Edwin Austin Abbey"Your crown's awry! I'll mend it and then play!" (study for .1169)- Act V, Scene II, Anthony and Cleopatra (1937.1169)
Edwin Austin Abbey"Your crown's awry! I'll mend it and then play!" (study for .1169)- Act V, Scene II, Anthony and Cleopatra (1937.1169)
Edwin Austin AbbeyStudy of two figures, possibly Jacob and the Angel
Edwin Austin AbbeyThe Duke Expels Valentine, from Act III, Scene i, Two Gentlemen of Verona
Edwin Austin AbbeyWoman and dog in an interior - (unidentified illustration for a play?)
Edwin Austin AbbeyFerdinand: "Where should this music be?", illustration for Act I, Scene ii, The Tempest
Edwin Austin AbbeyHelena: "Pardon, madam; the Count Rousillon cannot be my brother," from Act I, Scene iii, All's Well That Ends Well
Edwin Austin AbbeyIn Quince's Shop, illustration for Act I, Scene ii, A Midsummer Night's Dream
Edwin Austin AbbeyStudy for Louis Comfort Tiffany's center window for "Children's Window", St. Peter's Church, Morristown, NJ
Edwin Austin AbbeySheet of sketches
Edwin Austin Abbey"Nor the coy maid shall kiss the cup...," illustration to Oliver Goldsmith's The Deserted Village
Edwin Austin Abbey"Steal from the World...," sketch for "Ode to Solitude," from The Quiet Life
Edwin Austin AbbeySketch of a fat man, seated
Edwin Austin AbbeySheet of studies of a single face
Edwin Austin AbbeyTimon: "I prythee, beat the drum and get thee gone" - Act IV, Scene III, Timon of Athens
Edwin Austin AbbeyUnidentified illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902)
Edwin Austin AbbeyStudy of an angel (for stained glass? for a ceiling?)
Edwin Austin AbbeySketch for The Noble Patron
Edwin Austin AbbeySketch of an exterior: buildings and tree
Edwin Austin Abbey"How often I have loitered o'er thy green" from The Deserted Village
Edwin Austin AbbeyThe Return of the Native
Edwin Austin AbbeyWoman on beach holding book, sketch for The Lay of the Lobster
Edwin Austin Abbey"Isaac Walker" [Man smoking a pipe, sitting on bench]
Edwin Austin AbbeyCartoon of a man chasing a bee with a basket
Edwin Austin AbbeyIllustration for "Early One Morning," from Old Songs
Edwin Austin AbbeyStudy of a nude female figure holding a scroll
Edwin Austin Abbey"Old Prob" - unidentified illustration
Edwin Austin AbbeyEarly studies for Taming of the Shrew (?)
Edwin Austin AbbeySimple: "Yonder he is coming, this way, Sir Hugh" - Act III, Scene I, Merry Wives of Windsor
Edwin Austin Abbey"Herds with milk, fields with bread," sketch for "Ode to Solitude," from The Quiet Life
Edwin Austin AbbeyGalahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)
Edwin Austin AbbeyPortrait of an unidentified young man
Edwin Austin AbbeyStudy of a man's back
Edwin Austin AbbeyAntipholus of Syracuse: "Go bear it to the Centaur," illustration for Act I, Scene ii, Comedy of Errors
Edwin Austin AbbeyDining Scene - illustration for Austin Dobson's Ladies of Saint James
Edwin Austin Abbey"Here, behind this screen," Oliver Goldsmith's "She Stoops to Conquer", Act V, Scene I
Edwin Austin AbbeySketch, "Holy Grail", The Knighting of Sir Galahad.
Edwin Austin AbbeyMan on Bridge, sketch for "Phillada Flouts Me," from Old Songs
Edwin Austin AbbeyKatharina, illustration for Act I, Scene i, Taming of the Shrew
Edwin Austin AbbeyJacques, illustration for Act II, Scene v, As You Like It
Edwin Austin AbbeyClown: "Foh! prithee stand away," from Act V, Scene ii, All's Well That Ends Well
Edwin Austin AbbeySketches of Cows
Edwin Austin AbbeyStudy for Fiametta's Song (oil painting)
Edwin Austin AbbeySketches of Two Male Figures
Edwin Austin AbbeySketch of an interior: man reading aloud, women knitting - unidentified illustration
Edwin Austin AbbeyStudy for The Wrestling Scene in "As You Like It"
Edwin Austin AbbeySheet of sketches of faces
Edwin Austin Abbey"I knew him well, and every truant knew," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 53
Edwin Austin AbbeySlender: "Why do your dogs bark so?" - Act I, Scene I, Merry Wives of Windsor