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Dove vedere arte e quando apre il museo.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museo Smithsoniano del Design Cooper Hewitt, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (44 musei), Paris Musées (12 musei), Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei) e il Catalogo generale dei Beni Culturali del Ministero della Cultura (25 musei). Le immagini appartengono ai titolari dei diritti.

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52.001 opere da 131 musei44 esposte oraAzzera tutto

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Tecnica
  • Tutte
  • Grafite135.028
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  • Inchiostro50.846
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Sketch for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, ca. 1884Edwin Austin AbbeySketch for Oliver Goldsmith's She Stoops to Conquerca. 1884Yale University Art Gallery
Sketch for "With Jockey to the Fair," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySketch for "With Jockey to the Fair," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)ca. 1889Yale University Art Gallery
Bottom & Titania, illustration for A Midsummer Night's Dream, Act III, Scene i, Edwin Austin Abbey, 1893Edwin Austin AbbeyBottom & Titania, illustration for A Midsummer Night's Dream, Act III, Scene i1893Yale University Art Gallery
Serpent, sketch for The Lay of the Lobster, Edwin Austin Abbey, ca. 1886Edwin Austin AbbeySerpent, sketch for The Lay of the Lobsterca. 1886Yale University Art Gallery
"In the forest of Arden," illustration for Act II, Scene iv, As You Like It, Edwin Austin Abbey, 1890Edwin Austin Abbey"In the forest of Arden," illustration for Act II, Scene iv, As You Like It1890Yale University Art Gallery
Lancastrian Soldier: "Who's this? O God! it is my father's face, whom in this conflict I unawares have kill'd," from King Henry VI, Part III, Act II, Scene V, Edwin Austin Abbey, 1903Edwin Austin AbbeyLancastrian Soldier: "Who's this? O God! it is my father's face, whom in this conflict I unawares have kill'd," from King Henry VI, Part III, Act II, Scene V1903Yale University Art Gallery
Architectural Study: Hurley, London, Edwin Austin Abbey, n.d.Edwin Austin AbbeyArchitectural Study: Hurley, Londonn.d.Yale University Art Gallery
Prospero and Ariel, illustration for Act V, Scene i, The Tempest, Edwin Austin Abbey, 1891Edwin Austin AbbeyProspero and Ariel, illustration for Act V, Scene i, The Tempest1891Yale University Art Gallery
"His looks adorned...," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 47, Edwin Austin Abbey, 1890Edwin Austin Abbey"His looks adorned...," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 471890Yale University Art Gallery
Orlando and Adam, illustration for Act II, Scene iv, As You Like It, Edwin Austin Abbey, 1889Edwin Austin AbbeyOrlando and Adam, illustration for Act II, Scene iv, As You Like It1889Yale University Art Gallery
Ferdinand Meets Miranda, illustration for Act III, Scene i, The Tempest, Edwin Austin Abbey, 1891Edwin Austin AbbeyFerdinand Meets Miranda, illustration for Act III, Scene i, The Tempest1891Yale University Art Gallery
Christopher Sly, illustration for Introduction, Scene ii, Taming of the Shrew, Edwin Austin Abbey, 1892Edwin Austin AbbeyChristopher Sly, illustration for Introduction, Scene ii, Taming of the Shrew1892Yale University Art Gallery
Dromio of Ephesus: "Why, mistress, sure my master is horn-mad," illustration for Act II, Scene i, Comedy of Errors, Edwin Austin Abbey, 1881Edwin Austin AbbeyDromio of Ephesus: "Why, mistress, sure my master is horn-mad," illustration for Act II, Scene i, Comedy of Errors1881Yale University Art Gallery
Claudio (reads from a scroll): "Done to death by slanderous tongues. Was the Hero that here lies," illustration for Act V, Scene iii, Much Ado About Nothing, Edwin Austin Abbey, 1890Edwin Austin AbbeyClaudio (reads from a scroll): "Done to death by slanderous tongues. Was the Hero that here lies," illustration for Act V, Scene iii, Much Ado About Nothing1890Yale University Art Gallery
1st page of "Merchant of Venice" Manuscript, Edwin Austin Abbey, ca. 1888Edwin Austin Abbey1st page of "Merchant of Venice" Manuscriptca. 1888Yale University Art Gallery
Unidentified illustration [Boy in a small boat], Edwin Austin Abbey, 19th centuryEdwin Austin AbbeyUnidentified illustration [Boy in a small boat]19th centuryYale University Art Gallery
"The swain responsive as the milkmaid sung" from The Deserted Village, Edwin Austin Abbey, 1890Edwin Austin Abbey"The swain responsive as the milkmaid sung" from The Deserted Village1890Yale University Art Gallery
Ophelia: "And of all Christian souls! I pray God. God be wi' you!" - Elsinore, A Room in the Castle - Act IV, Scene V, Hamlet, Edwin Austin Abbey, 1902Edwin Austin AbbeyOphelia: "And of all Christian souls! I pray God. God be wi' you!" - Elsinore, A Room in the Castle - Act IV, Scene V, Hamlet1902Yale University Art Gallery
Illustration for "With Jockey to the Fair," from Old Songs, Edwin Austin Abbey, 1887Edwin Austin AbbeyIllustration for "With Jockey to the Fair," from Old Songs1887Yale University Art Gallery
Balthazar sings: "Sigh no more, ladies" (study for .1004) - Act II, Scene III, Much Ado About Nothing, Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyBalthazar sings: "Sigh no more, ladies" (study for .1004) - Act II, Scene III, Much Ado About Nothingca. 1891Yale University Art Gallery
Aaron, from Titus Andronicus, Edwin Austin Abbey, 1908Edwin Austin AbbeyAaron, from Titus Andronicus1908Yale University Art Gallery
