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Painting, Willem de Kooning, 1948
Willem de Kooning, ritrattoWillem de KooningStati Uniti, 1904–1997

Painting

1948 · Painting

Si può ammirare?

Sì, riceve visite

Museum of Modern Art

New York, Stati Uniti

SalaMoMA, Floor 4, 401

Esposta al pubblico. Chi lo garantisce è indicato qui sotto.

Verificato
9 giorni fa
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1948 · a 44 anni
19041997
Numero di inventario
238.1948

Nel frattempo, nella vita di Willem de Kooning

Tutta la vita
  1. 1940s

    Meets Franz Kline

    De Kooning met the younger painter Franz Kline, who was also working in the figurative style of American realism and had been drawn to monochrome. Kline, who died young, became one of De Kooning’s closest artist friends; his influence is evident in De Kooning’s calligraphic black images of this period.

  2. 1943–1957

    An “open” marriage with Elaine

    Willem and Elaine’s marriage was later called an open marriage: both were casual about sex and about each other’s affairs. Elaine had affairs with men who helped further Willem’s career, such as the art critic Harold Rosenberg, the ARTnews editor Thomas B. Hess and Charles Egan, owner of the Charles Egan Gallery.

  3. 1948

    First solo exhibition at the Charles Egan Gallery

    In 1948 De Kooning had his first one-man show at the Charles Egan Gallery in New York City, consisting largely of black-and-white works, though a few pieces had passages of bright colour. By then he had already acquired a formidable underground reputation.

  4. 1948–1966

    Fourteen solo exhibitions

    From 1948 to 1966 De Kooning had 14 solo exhibitions, many in New York but also nationally and internationally, among them the Egan Gallery, the Sidney Janis Gallery, the Martha Jackson Gallery, the Allan Stone Gallery and museums such as the Museum of Fine Arts, Boston and the Smith College Museum of Art. There were two a year in 1953, 1964 and 1965.

  5. 1950s

Altre opere di Willem de Kooning

Tutte le opere

Nella stessa sala · MoMA, Floor 4, 401, Museum of Modern Art

Pagina del museo

The path of “figurative abstractions”

In the 1950s De Kooning followed a path of primitivisation and developed so-called “figurative abstractions”: a solitary female figure, under furious, pasty “blow-like” brushstrokes, turns into a painterly totem open to radical Freudian readings.

In catalogo

DipintiOlioPittura olandesePittura americanaArte del dopoguerraXX secolo

Fonti

  • Museum of Modern Art
  • Immagine: Museum of Modern Art — © the artist or rights holder
Woman, II, Willem de Kooning, 1952

Woman, II

1952 · Museum of Modern Art

Litho #2 (Waves #2), Willem de Kooning, 1960

Litho #2 (Waves #2)

1960 · Art Institute of Chicago

Joe Gould, Willem de Kooning, (n.d.)

Joe Gould

(n.d.) · Non esposta · Museum of Modern Art

Legend and Fact, Willem de Kooning, 1940

Legend and Fact

1940 · Non esposta · National Gallery of Art

Valentine, Willem de Kooning, 1947

Valentine

1947 · Non esposta · Museum of Modern Art

Night, Willem de Kooning, 1948

Night

1948 · Non esposta · Minneapolis Institute of Art

Woman, Willem de Kooning, 1949-50

Woman

1949-50 · Non esposta · Museum of Modern Art

Untitled, Willem de Kooning, 1950/1951

Untitled

1950/1951 · Non esposta · National Gallery of Art

Number 1A, 1948, Jackson Pollock, 1948

Jackson Pollock

Number 1A, 1948, 1948

Woman, II, Willem de Kooning, 1952

Willem de Kooning

Woman, II, 1952

Number 3 (Untitled), Lee Krasner, 1951

Lee Krasner

Number 3 (Untitled), 1951

Onement I, Barnett Newman, 1948

Barnett Newman

Onement I, 1948

1951-T No. 3, Clyfford Still, 1951

Clyfford Still

1951-T No. 3, 1951

Twenty-Four Greek Y's, David Smith, 1950

David Smith

Twenty-Four Greek Y's, 1950

Tournament, Adolph Gottlieb, 1951

Adolph Gottlieb

Tournament, 1951

The Messenger, Norman Lewis, 1952

Norman Lewis

The Messenger, 1952