Landscape with Gipsies, Thomas Gainsborough, 1750s
Thomas Gainsboroughの肖像Thomas Gainsboroughイギリス, 1727–1788

Landscape with Gipsies

1750s · Painting · 62.2 × 48.3 cm

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『Landscape with Gipsies』は今どこに? 所蔵: ナショナル・ギャラリー, ロンドン. 不明.

ナショナル・ギャラリー

ロンドン, イギリス

所蔵者は判明していますが、現在展示中かどうかは不明です。

この状態になった日
出典
美術館

作品データ

収蔵番号
NG5845

カタログ収録

出典

  • ウィキデータ
  • 画像: ナショナル・ギャラリー — Thomas Gainsborough · Public domain · Wikimedia Commons

その頃、Thomas Gainsboroughの人生では

生涯をすべて見る
  1. 1748

    His father dies; back to Sudbury

    Gainsborough's father, John, dies in 1748. With no new commissions coming in London, the painter returns to Sudbury, to the house of his childhood.

  2. 1752

    The move to Ipswich

    In 1752 Gainsborough, his wife and their two daughters, Mary (“Molly”) and Margaret (“Peggy”), move to Ipswich. Portrait commissions increase, but his clients are mostly local merchants and squires, and he has to borrow against his wife's annuity of £200, which the Duke of Beaufort had settled on her.

  3. 1758

    A commission for portraits of the Earl of Jersey and his son

    In December 1758 Gainsborough receives a commission for portraits of the Earl of Jersey and his son Lord Villiers. The portraits meet with approval and the painter's fame grows.

  4. 1759

    The move to fashionable Bath

    Having made his name as a portraitist in Ipswich, Gainsborough decides to move to the fashionable spa town of Bath, where two of his sisters live. There are so many portrait commissions there that they outstrip what he can handle.

  5. 1759–1774

    Bath: Van Dyck and Rubens in the houses of the local aristocracy

    Of great importance to Gainsborough is his acquaintance with paintings by Anthony van Dyck and Peter Paul Rubens owned by local aristocrats; he copies some of them. The study of the old masters is linked to the appearance in his landscapes of luminous distances that he had not been able to achieve before.

  6. 1761

    The Society of Artists exhibitions

    From the exhibition of 1761 Gainsborough sends work to the annual exhibitions of the Society of Artists of Great Britain at Spring Gardens in London, of which he was one of the earliest members.

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