Viktor Vasnetsov1848–1926Богатыри
作品について
美術館の言葉で — ロシア語
Первый эскиз одноименной картины (Богатыри, 1881-1898, ГТГ)
«Богатырская тема» была одной из главных в творчестве В. М. Васнецова. Образы славных витязей появились в фантазиях будущего художника еще в детстве, когда он, « сидя на печи при свете и треске лучины », слушал песни и сказки односельчан. Впервые «исторические грёзы» Васнецова получили художественное воплощение в набросках и эскизах ученического периода. Так в начале 1870-х годов под впечатлением былины «Три поездки Ильи Муромца» появились рисунки на тему будущей картины « Витязь на распутье » (1882). Тогда же был создан первый графический эскиз будущего крупноформатного полотна «Богатыри» (1881–1898). С. В. Кривонденченков. Аннотация к выставке «Виктор Васнецов. К 175-летию со дня рождения». 2025.
ロシア美術館
作品データ
- 収蔵番号
- Р-13348
描かれているもの
カタログ収録
出典
- ロシア美術館
- 画像： ロシア美術館 — © State Russian Museum
その頃、Viktor Vasnetsovの人生では
生涯をすべて見る1868–1876
Friendship with Repin and the “evenings” at Antokolsky’s
In St Petersburg he grew very close to Ilya Repin; he attended the “evenings” at the apartment of Repin and the sculptor Mark Antokolsky, where the student Ivan Savenkov read bylinas in a slow chant, in the northern accent so familiar to Vasnetsov — and so his interest in early Russian culture and folk epic finally took shape.
1870
He meets Pavel Chistyakov
Pavel Chistyakov, back from Rome, saw Vasnetsov’s drawing “A Prince’s Icon-painting Workshop” at an Academy exhibition, asked to be introduced to its author and soon made him a regular pupil; Vasnetsov remembered his teacher as “an enemy of the formula” who could show each pupil the road to his own development.
summer 1871
He meets his future wife, Alexandra Ryazantseva
In the summer of 1871, home in Vyatka on academic leave, he met Alexandra Ryazantseva in the local library — a merchant’s daughter who would become one of the first women from Vyatka with a higher medical education; he was struck by “her eyes — stern and extraordinarily kind”.
1873–1875
He leaves the Academy before graduating
In 1873, a year before the end of the course, he almost stopped attending the Academy and went only to Chistyakov’s studio: Chistyakov told him he had already got from the Academy all it could give, and Kramskoi advised the same; on 4 (16) February 1875 he was formally discharged, receiving a certificate that listed two small silver medals and one large one.
1874
“Tea-drinking in a Tavern” with the Peredvizhniki
In 1874 he took part for the first time in an exhibition of the Peredvizhniki, showing “Tea-drinking in a Tavern” (“Over Tea”).
1876–1877
Mamontov’s letter, homesickness and the first sketch for the “Bogatyrs”
In Polenov’s Paris studio he and Repin re-read a letter from Savva Mamontov calling the artists to Moscow; the letter sharpened his homesickness (“Alone, alone and alone!”), and it was there that the first painted sketch of the “Bogatyrs” was made.
