Still Life, Juan Gris, 1917
Juan Grisの肖像Juan Grisスペイン王国, 1887–1927

Still Life

1917 · Painting · 73.03 × 91.92 cm

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ミネアポリス美術館

ミネアポリス, アメリカ合衆国

展示室G367

一般公開されています。

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作品データ

収蔵番号
51.20

カタログ収録

出典

その頃、Juan Grisの人生では

生涯をすべて見る
  1. 1910s–1920s

    The pupil Picasso “wished away”

    Gris regarded Picasso as a teacher, but according to Gertrude Stein in The Autobiography of Alice B. Toklas, Picasso treated him with undisguised irritation: Gris was the only person Picasso wished away. At first Gris was spoken of only as Picasso’s follower, but when he became an independent artist and one of the leaders of Cubism, Picasso grew jealous.

  2. 1913–1918

    From Analytical to Synthetic Cubism

    At first Gris painted in the style of Analytical Cubism, a term he himself later coined; after 1913 he converted to Synthetic Cubism, making extensive use of papier collé, or collage, an evolution that ran through 1914–1918. Unlike Picasso and Braque, whose Cubist works were practically monochromatic, he painted in bright harmonious colours in daring, novel combinations, in the manner of his friend Matisse.

  3. 1915

    Modigliani paints Gris’s portrait

    In 1915 his friend Amedeo Modigliani painted his portrait.

  4. 1919

    His first solo exhibition, in Paris

    Gris’s first solo exhibition took place in Paris in 1919.

  5. 1919–1920

    Critics begin to write about “synthetic” Cubism

    In 1919 and particularly 1920, artists and critics began to write conspicuously about this “synthetic” approach and to assert its importance in the overall scheme of advanced Cubism.

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