Anthony van DyckFiandre, 1599–1641Portrait of Peeter Stevens
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- Immagine: Mauritshuis — Anthony van Dyck · Public domain · Wikimedia Commons
Nella vita di Anthony van Dyck
Tutta la vita1625
Guest of Peiresc in Provence
In 1625 Van Dyck was briefly the guest of the humanist Nicolas-Claude Fabri de Peiresc in Provence.
1626–1632
The Iconography Print Series
After returning to Antwerp, Van Dyck conceived a large series of engraved portraits of his contemporaries, the Iconography; he etched eighteen plates himself, executing the preparatory drawings mainly between 1626 and 1633. The first edition (80 plates) appeared in Antwerp in 1632.
1627
Return to Antwerp
In 1627 Van Dyck returned from Italy to Antwerp, where he remained for five years, creating portraits of the Flemish nobility and large altarpieces, and beginning to work in printmaking.
1629
Beginning of His Relationship with Charles I
Van Dyck's relationship with Charles I began in 1629: through the intermediary Sir Endymion Porter, the king acquired his painting Rinaldo and Armida.
