Juan Grisスペイン王国, 1887–1927Marcelle la Brune
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ナショナル・ギャラリー
ワシントンD.C., アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- この状態になった日
- 出典
- 美術館
作品データ
- 収蔵番号
- 1994.60.31
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カタログ収録
出典
- ナショナル・ギャラリー
- 画像： ナショナル・ギャラリー — Museum open access
その頃、Juan Grisの人生では
生涯をすべて見る1910s–1920s
The pupil Picasso “wished away”
Gris regarded Picasso as a teacher, but according to Gertrude Stein in The Autobiography of Alice B. Toklas, Picasso treated him with undisguised irritation: Gris was the only person Picasso wished away. At first Gris was spoken of only as Picasso’s follower, but when he became an independent artist and one of the leaders of Cubism, Picasso grew jealous.
1919
His first solo exhibition, in Paris
Gris’s first solo exhibition took place in Paris in 1919.
1919–1920
Critics begin to write about “synthetic” Cubism
In 1919 and particularly 1920, artists and critics began to write conspicuously about this “synthetic” approach and to assert its importance in the overall scheme of advanced Cubism.
1922–1924
Working with Diaghilev and the Ballets Russes
From 1922 to 1924 he worked with Sergei Diaghilev and his ballet company; in 1924 he designed sets and costumes for the Ballets Russes.
1923
Major exhibitions in Paris and Berlin
In 1923 major exhibitions of Gris’s work took place at the Galerie Simon in Paris and the Galerie Flechtheim in Berlin.
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
