
Alfred Stieglitzアメリカ合衆国, 1864–1946Self-Portrait
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『Self-Portrait』は今どこに? 所蔵: ナショナル・ギャラリー, ワシントンD.C. 現在は展示されていません. 確認 2026年10月12日.
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- 美術館
作品データ
- 収蔵番号
- 2011.32.1
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出典
- ナショナル・ギャラリー
- 画像: ナショナル・ギャラリー — © the artist or rights holder
その頃、Alfred Stieglitzの人生では
生涯をすべて見る1896
Vice-president of the new Camera Club
In May 1896 two organisations merged to form the Camera Club of New York; offered the presidency, Stieglitz became vice-president instead and was involved in every aspect of the club. Late that year he hand-pulled the photogravures for the first portfolio of his own work, Picturesque Bits of New York and Other Studies.
1897
First issue of Camera Notes
Stieglitz turned the Camera Club's newsletter into a magazine, Camera Notes, with full control over it; the first issue appeared in July 1897, and it was soon considered the finest photographic magazine in the world. The critic Sadakichi Hartmann wrote that artistic photography, the Camera Club and Alfred Stieglitz seemed to him three names for one and the same thing.
1898年9月27日
Daughter born: Katherine Stieglitz
1899
A one-man show of 87 prints
In May 1899 the Camera Club gave Stieglitz a one-man exhibition of eighty-seven prints. Preparing it while producing Camera Notes took a toll on his health; he brought in his friends Joseph Keiley and Dallet Fuguet, who were not Club members, as associate editors, and older members began campaigning against him, embroiling him throughout 1900 in protracted administrative battles.
1901
Breakdown and resignation from Camera Notes
Worn down by the strain of managing the Camera Club, in 1901 Stieglitz collapsed in the first of several mental breakdowns and spent much of the summer recuperating at Oaklawn, the family home on Lake George. Back in New York, he announced his resignation as editor of Camera Notes.








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