Piet Mondrianオランダ, 1872–1944Composition with Red, Yellow, and Blue
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『Composition with Red, Yellow, and Blue』は今どこに？ クリーブランド美術館, 223 20th Century Avant-Garde, クリーブランド. はい、現在展示中. 確認 2026年9月29日.
一般公開されています。
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- この状態になった日
- 出典
- 美術館
この絵画について
During the 1910s, Piet Mondrian’s art progressed from Cubism to an increasingly abstract style based on the form of a grid. He completely abandoned the representation of natural appearances, limiting himself to horizontal and vertical rectangles and three primary colors (red, yellow, and blue) along with black and white. Intensely intellectual and deeply philosophical, Mondrian believed that following the devastation of World War I, such abstract compositions could contribute to a more harmonious society by communicating in a universal, visual language.
クリーブランド美術館
作品データ
- 収蔵番号
- 1967.215
カタログ収録
出典
- クリーブランド美術館
- 画像： クリーブランド美術館 — Museum open access
その頃、Piet Mondrianの人生では
生涯をすべて見る1919–1938
Return to Paris
In 1919 Mondrian left the Netherlands for Paris for the second and last time and at once turned to his studio: to hide its flaws he tacked large single-colour placards to the walls, accented by compositions of smaller coloured paper rectangles. From then on, periods of painting alternated with experiments in regrouping the papers on the walls.
1926
Katherine Dreier buys “Painting I”
Katherine Dreier, co-founder of the Society of Independent Artists, visited Mondrian's Paris studio and acquired the diamond composition “Painting I”, shown afterwards at the Brooklyn Museum in the first major exhibition of modern art in America since the Armory Show; in the catalogue she called Mondrian the third great Dutch painter after Rembrandt and Van Gogh.
1926
André Kertész photographs Mondrian's Paris flat
Mondrian's Paris apartment, his pipe and his glasses were captured in minimalist photographs by André Kertész that became emblematic of modern photography.
