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Dove vedere arte e quando apre il museo.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museo Smithsoniano del Design Cooper Hewitt, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (44 musei), Paris Musées (12 musei), Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei) e il Catalogo generale dei Beni Culturali del Ministero della Cultura (25 musei). Le immagini appartengono ai titolari dei diritti.

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HomeMappaCatalogo

Catalogo

Il Barocco, 1600–1720

266.228 opere da 454 musei5139 esposte oraAzzera

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Astronomy, Giambologna, 17th centuryGiambolognaAstronomy17th centurySala 536Metropolitan Museum of Art
Portrait of Mary Stuart (1662-95), Wife of Prince William III, Caspar Netscher, c. 1683Caspar NetscherPortrait of Mary Stuart (1662-95), Wife of Prince William IIIc. 1683Rijksmuseum
Portrait of William III, Prince of Orange and Stadholder, Caspar Netscher, c. 1680 - c. 1684Caspar NetscherPortrait of William III, Prince of Orange and Stadholderc. 1680 - c. 1684Rijksmuseum
Crows in an Old Tree, Yosa Buson, 18th centuryYosa Buson 与謝 蕪村Crows in an Old Tree18th centuryG221Minneapolis Institute of Art
Venus, Cupid, and Mars, Giovanni Francesco Barbieri, called Guercino, 1633/1634Giovanni Francesco Barbieri, called GuercinoVenus, Cupid, and Mars1633/1634National Gallery of Art
The flagellation of Christ, Giambologna, mid-17th centuryGiambolognaThe flagellation of Christmid-17th centuryMetropolitan Museum of Art
Hercules and a Centaur, Giambologna, early 17th centuryGiambolognaHercules and a Centaurearly 17th centuryMetropolitan Museum of Art
The Rest on the Flight into Egypt, Giovanni Francesco Barbieri, called Guercino, c. 1626Giovanni Francesco Barbieri, called GuercinoThe Rest on the Flight into Egyptc. 1626National Gallery of Art
Hercules Slaying the Hydra, Giovanni Francesco Barbieri, called Guercino, c. 1618Giovanni Francesco Barbieri, called GuercinoHercules Slaying the Hydrac. 1618National Gallery of Art
Joseph and Potiphar's Wife, Giovanni Francesco Barbieri, called Guercino, 1649Giovanni Francesco Barbieri, called GuercinoJoseph and Potiphar's Wife1649Sala 33 · Edificio Ovest, piano principaleNational Gallery of Art
Landscape with Figures, Follower of Guercino, 18th centuryGiovanni Francesco Barbieri, called GuercinoLandscape with Figures18th centuryNational Gallery of Art
Buste van een man, Guercino, 1647 - 1649Giovanni Francesco Barbieri, called GuercinoBuste van een man1647 - 1649Rijksmuseum
Maṇḍala of the Buddha Śākyamuni, 18th centuryMaṇḍala of the Buddha Śākyamuni18th centuryErmitage
A Plumed Saddle-Horse, Inigo Jones, ca. 1640Inigo JonesA Plumed Saddle-Horseca. 1640Yale Center for British Art
De buitenpartij, Dirck Hals, 1627Dirck HalsDe buitenpartij1627Room 2.6 · Specialisation in paintingRijksmuseum
Zittende pijproker en twee onderbenen, Dirck Hals, 1622 - 1627Dirck HalsZittende pijproker en twee onderbenen1622 - 1627Rijksmuseum
Amnon and Tamar, Giovanni Francesco Barbieri, called Guercino, 1649Giovanni Francesco Barbieri, called GuercinoAmnon and Tamar1649National Gallery of Art
Abduction of a Sabine Woman, Giambologna, probably early 17th centuryGiambolognaAbduction of a Sabine Womanprobably early 17th centuryMetropolitan Museum of Art
Nude female, Giambologna, 17th centuryGiambolognaNude female17th centuryMetropolitan Museum of Art
Self-Portrait before a Painting of "Amor Fedele", Giovanni Francesco Barbieri, called Guercino, 1655Giovanni Francesco Barbieri, called GuercinoSelf-Portrait before a Painting of "Amor Fedele"1655Sala 33 · Edificio Ovest, piano principaleNational Gallery of Art
Cardinal Francesco Cennini, Giovanni Francesco Barbieri, called Guercino, 1625Giovanni Francesco Barbieri, called GuercinoCardinal Francesco Cennini1625National Gallery of Art
The Madonna and Child with an Escaped Goldfinch, Giovanni Francesco Barbieri, called Guercino, early 1630sGiovanni Francesco Barbieri, called GuercinoThe Madonna and Child with an Escaped Goldfinchearly 1630sNational Gallery of Art
