Ben Nicholsonイングランド, 1894–19821941 (relief)
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一般公開されています。裏付けとなる出典は下に記しています。
- 確認
- 2 時間前
- この状態になった日
- 2026年8月19日
- 出典
- 美術館自身の所蔵データ
About the painting
Between 1934 and the early 1940s, Ben Nicholson made a series of geometric abstractions that combined painting and sculpture. Each “white relief,” of which this is an example, was painstakingly carved from a solid piece of timber and painted with multiple layers of white pigment. Nicholson began creating his white reliefs shortly before his first visit to Piet Mondrian’s Paris studio. Nicholson and Mondrian shared a belief in the potential of abstract art to attain the highest level of aesthetic and spiritual power.
クリーブランド美術館
作品データ
- 収蔵番号
- 1965.449
カタログ収録
出典
- クリーブランド美術館: the museum's own open data · 6 日前に取得
- 画像： クリーブランド美術館 — © Artists Rights Society (ARS), New York / DACS, London
その頃、Ben Nicholsonの人生では
生涯をすべて見る1933–1939
London: contacts with Mondrian and Gabo
In 1933–1939 Nicholson lives in London and keeps up creative contacts with Piet Mondrian and Naum Gabo; Mondrian’s neoplastic style, which he first met on visits to Paris, steers him in an abstract direction.
1939
Moves with Hepworth to St Ives
In 1939 Nicholson moves with his wife, the sculptor Barbara Hepworth, to the Cornish town of St Ives, where they found a centre of abstract art; he lives for 19 years at Trezion, Salubrious Place.
1943
Joins the St Ives Society of Artists
In 1943 Nicholson joins the St Ives Society of Artists.
