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StartpaginaKaartCatalogus
  1. Collectie/
  2. Art Institute of Chicago/
  3. Botanical Specimen
Botanical Specimen, William Henry Fox Talbot, c. 1835
William Henry Fox Talbot, portretWilliam Henry Fox TalbotEngeland, 1800–1877

Botanical Specimen

c. 1835 · Photograph

Mag men het zien?

Ontvangt momenteel niet

Art Institute of Chicago

Chicago, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
3 dagen geleden
Ongewijzigd sinds
19 aug 2026
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

c. 1835
18001877
Inventarisnummer
1972.324

In de catalogus

Foto’sRomantiek19e eeuwEngeland

Bronnen

  • Art Institute of Chicago
  • Afbeelding: Art Institute of Chicago — CC0

Intussen, in het leven van William Henry Fox Talbot

Het hele leven
  1. 10 december 1832 – 29 december 1834

    Post: member of the 11th Parliament of the United Kingdom

  2. 1832–1835 · Loopbaan

    Parliament for Chippenham

    A moderate Reformer who generally supported the Whig ministers, Talbot sat in Parliament for Chippenham and retired from it in 1835.

  3. early 1834

    Photographic experiments begin

    In early 1834 Talbot began the experiments on which he later based his claim to priority of invention. For his “photogenic drawing” he bathed writing paper in a weak solution of table salt and brushed it with a strong solution of silver nitrate; unlike Thomas Wedgwood and Nicéphore Niépce, he found ways to fix the image chemically so that it would not darken in daylight.

  4. 1835

    The first negative on salted paper

    Talbot made his first negative on paper soaked in silver nitrate and a salt solution, as he later recounted in “The Pencil of Nature”. Among his early pictures is the window of his own library, taken from inside with a camera whose optical lens measured only 8 centimetres.

  5. 1836

    Daughter born: Ella Talbot

  6. 1836

    Discovers the Talbot effect

    In a paper in the Philosophical Magazine Talbot described how the image of a diffraction grating periodically changed colour as the focusing lens was moved away from it; the paper offered neither measurements nor an explanation. The self-imaging of a periodic grating is now called the Talbot effect.

Meer van William Henry Fox Talbot

Alle werken
Oak Tree, William Henry Fox Talbot, mid-1840s

Oak Tree

mid-1840s · Niet te zien · National Gallery of Art

Lace, William Henry Fox Talbot, 1840s

Lace

1840s · Niet te zien · Museum of Modern Art

Leaf Study, William Henry Fox Talbot, 1839/1840

Leaf Study

1839/1840 · Niet te zien · National Gallery of Art

Lace, William Henry Fox Talbot, 1839-1844

Lace

1839-1844 · Niet te zien · National Gallery of Art

Porseleinen beeld naar Giambologna, voorstellende de Sabijnse maagdenroof, William Henry Fox Talbot, in or after 1839-04 - in or before 1840-04

Porseleinen beeld naar Giambologna, voorstellende de Sabijnse maagdenroof

in or after 1839-04 - in or before 1840-04 · Rijksmuseum Amsterdam

Entrée van de Magdalen College Chapel in Oxford, William Henry Fox Talbot, c. 1840 - c. 1850

Entrée van de Magdalen College Chapel in Oxford

c. 1840 - c. 1850 · Rijksmuseum Amsterdam

[Group of Trees from the American Walnut], William Henry Fox Talbot, June 1, 1840

[Group of Trees from the American Walnut]

June 1, 1840 · Niet te zien · J. Paul Getty Museum

Winter Trees, Reflected in a Pond, William Henry Fox Talbot, 1841-1842

Winter Trees, Reflected in a Pond

1841-1842 · Niet te zien · National Gallery of Art

Buren in huis: Art Institute of Chicago

Museumpagina
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Dimanche d'été à la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Rue de Paris, temps de pluie, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Twee zusjes, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

Mand met appelen, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942