Stirling Castle, Joseph Mallord William Turner, 1801
Joseph Mallord William Turner, ritrattoJoseph Mallord William TurnerRegno Unito, 1775–1851

Stirling Castle

1801 · Drawing

Si può vedere?

Sì, esposta ora

Dove si trova «Stirling Castle» oggi? Harvard Art Museums, Gallery 3500, floor 3, Special Exhibitions Gallery, Cambridge. Sì, esposta ora. Verificato 29 settembre 2026.

Harvard Art Museums

Cambridge, Stati Uniti

Sala3500, floor 3, Special Exhibitions Gallery

Esposta al pubblico.

Verificato
Ultimo cambio di stato
Fonte
Il museo

Scheda

Numero di inventario
1907.6

In catalogo

Fonti

  • Harvard Art Museums
  • Immagine: Harvard Art Museums — © President and Fellows of Harvard College

Nella vita di Joseph Mallord William Turner

Tutta la vita
  1. 1799

    Tears before a painting by Claude Lorrain

    The collector John Julius Angerstein invited him to see his paintings; standing before Claude’s “The Embarkation of the Queen of Sheba” Turner burst into tears and explained that he would never be able to paint anything like it. Only when he finished “Dido Building Carthage” (1815) did he feel he had achieved something comparable.

  2. 4 November 1799

    Elected an associate of the Royal Academy

    On 4 November 1799 Turner, by then a popular artist, was elected an associate (corresponding) member of the Royal Academy.

  3. 1801

    The triumph of the “Bridgewater Sea Piece” at the Academy

    “Dutch Boats in a Gale” (the “Bridgewater Sea Piece”), commissioned for 250 guineas by the Duke of Bridgewater, one of the richest men in England, “took the Academy by storm” and was hung in the best location of the whole exhibition: in the Great Room, centred, opposite the entrance.

  4. 1801

    Birth of Evelina, Sarah Danby’s daughter

    Turner never married, but is generally believed to have been the father of the two older daughters of his housekeeper, the widow Sarah Danby — Evelina (born 1801) and Georgiana; their discreet relationship lasted twelve years.

  5. 10 February 1802

    Becomes a Royal Academician

    On 10 February 1802 he was granted the title of Royal Academician, which gave him the right to exhibit without passing the selection committee that previewed all works.

  6. 1802–1803

    Paris and the Swiss Alps in a year of peace

    In the only year without war in Europe between 1793 and 1814 (the Peace of Amiens, 1802–1803) a consortium of noblemen sponsored a visit to Paris, where he saw old master paintings in the Louvre, and then he toured the Swiss Alps; his Alpine sketches later let him represent “the sublime” in paintings such as “Snow Storm: Hannibal and his Army Crossing the Alps” (1812).

Tutte le opere

Nella stessa sala · Gallery 3500, floor 3, Special Exhibitions Gallery, Harvard Art Museums

Pagina del museo