
Gustave CaillebotteFrancia, 1848–1894Study for Paris Street; Rainy Day
Si può vedere?
Non esposta al momento
Dove si trova «Study for Paris Street; Rainy Day» oggi? Collezione: Art Institute of Chicago, Chicago. Non esposta al momento. Verificato 12 ottobre 2026.
Chicago, Stati Uniti
Appartiene alla collezione, ma al momento non è esposta.
- Verificato
- Ultimo cambio di stato
- Fonte
- Il museo
Sull’opera
This preparatory drawing seems to have been freely sketched on the spot before being laid out in the studio with a straightedge and compass to regularize the perspective lines.
Art Institute of ChicagoCC BY 4.0
Scheda
Che cosa raffigura
In catalogo
Fonti
- Art Institute of Chicago
- Immagine: Art Institute of Chicago — CC0 / public domain (AIC image API)
Nella vita di Gustave Caillebotte
Tutta la vita1875
Buys his first Monet: the start of his support for friends
Caillebotte bought his first Monet in 1875 and was especially helpful to that artist, buying works and, at least in the case of Monet, paying the rent for his studio. He also helped fund Impressionist exhibitions.
1875
The Salon of 1875 rejects “The Floor Scrapers”
Some critics considered “vulgar” the picture of labourers preparing a wooden floor, believed to be that of the artist’s own studio, which is probably why the Salon of 1875 rejected it. At the time the art establishment deemed only rustic peasants or farmers acceptable subjects from the working class.
1876
His younger brother René dies
In 1876 René (1851–1876), Gustave’s younger brother, died; in some of his early works Caillebotte had used his mother and brothers as models.
1876
A debut at the Second Impressionist Exhibition
In 1876 Caillebotte made his debut at the Second Impressionist Exhibition with eight paintings, including “The Floor Scrapers” (1875), his earliest masterpiece.
1877
Takes charge of the Third Impressionist Exhibition
By the Third Impressionist Exhibition in 1877 Caillebotte had assumed the leadership role: he secured rental space, selected artists and works and hung the paintings. His involvement eventually declined, but in the end he showed works in five of the eight Impressionist exhibitions.
1879
The Fourth Impressionist Exhibition: 35 works on water and leisure
In 1879 Caillebotte submitted 35 paintings and pastels on water sports, boating and riverside leisure; “Oarsman in a Top Hat” (Boating Party) was considered one of the best of them, and the show is described as the most important exhibition of his works during his lifetime.











![[Jesus mit seinen Eltern, aus dem Tempel heimkehrend; Christ Returning from the Temple with his Parents; Retour d'Egypte], Rembrandt, 1654](https://diglib.hab.de/varia/haum/rembrandt-v3-4550/max/000001.jpg)



