Figurenplan K1 (Figure Design K1), Oskar Schlemmer, 1921
Oskar Schlemmer, ritrattoOskar SchlemmerGermania, 1888–1943

Figurenplan K1 (Figure Design K1)

1921 · Print

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Schlemmer only made about twenty prints in total. As with his paintings and designs for the dance and theatre, his prints take the human figure as their central focus. The stylized shapes of the figures in this lithograph give them the appearance of mannequins or puppets. They are assemblages of forms, rather than creatures of flesh and blood.

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Numero di inventario
BI-2018-1-12

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Fonti

Nella vita di Oskar Schlemmer

Tutta la vita
  1. 1919

    Turns to sculpture; exhibition at the Der Sturm gallery

    In 1919 Schlemmer turns to sculpture and holds an exhibition of his work at the gallery Der Sturm in Berlin.

  2. 1919

    Helps to update the Stuttgart Academy’s curriculum

    At the same time Schlemmer helps to update the curriculum of the Stuttgart Academy of Fine Arts with the appointment of new faculty and exhibitions of modern art; those involved include Paul Klee and Willi Baumeister.

  3. 1920

    Gropius invites Schlemmer to the Weimar Bauhaus

    Walter Gropius invites Schlemmer to the Bauhaus in Weimar: by one account he runs the mural-painting and sculpture departments, by another he first heads the metal workshop and from 1922 the sculpture workshop.

  4. 1920

    Marries Helena Tutein

    In 1920 Schlemmer marries Helena Tutein; after the wedding he is invited to Weimar by Walter Gropius.

  5. 1923

    Takes over the theatre workshop from Lothar Schreyer

    In 1923 Schlemmer becomes Master of Form at the Bauhaus theatre workshop, taking it over from Lothar Schreyer. His complex ideas prove influential, making him one of the most important teachers at the school at that time.

  6. 1923

    The influence of Metaphysical painting

    From 1923 Schlemmer’s style is strongly influenced by Metaphysical painting (Pittura Metafisica): the number of figures in his pictures noticeably decreases, and they are arranged on a clearly divided surface in a choreographic order that reflects universal harmony. The National Gallery in Berlin and the Folkwang Museum in Essen acquire works from this period, and recognition and fame come to the artist.

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