The Prefect Raffaele Raggi, Sir Anthony van Dyck, c. 1625
Anthony van Dyck, ritrattoAnthony van DyckFiandre, 1599–1641

The Prefect Raffaele Raggi

c. 1625 · Painting

Si può vedere?

Sì, esposta ora

Dove si trova «The Prefect Raffaele Raggi» oggi? National Gallery of Art, Sala 42 · Edificio Ovest, piano principale, Washington. Sì, esposta ora. Verificato 29 settembre 2026.

National Gallery of Art

Washington, Stati Uniti

Sala42 · Edificio Ovest, piano principale

Chiuso· apre alle 10:00

Esposta al pubblico.

Verificato
Ultimo cambio di stato
Fonte
Il museo

Scheda

Numero di inventario
1942.9.90

Che cosa raffigura

In catalogo

Fonti

Nella vita di Anthony van Dyck

Tutta la vita
  1. 1624

    Quarantine During the Plague in Palermo

    In Palermo Van Dyck found himself in quarantine during the plague of 1624, one of the most severe in Sicily's history; there he created an important series of paintings of Saint Rosalia, the city's patroness, establishing her iconography for the Italian Baroque.

  2. 1624

    Invitation to Palermo

    In April 1624 Emmanuel Philibert of Savoy, Viceroy of Sicily, invited Van Dyck to Palermo to paint his portrait.

  3. 1625

    Guest of Peiresc in Provence

    In 1625 Van Dyck was briefly the guest of the humanist Nicolas-Claude Fabri de Peiresc in Provence.

  4. 1626–1632

    The Iconography Print Series

    After returning to Antwerp, Van Dyck conceived a large series of engraved portraits of his contemporaries, the Iconography; he etched eighteen plates himself, executing the preparatory drawings mainly between 1626 and 1633. The first edition (80 plates) appeared in Antwerp in 1632.

  5. 1627

    Return to Antwerp

    In 1627 Van Dyck returned from Italy to Antwerp, where he remained for five years, creating portraits of the Flemish nobility and large altarpieces, and beginning to work in printmaking.

Tutte le opere

Nella stessa sala · M-042, National Gallery of Art

Pagina del museo

Sullo stesso tema · Uomo

Tutte le opere sul tema