Sketch of a Lady for the scene "Waiting for her Lover," from Old Songs (New York: Harper and Brothers, 1889), Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySketch of a Lady for the scene "Waiting for her Lover," from Old Songs (New York: Harper and Brothers, 1889)ca. 1889Yale University Art Gallery
Sketch for a greeting card: A Happy New Year 1891 from M.G.A. and E.A.A., Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for a greeting card: A Happy New Year 1891 from M.G.A. and E.A.A.n.d.Yale University Art Gallery
Portia: "Away then; I'm lock'd in one of them.", from Act III, Scene ii, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyPortia: "Away then; I'm lock'd in one of them.", from Act III, Scene ii, Merchant of Venice1888Yale University Art Gallery
Study for Priest and the Great Lady (watercolor), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Priest and the Great Lady (watercolor)n.d.Yale University Art Gallery
The Imprisonment of the Queen - Act II, Scene I, The Winter's Tale, Edwin Austin Abbey, 1891Edwin Austin AbbeyThe Imprisonment of the Queen - Act II, Scene I, The Winter's Tale1891Yale University Art Gallery
Arthur - Act IV, Scene III, King John, Edwin Austin Abbey, 1902Edwin Austin AbbeyArthur - Act IV, Scene III, King John1902Yale University Art Gallery
Sketch for Ex Libris: M.G. & E.A. Abbey, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for Ex Libris: M.G. & E.A. Abbeyn.d.Yale University Art Gallery
"She then shines forth, solicitous to bless, in all the glaring impotence of dress" - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 87, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"She then shines forth, solicitous to bless, in all the glaring impotence of dress" - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 87ca. 1890sYale University Art Gallery
Study for Puck, from A Midsummer Night's Dream, Edwin Austin Abbey, ca. 1893Edwin Austin AbbeyStudy for Puck, from A Midsummer Night's Dreamca. 1893Yale University Art Gallery
Sketch for "Phillada Flouts Me," from Old Songs, Edwin Austin Abbey, 1886Edwin Austin AbbeySketch for "Phillada Flouts Me," from Old Songs1886Yale University Art Gallery
Caricature of a balding man, Edwin Austin Abbey, n.d.Edwin Austin AbbeyCaricature of a balding mann.d.Yale University Art Gallery
Sketch for "Phillada Flouts Me," from Old Songs, Edwin Austin Abbey, 1886Edwin Austin AbbeySketch for "Phillada Flouts Me," from Old Songs1886Yale University Art Gallery
Sketch for "The Wish(?)," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1890Edwin Austin AbbeySketch for "The Wish(?)," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine)ca. 1890Yale University Art Gallery
"Court before Justice Shallow's Home in Gloucestershire" - King Henry IV (Part II), Edwin Austin Abbey, n.d.Edwin Austin Abbey"Court before Justice Shallow's Home in Gloucestershire" - King Henry IV (Part II)n.d.Yale University Art Gallery
Costard, from Act I, Scene i, Love's Labour's Lost, Edwin Austin Abbey, 1891Edwin Austin AbbeyCostard, from Act I, Scene i, Love's Labour's Lost1891Yale University Art Gallery
Clown: "I will show myself highly fed and lowly taught," from Act II, Scene ii, All's Well That Ends Well, Edwin Austin Abbey, 1891Edwin Austin AbbeyClown: "I will show myself highly fed and lowly taught," from Act II, Scene ii, All's Well That Ends Well1891Yale University Art Gallery
Sketch for "The Vicar(?)," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1890Edwin Austin AbbeySketch for "The Vicar(?)," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine)ca. 1890Yale University Art Gallery
Sketch of a little girl; preliminary study for New Year's card, 1937.3648, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of a little girl; preliminary study for New Year's card, 1937.3648n.d.Yale University Art Gallery
Study of three heads of a woman, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of three heads of a womann.d.Yale University Art Gallery
Study for Twelfth Night (?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Twelfth Night (?)n.d.Yale University Art Gallery
The Oracle Defied, Act III, Scene ii, The Winter's Tale, Edwin Austin Abbey, 1892Edwin Austin AbbeyThe Oracle Defied, Act III, Scene ii, The Winter's Tale1892Yale University Art Gallery
Study of a bespeckled, caped, old woman (recto); Study of a woman (verso), Edwin Austin Abbey, mid-19th to early 20th centuryEdwin Austin AbbeyStudy of a bespeckled, caped, old woman (recto); Study of a woman (verso)mid-19th to early 20th centuryYale University Art Gallery
Sketch for "Ode to Solitude," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1890Edwin Austin AbbeySketch for "Ode to Solitude," from The Quiet Life (book published by Harper in 1890 and 1899, previously published in Harper's Monthly Magazine)ca. 1890Yale University Art Gallery
Isabella and the Duke - Act V, Scene I, Measure for Measure, Edwin Austin Abbey, 1889Edwin Austin AbbeyIsabella and the Duke - Act V, Scene I, Measure for Measure1889Yale University Art Gallery
Proteus and Antonio, from Act I, Scene iii, Two Gentlemen of Verona, Edwin Austin Abbey, 1891Edwin Austin AbbeyProteus and Antonio, from Act I, Scene iii, Two Gentlemen of Verona1891Yale University Art Gallery
"Before Justice Shallows House" (study for .1175) - King Henry IV (Part II), Edwin Austin Abbey, n.d.Edwin Austin Abbey"Before Justice Shallows House" (study for .1175) - King Henry IV (Part II)n.d.Yale University Art Gallery
Unidentified illustration (to a Shakespeare play?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyUnidentified illustration (to a Shakespeare play?)n.d.Yale University Art Gallery
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