Anthony van DyckFiandre, 1599–1641Isabella Brant
Si può vedere?
Sì, esposta ora
Dove si trova «Isabella Brant» oggi? National Gallery of Art, Sala 42 · Edificio Ovest, piano principale, Washington. Sì, esposta ora. Verificato 29 settembre 2026.
Chiuso· apre domani alle 10:00
Esposta al pubblico.
- Verificato
- Ultimo cambio di stato
- Fonte
- Il museo
Sul dipinto
Il dipinto, realizzato ad Anversa da van Dyck, rappresenta la moglie del pittore Rubens, maestro di Antoon. Sullo sfondo, il cortile di casa di Rubens, che l'artista aveva fatto costruire in stile barocco.
Scheda
- Numero di inventario
- 1937.1.47
Che cosa raffigura
In catalogo
Esposizioni
Esposta · Sala 42 · Edificio Ovest, piano principale
National Gallery of Art · 29 set 2026 — oggi · Verificato
Era esposta · Sala 42 · Edificio Ovest, piano principale
National Gallery of Art · 29 set 2026 — 29 set 2026 · Verificato
Era esposta · Sala 42 · Edificio Ovest, piano principale
Ermitage · 28 set 2026 — 29 set 2026 · Verificato
Era esposta · Sala 42 · Edificio Ovest, piano principale
National Gallery of Art · 30 ago 2026 — 28 set 2026 · Verificato
Fonti
- Ermitage
- Immagine: National Gallery of Art — Museum open access
Nella vita di Anthony van Dyck
Tutta la vita1620
First Trip to London to the Court of James I
In October 1620, at the age of twenty-one, Van Dyck moved to London to the court of King James I at the urging of the Duke of Buckingham and the Earl of Arundel; he received an annual pension of one hundred pounds sterling from the king.
20 November 1621
Departure for Italy, Arrival in Genoa
In 1621 Van Dyck decided to go to Italy; Rubens supplied him with funds and letters of introduction. On 20 November 1621 he arrived in Genoa and remained in Italy for six years, where his fame as a portraitist was consolidated.
winter 1622
Winter in Venice, Studying Titian
Van Dyck spent the winter of 1622 in Venice, where, accompanied by Titian's nephew Cesare Vecellio, he fulfilled a long-held dream of seeing the works of Titian and Paolo Veronese; on the way he stopped in Bologna and Parma, where he admired Correggio's frescoes.
1622
Journey to Rome
In February 1622 Van Dyck left for Rome, where he stayed until August of that year and for most of 1623; he was introduced into the best circles of society and copied Renaissance masterpieces at the Palazzo Ludovisi and the Villa Borghese.
