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StartpaginaKaartCatalogus
  1. Collectie/
  2. Art Institute of Chicago/
  3. Furness Abbey
Furness Abbey, William Henry Fox Talbot, c.1853/58
William Henry Fox Talbot, portretWilliam Henry Fox TalbotEngeland, 1800–1877

Furness Abbey

c.1853/58 · Photograph

Mag men het zien?

Ontvangt momenteel niet

Art Institute of Chicago

Chicago, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
3 dagen geleden
Ongewijzigd sinds
19 aug 2026
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

c.1853/58
18001877
Inventarisnummer
1974.366

In de catalogus

Foto’sRealisme19e eeuwEngeland

Bronnen

  • Art Institute of Chicago
  • Afbeelding: Art Institute of Chicago — CC0

Intussen, in het leven van William Henry Fox Talbot

Het hele leven
  1. 1822–1872

    Half a century of papers for the Royal Society

    From 1822 to 1872 Talbot communicated papers to the Royal Society of London, a large share of them on mathematical subjects.

  2. 1851

    Archer’s collodion process displaces the calotype

    In the year of Daguerre’s death Frederick Scott Archer publicised the wet collodion process with a glass negative, which soon replaced the calotype in commercial use. Reading his patent broadly, Talbot declared that collodion users, too, needed his licence.

  3. 1852

    Dichromated gelatine: the basis of carbon printing

    Talbot discovered that gelatine treated with potassium dichromate (a sensitiser introduced by Mungo Ponton in 1839) becomes less soluble on exposure to light. This later gave rise to carbon printing, and dichromated gelatine is still used in laser holography.

  4. August 1852

    An open letter in The Times against the patent

    Lord Rosse, President of the Royal Society, and Charles Lock Eastlake, President of the Royal Academy, called on Talbot to ease the patent pressure that was stifling photography. Talbot waived the fees for amateurs but went on suing professional portrait photographers.

  5. 1854

    The case of Talbot v. Laroche

    Talbot sought to extend his 14-year patent while the court heard his suit against the photographer Martin Laroche: the jury upheld the patent but found that Laroche, working in collodion, did not infringe it. Disappointed, Talbot chose not to extend the patent.

Meer van William Henry Fox Talbot

Alle werken
Oak Tree, William Henry Fox Talbot, mid-1840s

Oak Tree

mid-1840s · Niet te zien · National Gallery of Art

Lace, William Henry Fox Talbot, 1840s

Lace

1840s · Niet te zien · Museum of Modern Art

Leaf Study, William Henry Fox Talbot, 1839/1840

Leaf Study

1839/1840 · Niet te zien · National Gallery of Art

Lace, William Henry Fox Talbot, 1839-1844

Lace

1839-1844 · Niet te zien · National Gallery of Art

Porseleinen beeld naar Giambologna, voorstellende de Sabijnse maagdenroof, William Henry Fox Talbot, in or after 1839-04 - in or before 1840-04

Porseleinen beeld naar Giambologna, voorstellende de Sabijnse maagdenroof

in or after 1839-04 - in or before 1840-04 · Rijksmuseum Amsterdam

Entrée van de Magdalen College Chapel in Oxford, William Henry Fox Talbot, c. 1840 - c. 1850

Entrée van de Magdalen College Chapel in Oxford

c. 1840 - c. 1850 · Rijksmuseum Amsterdam

[Group of Trees from the American Walnut], William Henry Fox Talbot, June 1, 1840

[Group of Trees from the American Walnut]

June 1, 1840 · Niet te zien · J. Paul Getty Museum

Winter Trees, Reflected in a Pond, William Henry Fox Talbot, 1841-1842

Winter Trees, Reflected in a Pond

1841-1842 · Niet te zien · National Gallery of Art

Buren in huis: Art Institute of Chicago

Museumpagina
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Dimanche d'été à la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Rue de Paris, temps de pluie, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Twee zusjes, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

Mand met appelen, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942