Saint Anthony of Padua, Giovanni Francesco Barbieri, called Guercino, 1630sGiovanni Francesco Barbieri, called GuercinoSaint Anthony of Padua1630sNational Gallery of Art
Rivierlandschap met reizigers met hutkoffers, Guercino, 1601 - 1666Giovanni Francesco Barbieri, called GuercinoRivierlandschap met reizigers met hutkoffers1601 - 1666Rijksmuseum
Five Classical Heads, Inigo Jones, between 1630 and 1639Inigo JonesFive Classical Headsbetween 1630 and 1639Yale Center for British Art
Crouching Venus, Giambologna, 17th centuryGiambolognaCrouching Venus17th centurySala 536Metropolitan Museum of Art
Fortuna, Giambologna, early 17th centuryGiambolognaFortunaearly 17th centurySala 536Metropolitan Museum of Art
Venus and Cupid, Giambologna, late 16th–early 17th centuryGiambolognaVenus and Cupidlate 16th–early 17th centuryMetropolitan Museum of Art
Hercules and the Cretan Bull, Giambologna, early 17th centuryGiambolognaHercules and the Cretan Bullearly 17th centuryMetropolitan Museum of Art
Bathing Venus, Giambologna, early 17th centuryGiambolognaBathing Venusearly 17th centuryMetropolitan Museum of Art
Erminia, Giovanni Francesco Barbieri, called Guercino, c. 1648Giovanni Francesco Barbieri, called GuercinoErminiac. 1648National Gallery of Art
Personification of Justice, Guercino, c. 1640Giovanni Francesco Barbieri, called GuercinoPersonification of Justicec. 1640National Gallery of Art
Shepherds Peering into a Chasm, Giovanni Francesco Barbieri, called Guercino, 1620sGiovanni Francesco Barbieri, called GuercinoShepherds Peering into a Chasm1620sNational Gallery of Art
Saint Anthony of Padua, Giovanni Francesco Barbieri, called Guercino, 1630sGiovanni Francesco Barbieri, called GuercinoSaint Anthony of Padua1630sNational Gallery of Art
Amnon and Tamar, Giovanni Francesco Barbieri, called Guercino, 1649-1650Giovanni Francesco Barbieri, called GuercinoAmnon and Tamar1649-1650Sala 33 · Edificio Ovest, piano principaleNational Gallery of Art
A Grain Merchant, Giovanni Francesco Barbieri, called Guercino, c. 1620Giovanni Francesco Barbieri, called GuercinoA Grain Merchantc. 1620National Gallery of Art
Unknown man, Gilbert Stuart, c. 18th centuryGilbert StuartUnknown manc. 18th centuryFitzwilliam Museum
Zittende man met zwaard, Dirck Hals, 1601 - 1656Dirck HalsZittende man met zwaard1601 - 1656Rijksmuseum
Design for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and War, Inigo Jones, ca. 1622Inigo JonesDesign for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and Warca. 1622Yale Center for British Art
Still Life with Cheese, Floris Claesz van Dijck, c. 1615Floris Claesz van DijckStill Life with Cheesec. 1615Room 2.30 · Gallery of HonourRijksmuseum
Sea in Spring, Yosa Buson, 18th centuryYosa Buson 与謝 蕪村Sea in Spring18th centuryMinneapolis Institute of Art
Woman Burning Incense, Yosa Buson, 18th centuryYosa Buson 与謝 蕪村Woman Burning Incense18th centuryMetropolitan Museum of Art
Abduction of a Sabine, Giambologna, 18th centuryGiambolognaAbduction of a Sabine18th centuryMetropolitan Museum of Art
The Return of the Prodigal Son, Giovanni Francesco Barbieri, called Guercino, c. 1640Giovanni Francesco Barbieri, called GuercinoThe Return of the Prodigal Sonc. 1640National Gallery of Art
The Angel of the Annunciation, Giovanni Francesco Barbieri, called Guercino, c. 1638/1639Giovanni Francesco Barbieri, called GuercinoThe Angel of the Annunciationc. 1638/1639National Gallery of Art
Young Man in a Soft Cap, Guercino, 1630/1640Giovanni Francesco Barbieri, called GuercinoYoung Man in a Soft Cap1630/1640National Gallery of Art
Landscape with the Taming of a Horse, Giovanni Francesco Barbieri, called Guercino, 1620/1630Giovanni Francesco Barbieri, called GuercinoLandscape with the Taming of a Horse1620/1630National Gallery of Art
Twee mannen, Guercino, 1601 - 1666Giovanni Francesco Barbieri, called GuercinoTwee mannen1601 - 1666Rijksmuseum
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