.jpg?width=96)
Vincent van Goghオランダ, 1853–1890Farms near Auvers
見られますか？
不明
『Farms near Auvers』は今どこに？ 所蔵: ナショナル・ギャラリー, ロンドン. 不明.
ロンドン, イギリス
所蔵者は判明していますが、現在展示中かどうかは不明です。
- この状態になった日
- 出典
- 美術館
この絵画について
Farms near Auvers or Thatched Cottages by a Hill is an oil painting by Vincent van Gogh that he painted in July 1890 when he lived in Auvers-sur-Oise, France. The painting is an example of the double-square canvases that he employed in his last landscapes.
Van Gogh spent the last few months of his life in Auvers-sur-Oise, a small town just north of Paris, after he left an asylum at Saint-Rémy in May 1890. Shortly after arriving at Auvers, Van Gogh wrote his sister Wil: "Here there are roofs of mossy thatch which are superb, and of which I’ll certainly do something." Their shapes are mimicked by the fields and hills behind. The hasty brushwork and blank sky suggest that the painting is unfinished. It is similar to Thatched Cottages and Houses, a painting thought to have been executed shortly after arrival at Auvers.
続きを読む
In 1933 the painting was bequeathed by C. Frank Stoop to the Tate Collection in London, though it is currently on loan to The National Gallery. It was made a month before the artist’s death.
作品データ
- 収蔵番号
- L711
カタログ収録
出典
- ウィキデータ
- 画像： ナショナル・ギャラリー — Vincent van Gogh · Public domain · Wikimedia Commons
その頃、Vincent van Goghの人生では
生涯をすべて見る1888
To Arles, dreaming of a “Studio of the South”
The public still neither accepted nor bought his paintings, and in February 1888 Van Gogh left for Arles in the south of France to found a “Studio of the South”, a brotherhood of like-minded artists in which he gave Gauguin the leading role. Theo backed the plan with money.
23 October 1888
Gauguin arrives in Arles
After much pleading Gauguin arrived in Arles, and in November the two painted together: Gauguin portrayed Van Gogh in “The Painter of Sunflowers”, and their first joint outing was to the Alyscamps. At Gauguin's suggestion Vincent painted from memory, producing “Memory of the Garden at Etten”.
23 December 1888
The severed ear
After an altercation on the evening of 23 December, Van Gogh, seemingly hearing voices, severed his left ear, wholly or in part, with a razor and delivered it, wrapped in paper, to a woman at a brothel. Next morning a policeman found him unconscious; in hospital he was diagnosed with “acute mania with generalised delirium”.
1889
Voluntarily into the Saint-Paul asylum
Van Gogh left Arles and voluntarily entered the Saint-Paul-de-Mausole asylum, a former monastery in Saint-Rémy-de-Provence, accompanied by the Protestant clergyman Frédéric Salles. Of his two cells with barred windows one became a studio, and the clinic and its garden became the main subjects of his paintings.
27 July 1890
A fatal wound: a revolver shot
Out painting, Van Gogh shot himself in the chest with a revolver he had bought to scare off birds while working outdoors; the bullet passed below his heart, and he made his own way back to his room at the inn. Theo arrived the next day and stayed with him to the end; according to Theo, Vincent's last words were: “The sadness will last forever.”
1890年7月29日
Died
