ART WIKI37.723 in sala
MappaCollezioneArtistiMuseiMostreRivista
Accedi

ART WIKI

Dove vedere arte e quando apre il museo.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museo Smithsoniano del Design Cooper Hewitt, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (44 musei), Paris Musées (12 musei), Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei) e il Catalogo generale dei Beni Culturali del Ministero della Cultura (25 musei). Le immagini appartengono ai titolari dei diritti.

Sezioni

  • Mappa
  • Ricerca
  • Collezione
  • Capolavori
  • Rubate e perdute
  • Incorpora lo stato di un’opera
  • Esposte ora
  • Artisti

Altro

  • Musei e gallerie
  • Mostre
  • Rivista
  • Da dove vengono i dati
  • Privacy e cookie
  • Chi siamo
  • Condizioni d'uso
HomeMappaCatalogo

Catalogo

Penna

52.001 opere da 131 musei44 esposte oraAzzera tutto

/
Tecnica
  • Tutte
  • Grafite135.028
  • Acquerello57.038
  • Penna52.001
  • Inchiostro50.846
  • Gessetto37.739
  • Guazzo9089
  • Carboncino8716
  • Pastello4145
  • Olio2355
  • Punta d’argento375
  • Tecnica mista297
"Your crown's awry! I'll mend it and then play!" (study for .1169)- Act V, Scene II, Anthony and Cleopatra (1937.1169), Edwin Austin Abbey, ca. 1909Edwin Austin Abbey"Your crown's awry! I'll mend it and then play!" (study for .1169)- Act V, Scene II, Anthony and Cleopatra (1937.1169)ca. 1909Yale University Art Gallery
Study of two figures, possibly Jacob and the Angel, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of two figures, possibly Jacob and the Angeln.d.Yale University Art Gallery
The Duke Expels Valentine, from Act III, Scene i, Two Gentlemen of Verona, Edwin Austin Abbey, 1891Edwin Austin AbbeyThe Duke Expels Valentine, from Act III, Scene i, Two Gentlemen of Verona1891Yale University Art Gallery
Woman and dog in an interior - (unidentified illustration for a play?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyWoman and dog in an interior - (unidentified illustration for a play?)n.d.Yale University Art Gallery
Ferdinand: "Where should this music be?", illustration for Act I, Scene ii, The Tempest, Edwin Austin Abbey, 1891Edwin Austin AbbeyFerdinand: "Where should this music be?", illustration for Act I, Scene ii, The Tempest1891Yale University Art Gallery
Helena: "Pardon, madam; the Count Rousillon cannot be my brother," from Act I, Scene iii, All's Well That Ends Well, Edwin Austin Abbey, 1891Edwin Austin AbbeyHelena: "Pardon, madam; the Count Rousillon cannot be my brother," from Act I, Scene iii, All's Well That Ends Well1891Yale University Art Gallery
In Quince's Shop, illustration for Act I, Scene ii, A Midsummer Night's Dream, Edwin Austin Abbey, 1893Edwin Austin AbbeyIn Quince's Shop, illustration for Act I, Scene ii, A Midsummer Night's Dream1893Yale University Art Gallery
Study for Louis Comfort Tiffany's center window for "Children's Window", St. Peter's Church, Morristown, NJ, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Louis Comfort Tiffany's center window for "Children's Window", St. Peter's Church, Morristown, NJn.d.Yale University Art Gallery
Sheet of sketches, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketchesn.d.Yale University Art Gallery
"Nor the coy maid shall kiss the cup...," illustration to Oliver Goldsmith's The Deserted Village, Edwin Austin Abbey, 19th centuryEdwin Austin Abbey"Nor the coy maid shall kiss the cup...," illustration to Oliver Goldsmith's The Deserted Village19th centuryYale University Art Gallery
"Steal from the World...," sketch for "Ode to Solitude," from The Quiet Life, Edwin Austin Abbey, 1883Edwin Austin Abbey"Steal from the World...," sketch for "Ode to Solitude," from The Quiet Life1883Yale University Art Gallery
Sketch of a fat man, seated, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of a fat man, seatedn.d.Yale University Art Gallery
Sheet of studies of a single face, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of studies of a single facen.d.Yale University Art Gallery
Timon: "I prythee, beat the drum and get thee gone" - Act IV, Scene III, Timon of Athens, Edwin Austin Abbey, 1903Edwin Austin AbbeyTimon: "I prythee, beat the drum and get thee gone" - Act IV, Scene III, Timon of Athens1903Yale University Art Gallery
Unidentified illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), Edwin Austin Abbey, n.d.Edwin Austin AbbeyUnidentified illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902)n.d.Yale University Art Gallery
Study of an angel (for stained glass? for a ceiling?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of an angel (for stained glass? for a ceiling?)n.d.Yale University Art Gallery
Sketch for The Noble Patron, Edwin Austin Abbey, 1888Edwin Austin AbbeySketch for The Noble Patron1888Yale University Art Gallery
Sketch of an exterior: buildings and tree, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of an exterior: buildings and treen.d.Yale University Art Gallery
"How often I have loitered o'er thy green" from The Deserted Village, Edwin Austin Abbey, ca. 1898Edwin Austin Abbey"How often I have loitered o'er thy green" from The Deserted Villageca. 1898Yale University Art Gallery
The Return of the Native, Edwin Austin Abbey, n.d.Edwin Austin AbbeyThe Return of the Nativen.d.Yale University Art Gallery
