Parliament Building, Budapest, André Kertész, 1919-1925
André Kertészの肖像André Kertészアメリカ合衆国, 1894–1985

Parliament Building, Budapest

1919-1925 · Photograph

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ナショナル・ギャラリー

ワシントンD.C., アメリカ合衆国

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1999.122.21

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その頃、André Kertészの人生では

生涯をすべて見る
  1. 1917

    First publication in Érdekes Újság

    While he is serving in the Austro-Hungarian army, his photographs are first published, in the magazine Érdekes Újság.

  2. 1918

    Meets Erzsebet Salomon

    With peace in 1918 he returns to the stock exchange, where he meets his future wife Erzsebet Salomon (later Elizabeth Saly), who also works there, and begins to pursue her romantically; throughout his whole career he uses Elizabeth as a model for his photographs.

  3. 1923

    Turns down a silver medal over the bromoil process

    The Hungarian Amateur Photographer’s Association selects one of his photographs for its silver award on condition that he print it by the bromoil process; Kertész dislikes this, turns down the medal and is given a diploma from the association instead.

  4. 26 June 1925

    A photograph on the cover of Érdekes Újság

    The Hungarian news magazine Érdekes Újság uses one of his photographs for its cover, giving him widespread publicity; by that time he is determined to photograph the sights of Paris and join its artistic culture.

  5. 1925

    Moves to Paris against his family’s wishes

    He leaves for Paris, then the artistic capital of the world, against his family’s wishes, leaving behind his mother, his unofficial fiancée Elizabeth, both brothers and his uncle Hoffmann, who dies shortly afterward; Jenő later emigrates to Argentina. Soon after arriving he changes his first name from Andor to André, which he keeps for the rest of his life; at first he takes commissions from several European magazines, in Germany, France, Italy and Great Britain, and then works for VU, France’s first illustrated magazine.

  6. 1927

    His first solo exhibition at the Au Sacre du Printemps gallery

    Jan Slivinsky presents 30 of his photographs at the “Sacre du Printemps Gallery”, and Kertész becomes the first photographer to have a one-man exhibition. At the show Paul Dermée dubs him “Brother Seer” and “Brother Seeing Eye”, alluding to a medieval monastery where all the monks were blind but one; Kertész has become connected with members of the growing Dada movement.

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