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Car 2F-77-77, Alfred Stieglitz, 1935
Alfred Stieglitzの肖像Alfred Stieglitzアメリカ合衆国, 1864–1946

Car 2F-77-77

1935 · Photograph

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『Car 2F-77-77』は今どこに？ 所蔵: ナショナル・ギャラリー, ワシントンD.C. 現在は展示されていません. 確認 2026年9月29日.

ナショナル・ギャラリー

ワシントンD.C., アメリカ合衆国

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作品データ

収蔵番号
1949.3.782

描かれているもの

AutomobileHouseニューヨーク州TransportationWheel建築物Lake George

カタログ収録

写真ゼラチン・シルバー・プリントモダニズム20世紀American

出典

その頃、Alfred Stieglitzの人生では

生涯をすべて見る

  1. 1934

    Credo: “straight” photography without tricks

    In 1934 Stieglitz explained: “Personally I like my photography straight, unmanipulated, devoid of all tricks; a print not looking like anything but a photograph, living through its own inherent qualities and revealing its own spirit.”

  2. 1936

    One of the first Ansel Adams exhibitions

    In 1936 Stieglitz briefly returned to his photographic roots by mounting one of the first exhibitions of Ansel Adams's photographs in New York City; the show was a success, and David McAlpin bought eight of them.

  3. 1937

    Heart disease ends his photography

    In 1937 Stieglitz gave up photography because of serious heart disease; he continued to run An American Place until his death.

Alfred Stieglitzのほかの作品

すべての作品
The Hand of Man, Alfred Stieglitz, 1902

The Hand of Man

1902 · ニューヨーク近代美術館

Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

Snapshot—In the New York Central Yards

1903 · ニューヨーク近代美術館

The Steerage, Alfred Stieglitz, 1907

The Steerage

1907 · ニューヨーク近代美術館

Old and New New York, Alfred Stieglitz, 1910

Old and New New York

1910 · シカゴ美術館

Washerwomen at Riva del Garda, Alfred Stieglitz, 1887, printed 1929/1934

Washerwomen at Riva del Garda

1887, printed 1929/1934 · 非展示 · ナショナル・ギャラリー

The Street Paver, Alfred Stieglitz, 1893, printed 1929/1934

The Street Paver

1893, printed 1929/1934 · 非展示 · ナショナル・ギャラリー

Weary, Alfred Stieglitz, 1890, printed 1929/1934

Weary

1890, printed 1929/1934 · 非展示 · ナショナル・ギャラリー

Stones of Venice, Chioggia, Alfred Stieglitz, 1887, printed 1929/1934

Stones of Venice, Chioggia

1887, printed 1929/1934 · 非展示 · ナショナル・ギャラリー

ナショナル・ギャラリーの他の展示作品

美術館のページ
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

ジネーヴラ・デ・ベンチの肖像, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

ラ・ムスメ, 1888

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Automobilist, Marc Chagall, 1922

Marc Chagall

Automobilist, 1922

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Erasmus of Rotterdam, Albrecht Dürer, 1526

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The Motorist (L'automobiliste), Henri de Toulouse-Lautrec, 1896

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非展示 · ナショナル・ギャラリー

All dressed up with tie & tweed jacket, recently matriculated for M.A. at U.C. Berkeley, I'd just written Part II _Howl_, _Supermarket in California_, & _Sunflower Sutra_, clean-shaven poet, on Berkeley Street lighting a coffin-nail, camera in Peter Orlovsky's hands, 1956., Allen Ginsberg, 1956, printed later

Allen Ginsberg

All dressed up with tie & tweed jacket, recently matriculated for M.A. at U.C. Berkeley, I'd just written Part II _Howl_, _Supermarket in California_, & _Sunflower Sutra_, clean-shaven poet, on Berkeley Street lighting a coffin-nail, camera in Peter Orlovsky's hands, 1956., 1956, printed later

非展示 · ナショナル・ギャラリー

Karen Minzer & Babe, Dallas. This is the good one. The eyes strong, Allen Ginsberg, 1985

Allen Ginsberg

Karen Minzer & Babe, Dallas. This is the good one. The eyes strong, 1985

非展示 · ナショナル・ギャラリー

Peter Orlovsky age 23 on Ginny Lehrman's lawn Berkeley, Allen Ginsberg, 1956, printed later

Allen Ginsberg

Peter Orlovsky age 23 on Ginny Lehrman's lawn Berkeley, 1956, printed later

非展示 · ナショナル・ギャラリー

Robert Frank & his car rented for him by Atlantic Center For Arts where we taught together three weeks with jazz drum genius Elvin Jones. We’d come to town New Smyrna Beach on errands, he showed me how to use his polaroid 195 that gives negative, but when we washed it in his plastic container of water, car-heat-cooked in Florida mid-day sun, the emulsion cracked, dissolved—this copy print from original is o.k. to catch his smile at my amateur focus, June 1984., Allen Ginsberg, 1984

Allen Ginsberg

Robert Frank & his car rented for him by Atlantic Center For Arts where we taught together three weeks with jazz drum genius Elvin Jones. We’d come to town New Smyrna Beach on errands, he showed me how to use his polaroid 195 that gives negative, but when we washed it in his plastic container of water, car-heat-cooked in Florida mid-day sun, the emulsion cracked, dissolved—this copy print from original is o.k. to catch his smile at my amateur focus, June 1984., 1984

非展示 · ナショナル・ギャラリー