Miss Elizabeth Singleton, Thomas Gainsborough, 1769
Thomas Gainsboroughの肖像Thomas Gainsboroughイギリス, 1727–1788

Miss Elizabeth Singleton

1769 · Painting · 29.8 × 34.9 cm

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『Miss Elizabeth Singleton』は今どこに? 所蔵: ナショナル・ギャラリー, ロンドン. 不明.

ナショナル・ギャラリー

ロンドン, イギリス

所蔵者は判明していますが、現在展示中かどうかは不明です。

この状態になった日
出典
美術館

作品データ

収蔵番号
NG2638

カタログ収録

出典

  • ウィキデータ
  • 画像: ナショナル・ギャラリー — Thomas Gainsborough · Public domain · Wikimedia Commons

その頃、Thomas Gainsboroughの人生では

生涯をすべて見る
  1. 1759–1774

    Bath: Van Dyck and Rubens in the houses of the local aristocracy

    Of great importance to Gainsborough is his acquaintance with paintings by Anthony van Dyck and Peter Paul Rubens owned by local aristocrats; he copies some of them. The study of the old masters is linked to the appearance in his landscapes of luminous distances that he had not been able to achieve before.

  2. 1760s

    “Sick of portraits”

    In a letter to a friend Gainsborough confesses that he is sick of portraits and longs to take his viola da gamba and walk off to some quiet village to paint landscapes. He has little regard for his gentleman patrons, whose only part worth looking at, he says, is their purse; by now he owns five viols — three by Henry Jaye and two by Barak Norman.

  3. 1768

    An invitation to found the Royal Academy

    In November 1768 Joshua Reynolds sends Gainsborough an invitation to become one of the thirty-six founding members of the Royal Academy of Arts; the Academy is founded on 10 December 1768.

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