Ilya Repinウクライナ, 1844–1930Антон Архипенко
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不明：美術館は黙して語らず
ロシア美術館
サンクトペテルブルク, ロシア
所蔵者はわかっています。いま展示されているかどうかは美術館が公表しておらず、当て推量は私どもの流儀ではありません。
- この状態になった日
- 出典
- 美術館自身の所蔵データ
作品について
In the museum's own words — the original
Архипенко Антон Герасимович — казак, георгиевский кавалер, участник крымской войны (1853–1855).
ロシア美術館
作品データ
- 収蔵番号
- Р-7902
What it shows
カタログ収録
出典
- ロシア美術館: the museum's own open data · 6 日前に取得
- 画像： ロシア美術館 — © State Russian Museum
その頃、Ilya Repinの人生では
生涯をすべて見る1887
Razvod s Veroy Alekseyevnoy
При разводе поделили детей: старшие остались у отца, младшие — у матери. Стасов беспокоился о душевном самочувствии друга.
1887
Garshin’s portrait at the 15th Wanderers’ exhibition
From their first meeting Repin wanted to paint the writer, struck by “Garshin’s eyes, full of serious bashfulness”; Garshin would enter the studio noiselessly, like a bodiless angel. Shown in 1887, the portrait split the reviewers — some thought Repin had painted Garshin mad, others had never seen finer eyes and a brighter brow; today it is in the United States, in the Metropolitan Museum.
1888
Second trip for the “Zaporozhians” — with his son Yuri
Eight years after the first trip Repin again set off for Little Russia, this time with his son Yuri, drawing everything the canvas might need — huts, utensils, costumes, weapons. He called his state “a creative binge” and the future characters “a merry folk”.
1890
Meets Natalia Nordman
He met Natalia Nordman (1863–1914), the daughter of an admiral, a writer, feminist and campaigner for better working conditions who advocated a simple life close to nature; she became his common-law wife.
