ART WIKI32.979 in sala
MappaCollezioneArtistiMuseiMostreRivista
Accedi

ART WIKI

Dove è appeso il capolavoro, e quando si può entrare.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (6 musei), Paris Musées (12 musei) e Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei). Le immagini appartengono ai titolari dei diritti.

Sezioni

  • Mappa
  • Ricerca
  • Collezione
  • Capolavori
  • Esposte ora
  • Artisti

Altro

  • Musei e gallerie
  • Mostre
  • Rivista
  • Da dove vengono i dati
  • Privacy e cookie
HomeMappaCatalogo
  1. Collezione/
  2. Museo Gustave Moreau/
  3. L'Apparition
L'Apparition, Gustave Moreau, 1876 entre,1898 et
Gustave Moreau, ritrattoGustave MoreauFrancia, 1826–1898

L'Apparition

1876 entre,1898 et · Painting · 142 × 103 cm

Scheda

1876 entre,1898 et
18261898
Numero di inventario
Cat. 222

Nel frattempo, nella vita di Gustave Moreau

Tutta la vita
  1. 1876

    Return to the Salon: “Salome”

    After the break Moreau returned to the Salon. That year he completed “Salome Dancing before Herod”, which announced the more painterly style that would characterize his later works.

  2. 1881

    The Fables watercolours at the Cercle des Aquarellistes

    In 1881 all the commissioned works were exhibited together at the Cercle des Aquarellistes in Paris. The critics celebrated the show: Moreau’s work (he completed 25 pieces, more than anyone else) was judged far superior to most of the others, and he alone was commissioned to continue the series.

  3. 1886

    His only private show, at the Goupil Gallery

    In 1886 the only private show of Moreau’s life was held at the Goupil & Cie Gallery in Paris, where Théo van Gogh was manager: 64 La Fontaine fables with six other large watercolours. It was later shown in London.

  4. 28 March 1890

    The death of Alexandrine Dureux

    Alexandrine Dureux died on 28 March 1890 after five months of deteriorating health, and Moreau was at her bedside. He bought back from her heirs the watercolours he had given her and some furniture, placing them in a room of his house in her memory, and designed her tombstone himself, engraved with their interlaced initials. Both deaths reinforced his isolation, and his work took on an even greater melancholic edge.

  5. 1895

    Turns his townhouse into a museum

Altre opere di Gustave Moreau

Tutte le opere

Dalla collezione: Museo Gustave Moreau

Pagina del museo

After finishing “Jupiter and Semele” Moreau began his last great project, a museum in his own townhouse, to make his art accessible to all and to ensure it would be preserved for future generations. He sold few works in his lifetime: only three were bought by French museums and none by foreign ones.

  • 18 aprile 1898

    Died

  • Si può ammirare?

    Non si sa

    MGM
    Museo Gustave Moreau

    Parigi, Francia

    Il proprietario è noto; non si sa se oggi sia esposta.

    Ultimo cambio di stato
    5 ott 2026
    Fonte
    Il museo
    Sulla mappaPagina del museo

    Che cosa raffigura

    Scène biblique (Saint Jean-Baptiste : tête, lévitation, Salomé : femme, nudité, parure, lotus, bourreau, Hérode : assis, Hérodiade, intérieur : palais, à l'orientale),ornementation

    In catalogo

    DipintiOlioPittura franceseRealismoImpressionismoXIX secoloFrancia

    Fonti

    • Museo Gustave Moreau
    • Immagine: Museo Gustave Moreau — © René-Gabriel Ojéda ; Réunion des musées nationaux - utilisation soumise à autorisation; Ministère de la Culture (France), base Joconde
    Oedipus and the Sphinx, Gustave Moreau, 1864

    Edipo e la Sfinge

    1864 · Metropolitan Museum of Art

    Dejanira (Autumn), Gustave Moreau, about 1872–1873

    Dejanira (Autumn)

    about 1872–1873 · Getty Museum

    Salome with the Head of John the Baptist, Gustave Moreau, ca. 1876

    Salome with the Head of John the Baptist

    ca. 1876 · Metropolitan Museum of Art

    Hercules and the Lernaean Hydra, Gustave Moreau, 1875–76

    Hercules and the Lernaean Hydra

    1875–76 · Art Institute of Chicago

    Jacob and the Angel, Gustave Moreau, 1874-1878

    Jacob and the Angel

    1874-1878 · Harvard Art Museums

    The Infant Moses, Gustave Moreau, c. 1876-c. 1878

    The Infant Moses

    c. 1876-c. 1878 · Harvard Art Museums

    The Apparition, Gustave Moreau, 1876-1877

    The Apparition

    1876-1877 · Harvard Art Museums

    The Sirens, Gustave Moreau, 1882

    The Sirens

    1882 · Harvard Art Museums

    Portrait de Gustave Moreau, Edgar Degas, 1860 vers

    Edgar Degas

    Portrait de Gustave Moreau, 1860 vers

    Les Lyres mortes, Gustave Moreau, 1897

    Gustave Moreau

    Les Lyres mortes, 1897

    Le Poète et la Sirène, Gustave Moreau, 1894 vers

    Gustave Moreau

    Le Poète et la Sirène, 1894 vers

    Hélène glorifiée, Gustave Moreau, 1893 vers

    Gustave Moreau

    Hélène glorifiée, 1893 vers

    Moïse sauvé des eaux, Gustave Moreau, 1893 vers

    Gustave Moreau

    Moïse sauvé des eaux, 1893 vers

    Galatée, Gustave Moreau, 1890 vers

    Gustave Moreau

    Galatée, 1890 vers

    La Parque et l'Ange de la Mort, Gustave Moreau, 1890

    Gustave Moreau

    La Parque et l'Ange de la Mort, 1890

    Portrait de Gustave Moreau par lui-même, Gustave Moreau, 1890 vers

    Gustave Moreau

    Portrait de Gustave Moreau par lui-même, 1890 vers