The Steerage, Alfred Stieglitz, 1907, printed 1911
Alfred Stieglitzの肖像Alfred Stieglitzアメリカ合衆国, 1864–1946

The Steerage

1907, printed 1911 · Photograph

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ワシントンD.C., アメリカ合衆国

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1949.3.294

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その頃、Alfred Stieglitzの人生では

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  1. 25 November 1905

    The 291 gallery opens on Fifth Avenue

    On November 25, 1905, the Little Galleries of the Photo-Secession opened at 291 Fifth Avenue with one hundred prints by thirty-nine photographers; Edward Steichen had encouraged Stieglitz to lease the three rooms across from his own apartment. The gallery was an instant success, with almost fifteen thousand visitors in its first season and print sales of nearly $2,800, more than half of them Steichen's work.

  2. 1907

    Paris: Gertrude Stein and a turn to painting

    In Paris in 1907 Stieglitz met Gertrude Stein and was captivated by Rodin, Matisse, Toulouse-Lautrec, Cézanne and Rousseau. He decided to turn his photography gallery into a full art gallery to introduce the conservative American public to the newest European art.

  3. 1907

    Pamela Colman Smith's drawings at 291

    In December 1906 Stieglitz met the 28-year-old artist Pamela Colman Smith and decided to show her drawings and watercolours, thinking it “highly instructive to compare drawings and photographs”. Her show, which opened in January 1907, drew far more visitors than any previous photography show, and all her works were sold.

  4. January – April 1908

    Rodin and Matisse at 291

    In January 1908 Stieglitz showed drawings by Rodin at his gallery, and in April an exhibition of Matisse, beginning his campaign to introduce the American public to the newest European art.

  5. 1910

    The Albright show and a new round of attacks

    In 1910 the director of the Albright Art Gallery invited Stieglitz to organise a major show of the best contemporary photography, which provoked a new round of attacks: American Photography magazine called the Photo-Secession “a reactionary force of the most dangerous type”. “The reputation, not only of the Photo-Secession, but of photography is at stake,” Stieglitz wrote to the photographer George Seeley.

  6. March – April 1911

    Cézanne watercolours and Picasso drawings at 291

    In March 1911 Stieglitz presented Cézanne's watercolours to the American public, and in April drawings and watercolours by Picasso.

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