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  1. Collezione/
  2. Art Institute of Chicago/
  3. The Fruit Sellers
The Fruit Sellers, William Henry Fox Talbot, c. 1842/45

The Fruit Sellers

c. 1842/45 · Photograph

Scheda

c. 1842/45
18001877
Numero di inventario
1967.153

Nel frattempo, nella vita di William Henry Fox Talbot

Tutta la vita
  1. 1840

    Invents the calotype

    Talbot found a way to print any number of positives on salted paper from a paper negative; new chemicals cut the exposure to a minute in bright sunlight. He called the method the “calotype” (from kalos, beautiful), informally the “talbotype”: unlike the daguerreotype with its single positive, it effectively created modern photography.

  2. 1840–1841

    Post: High Sheriff of Wiltshire

  3. 1840s

    Photomechanics: the road to photogravure

    In the 1840s Talbot turned to the photomechanical reproduction of pictures; this work led to photoglyphic engraving, the precursor of photogravure. Rendering a photograph in printer’s ink made editions cheaper and avoided the fading of early silver prints.

  4. February 1841

    Patents the calotype

    Talbot obtained an English patent for the calotype process and sold licences at £20 each, later lowering the fee for amateurs to £4 while professionals paid up to £300 a year; scientists saw it as a hindrance to scientific freedom. He justified his rigour by the roughly £5,000 he had spent on photography; for science the method was free, and Talbot himself published the first known photomicrograph of a mineral crystal.

  5. August 1841

    First licence goes to the miniaturist Henry Collen

    Having announced the calotype, in August Talbot licensed the miniature painter Henry Collen, who became the first professional calotypist. The most celebrated practitioners of the process were Hill & Adamson.

Altre opere di William Henry Fox Talbot

Tutte le opere

Sotto lo stesso tetto: Art Institute of Chicago

Pagina del museo

Sullo stesso tema · Collected by Hugh Edwards

Tutte le opere sul tema
  • 1844–1846

    “The Pencil of Nature”, the first photobook, appears

    Longman, Brown, Green & Longmans issued the book in separate parts: 24 prints, each pasted in by hand and accompanied by a short text. Talbot is regarded as the author of the first photographic book; scholars see in it the design of a new canon built on biblical rhetoric.

  • William Henry Fox Talbot, ritrattoWilliam Henry Fox TalbotInghilterra, 1800–1877

    Si può ammirare?

    Al momento non riceve

    Art Institute of Chicago

    Chicago, Stati Uniti

    Appartiene alla collezione, ma al momento non è esposta.

    Verificato
    3 giorni fa
    Ultimo cambio di stato
    19 ago 2026
    Fonte
    Il museo
    Sulla mappaPagina del museo

    Che cosa raffigura

    Collected by Hugh Edwards

    In catalogo

    FotografieCarta salataRomanticismoRealismoXIX secoloInghilterra

    Fonti

    • Art Institute of Chicago
    • Immagine: Art Institute of Chicago — CC0
    Oak Tree, William Henry Fox Talbot, mid-1840s

    Oak Tree

    mid-1840s · Non esposta · National Gallery of Art

    Lace, William Henry Fox Talbot, 1840s

    Lace

    1840s · Non esposta · Museum of Modern Art

    Leaf Study, William Henry Fox Talbot, 1839/1840

    Leaf Study

    1839/1840 · Non esposta · National Gallery of Art

    Lace, William Henry Fox Talbot, 1839-1844

    Lace

    1839-1844 · Non esposta · National Gallery of Art

    Porseleinen beeld naar Giambologna, voorstellende de Sabijnse maagdenroof, William Henry Fox Talbot, in or after 1839-04 - in or before 1840-04

    Porseleinen beeld naar Giambologna, voorstellende de Sabijnse maagdenroof

    in or after 1839-04 - in or before 1840-04 · Rijksmuseum

    Entrée van de Magdalen College Chapel in Oxford, William Henry Fox Talbot, c. 1840 - c. 1850

    Entrée van de Magdalen College Chapel in Oxford

    c. 1840 - c. 1850 · Rijksmuseum

    [Group of Trees from the American Walnut], William Henry Fox Talbot, June 1, 1840

    [Group of Trees from the American Walnut]

    June 1, 1840 · Non esposta · Getty Museum

    Winter Trees, Reflected in a Pond, William Henry Fox Talbot, 1841-1842

    Winter Trees, Reflected in a Pond

    1841-1842 · Non esposta · National Gallery of Art

    The Bedroom, Vincent van Gogh, 1889

    Vincent van Gogh

    The Bedroom, 1889

    A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

    Georges Seurat

    Una domenica pomeriggio sull'isola della Grande-Jatte, 1884–86, border added 1888–89

    Paris Street; Rainy Day, Gustave Caillebotte, 1877

    Gustave Caillebotte

    Strada di Parigi in un giorno di pioggia, 1877

    Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

    Pierre-Auguste Renoir

    Sulla terrazza, 1881

    The Basket of Apples, Paul Cézanne, c. 1893

    Paul Cézanne

    il cesto di mele, c. 1893

    Stacks of Wheat (End of Summer), Claude Monet, 1890–91

    Claude Monet

    Stacks of Wheat (End of Summer), 1890–91

    American Gothic, Grant Wood, 1930

    Grant Wood

    American Gothic, 1930

    Nighthawks, Edward Hopper, 1942

    Edward Hopper

    I nottambuli, 1942

    Alabama Cotton Tenant Farmer's Wife, Walker Evans, 1936, printed c. 1962

    Walker Evans

    Alabama Cotton Tenant Farmer's Wife, 1936, printed c. 1962

    Non esposta · Art Institute of Chicago

    Fourth of July, Jay, New York, Robert Frank, 1954

    Robert Frank

    Fourth of July, Jay, New York, 1954

    Non esposta · Art Institute of Chicago

    Portrait of Annette Rosenshine, Ansel Adams, 1932

    Ansel Adams

    Portrait of Annette Rosenshine, 1932

    Non esposta · Art Institute of Chicago

    Train Interior, Oaxaca, Mexico, Elizabeth Timberman, 1940/59

    Elizabeth Timberman

    Train Interior, Oaxaca, Mexico, 1940/59

    Non esposta · Art Institute of Chicago

    Ruined Mosque Near Philæ, Francis Frith, 1857

    Francis Frith

    Ruined Mosque Near Philæ, 1857

    Non esposta · Art Institute of Chicago

    City Wall and Mosque of Omar, Jerusalem, Francis Frith, 1857

    Francis Frith

    City Wall and Mosque of Omar, Jerusalem, 1857

    Non esposta · Art Institute of Chicago

    Late Afternoon Shadows, Johan Hagemeyer, 1922

    Johan Hagemeyer

    Late Afternoon Shadows, 1922

    Non esposta · Art Institute of Chicago

    Interior Court of Medinet Habbo, Thebes, Francis Frith, 1857

    Francis Frith

    Interior Court of Medinet Habbo, Thebes, 1857

    Non esposta · Art Institute of Chicago