Woman on beach holding book, sketch for The Lay of the Lobster, Edwin Austin Abbey, ca. 1886Edwin Austin AbbeyWoman on beach holding book, sketch for The Lay of the Lobsterca. 1886Yale University Art Gallery
"Isaac Walker" [Man smoking a pipe, sitting on bench], Edwin Austin Abbey, n.d.Edwin Austin Abbey"Isaac Walker" [Man smoking a pipe, sitting on bench]n.d.Yale University Art Gallery
Cartoon of a man chasing a bee with a basket, Edwin Austin Abbey, n.d.Edwin Austin AbbeyCartoon of a man chasing a bee with a basketn.d.Yale University Art Gallery
Illustration for "Early One Morning," from Old Songs, Edwin Austin Abbey, 1888Edwin Austin AbbeyIllustration for "Early One Morning," from Old Songs1888Yale University Art Gallery
Study of a nude female figure holding a scroll, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of a nude female figure holding a scrolln.d.Yale University Art Gallery
"Old Prob" - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin Abbey"Old Prob" - unidentified illustrationn.d.Yale University Art Gallery
Early studies for Taming of the Shrew (?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyEarly studies for Taming of the Shrew (?)n.d.Yale University Art Gallery
Simple: "Yonder he is coming, this way, Sir Hugh" - Act III, Scene I, Merry Wives of Windsor, Edwin Austin Abbey, 1889Edwin Austin AbbeySimple: "Yonder he is coming, this way, Sir Hugh" - Act III, Scene I, Merry Wives of Windsor1889Yale University Art Gallery
"Herds with milk, fields with bread," sketch for "Ode to Solitude," from The Quiet Life, Edwin Austin Abbey, 1883Edwin Austin Abbey"Herds with milk, fields with bread," sketch for "Ode to Solitude," from The Quiet Life1883Yale University Art Gallery
Galahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Yale University Art Gallery
Portrait of an unidentified young man, Edwin Austin Abbey, n.d.Edwin Austin AbbeyPortrait of an unidentified young mann.d.Yale University Art Gallery
Study of a man's back, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of a man's backn.d.Yale University Art Gallery
Antipholus of Syracuse: "Go bear it to the Centaur," illustration for Act I, Scene ii, Comedy of Errors, Edwin Austin Abbey, 1889Edwin Austin AbbeyAntipholus of Syracuse: "Go bear it to the Centaur," illustration for Act I, Scene ii, Comedy of Errors1889Yale University Art Gallery
Dining Scene - illustration for Austin Dobson's Ladies of Saint James, Edwin Austin Abbey, 1882Edwin Austin AbbeyDining Scene - illustration for Austin Dobson's Ladies of Saint James1882Yale University Art Gallery
"Here, behind this screen," Oliver Goldsmith's "She Stoops to Conquer", Act V, Scene I, Edwin Austin Abbey, 1885Edwin Austin Abbey"Here, behind this screen," Oliver Goldsmith's "She Stoops to Conquer", Act V, Scene I1885Yale University Art Gallery
Sketch, "Holy Grail", The Knighting of Sir Galahad., Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch, "Holy Grail", The Knighting of Sir Galahad.n.d.Yale University Art Gallery
Man on Bridge, sketch for "Phillada Flouts Me," from Old Songs, Edwin Austin Abbey, 1886Edwin Austin AbbeyMan on Bridge, sketch for "Phillada Flouts Me," from Old Songs1886Yale University Art Gallery
Katharina, illustration for Act I, Scene i, Taming of the Shrew, Edwin Austin Abbey, 1892Edwin Austin AbbeyKatharina, illustration for Act I, Scene i, Taming of the Shrew1892Yale University Art Gallery
Jacques, illustration for Act II, Scene v, As You Like It, Edwin Austin Abbey, 1890Edwin Austin AbbeyJacques, illustration for Act II, Scene v, As You Like It1890Yale University Art Gallery
Clown: "Foh! prithee stand away," from Act V, Scene ii, All's Well That Ends Well, Edwin Austin Abbey, 1891Edwin Austin AbbeyClown: "Foh! prithee stand away," from Act V, Scene ii, All's Well That Ends Well1891Yale University Art Gallery
Sketches of Cows, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketches of Cowsn.d.Yale University Art Gallery
Study for Fiametta's Song (oil painting), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Fiametta's Song (oil painting)n.d.Yale University Art Gallery
Sketches of Two Male Figures, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketches of Two Male Figuresn.d.Yale University Art Gallery
Sketch of an interior: man reading aloud, women knitting - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of an interior: man reading aloud, women knitting - unidentified illustrationn.d.Yale University Art Gallery
Study for The Wrestling Scene in "As You Like It", Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Wrestling Scene in "As You Like It"n.d.Yale University Art Gallery
Sheet of sketches of faces, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketches of facesn.d.Yale University Art Gallery
"I knew him well, and every truant knew," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 53, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"I knew him well, and every truant knew," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 53ca. 1890sYale University Art Gallery
Slender: "Why do your dogs bark so?" - Act I, Scene I, Merry Wives of Windsor, Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySlender: "Why do your dogs bark so?" - Act I, Scene I, Merry Wives of Windsorca. 1889Yale University Art Gallery
73