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  1. Collezione/
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  3. Study for "Glazier" (Self-Portrait)
Study for "Glazier" (Self-Portrait), Willem de Kooning, c. 1938
Willem de Kooning, ritrattoWillem de KooningStati Uniti, 1904–1997

Study for "Glazier" (Self-Portrait)

c. 1938 · Drawing and Watercolor

Si può ammirare?

Al momento non riceve

Art Institute of Chicago

Chicago, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
3 giorni fa
Ultimo cambio di stato
2 ott 2026
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

c. 1938
19041997
Numero di inventario
2023.3034

In catalogo

Disegni e acquerelliGrafiteModernismoXX secoloStati Uniti

Andirivieni

  1. Al momento non esposta

    Art Institute of Chicago · 2 ott 2026 — oggi · Verificato

  2. Esposta · Regenstein Hall

    Art Institute of Chicago · 28 set 2026 — 2 ott 2026 · Verificato

Fonti

  • Art Institute of Chicago
  • Immagine: Art Institute of Chicago — © the artist or rights holder

Nel frattempo, nella vita di Willem de Kooning

Tutta la vita
  1. 1937

    Leaves the Federal Project: no citizenship

    In 1937 De Kooning had to leave the Federal Art Project because he did not have U.S. citizenship, and he began to work full-time as an artist, earning income from commissions and by giving lessons.

  2. 1938

    Meets Elaine Fried

    In 1938 her teacher introduced Elaine Fried, then 20 and an admirer of Willem’s work, to the 34-year-old De Kooning in a Manhattan cafeteria. He began to teach her drawing and painting in his loft on West 21st Street, sternly demanding precise linear definition, and destroyed many of her drawings, which impelled Elaine to strive for both precision and grace.

  3. turn of the 1930s and 1940s

    His own manner takes shape

    De Kooning’s individual manner took shape at the turn of the 1930s and 1940s under the influence of Picasso and Miró.

  4. 1940s

    Meets Franz Kline

    De Kooning met the younger painter Franz Kline, who was also working in the figurative style of American realism and had been drawn to monochrome. Kline, who died young, became one of De Kooning’s closest artist friends; his influence is evident in De Kooning’s calligraphic black images of this period.

Altre opere di Willem de Kooning

Tutte le opere
Painting, Willem de Kooning, 1948

Painting

1948 · Museum of Modern Art

Woman, II, Willem de Kooning, 1952

Woman, II

1952 · Museum of Modern Art

Litho #2 (Waves #2), Willem de Kooning, 1960

Litho #2 (Waves #2)

1960 · Art Institute of Chicago

Joe Gould, Willem de Kooning, (n.d.)

Joe Gould

(n.d.) · Non esposta · Museum of Modern Art

Legend and Fact, Willem de Kooning, 1940

Legend and Fact

1940 · Non esposta · National Gallery of Art

Valentine, Willem de Kooning, 1947

Valentine

1947 · Non esposta · Museum of Modern Art

Night, Willem de Kooning, 1948

Night

1948 · Non esposta · Minneapolis Institute of Art

Woman, Willem de Kooning, 1949-50

Woman

1949-50 · Non esposta · Museum of Modern Art

Sotto lo stesso tetto: Art Institute of Chicago

Pagina del museo
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Una domenica pomeriggio sull'isola della Grande-Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Strada di Parigi in un giorno di pioggia, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Sulla terrazza, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

il cesto di mele, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

I nottambuli, 1942