John Singleton Copleyアメリカ合衆国, 1738–1815Drapery Study for "Mary and Elizabeth Royall"
見られますか？
現在は展示されていません
『Drapery Study for "Mary and Elizabeth Royall"』は今どこに？ 所蔵: ナショナル・ギャラリー, ワシントンD.C. 現在は展示されていません. 確認 2026年9月29日.
ワシントンD.C., アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- この状態になった日
- 出典
- 美術館
作品データ
- 収蔵番号
- 1980.4.1
描かれているもの
カタログ収録
出典
- ナショナル・ギャラリー
- 画像： ナショナル・ギャラリー — Museum open access
その頃、John Singleton Copleyの人生では
生涯をすべて見る1750s
Self-education: engravings and anatomical studies
Copley is largely self-taught, copying engravings after Godfrey Kneller, Joshua Reynolds and other masters. A book of his studies of the figure, now at the British Museum, shows that before he was twenty he was making anatomical drawings with much care and precision.
1753–1774 · 活動地
Boston
October 1757
An invitation to paint portraits in Nova Scotia
Capt. Thomas Ainslie, collector of the Port of Quebec, writes from Halifax acknowledging his portrait with great satisfaction and advises Copley to visit Nova Scotia, where several people would gladly employ him. The invitation was later repeated from Quebec; Copley replied that he would be glad to accept but had a large room full of unfinished pictures that would keep him busy for twelve months.
1760s
A needy tobacconist’s son among Boston’s elite
The income Copley earned by painting in the 1760s was extraordinary for his town and time and raised the son of a needy tobacconist into the local aristocracy. The foremost personages of New England came to his painting-room as sitters.
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
