Meisje in Wit, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Boerderij in de Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Over hetzelfde thema · Object

Alle werken over dit thema
The White Tombstone, San Francisco, California, Ansel Adams, 1934, printed before 1952

Ansel Adams

The White Tombstone, San Francisco, California, 1934, printed before 1952

Niet te zien · National Gallery of Art

Crabs, Andy Warhol, February 1982

Andy Warhol

Crabs, February 1982

Niet te zien · National Gallery of Art

Candy Box, Andy Warhol, 1981

Andy Warhol

Candy Box, 1981

Niet te zien · National Gallery of Art

Easter Eggs, Andy Warhol, 1982

Andy Warhol

Easter Eggs, 1982

Niet te zien · National Gallery of Art

Shoes, Andy Warhol, 1980

Andy Warhol

Shoes, 1980

Niet te zien · National Gallery of Art

The Pearl Necklace, Timothy Cole after Johannes Vermeer, 1916

Johannes Vermeer

The Pearl Necklace, 1916

Niet te zien · National Gallery of Art

The Pearl Necklace, Timothy Cole after Johannes Vermeer, 1916

Johannes Vermeer

The Pearl Necklace, 1916

Niet te zien · National Gallery of Art

Basket, Paul Cezanne, 1877/1900

Paul Cézanne

Basket, 1877/1900

Niet te zien · National Gallery of Art