John Singleton Copleyアメリカ合衆国, 1738–1815Jane Browne
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ナショナル・ギャラリー
展示室展示室 43 · 西館, グラウンドフロアワシントンD.C., アメリカ合衆国
一般公開されています。裏付けとなる出典は下に記しています。
- 確認
- 18 時間前
- この状態になった日
- 2026年8月19日
- 出典
- 美術館自身の所蔵データ
作品データ
- 収蔵番号
- 1942.8.2
What it shows
カタログ収録
出典
- ナショナル・ギャラリー: the museum's own open data · 5 日前に取得
- 画像： ナショナル・ギャラリー — Museum open access
その頃、John Singleton Copleyの人生では
生涯をすべて見る1750s
Self-education: engravings and anatomical studies
Copley is largely self-taught, copying engravings after Godfrey Kneller, Joshua Reynolds and other masters. A book of his studies of the figure, now at the British Museum, shows that before he was twenty he was making anatomical drawings with much care and precision.
1753–1774 · 活動地
Boston
October 1757
An invitation to paint portraits in Nova Scotia
Capt. Thomas Ainslie, collector of the Port of Quebec, writes from Halifax acknowledging his portrait with great satisfaction and advises Copley to visit Nova Scotia, where several people would gladly employ him. The invitation was later repeated from Quebec; Copley replied that he would be glad to accept but had a large room full of unfinished pictures that would keep him busy for twelve months.
![Scenes from the Passion of Christ: The Descent into Limbo [right panel], Andrea Vanni, 1380s](https://api.nga.gov/iiif/4205a539-eadd-4486-89a7-3cff9c1ba428/full/!2400,2400/0/default.jpg)
