Three Figures with Furniture-like Forms, Oskar Schlemmer, 1929
Oskar Schlemmer, ritrattoOskar SchlemmerGermania, 1888–1943

Three Figures with Furniture-like Forms

1929 · Painting

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Dove si trova «Three Figures with Furniture-like Forms» oggi? Harvard Art Museums, Gallery 1500, floor 1, Modern and Contemporary Art, Cambridge. Sì, esposta ora. Verificato 29 settembre 2026.

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Sala1500, floor 1, Modern and Contemporary Art

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At the Bauhaus, where Schlemmer led the sculpture and later the theater workshops from 1921 to 1929, his devotion to figuration distinguished him from colleagues who were exploring pure abstraction. In his influential Bauhaus course “Man,” he analyzed measure, proportion, movement, gesture, and the relationships between human figures and their environments. In his own work, Schlemmer developed a simplified, geometrical figure that he brought into dialogue with architectural space in the form of relief sculptures, costumed dancers on a stage, and painted figures in dreamlike interiors. Composed of spheres and cylinders, the three figures here occupy an ambiguous space that suggests a stairway in the way they seem to ascend, descend, recede, and advance. The simplification of form and analysis of function that informed Schlemmer’s work were also key concepts for many others at the Bauhaus, who applied these principles to their designs for architecture, furniture, and household objects.

Harvard Art Museums

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Numero di inventario
BR55.447

In catalogo

Fonti

  • Harvard Art Museums
  • Immagine: Harvard Art Museums — © President and Fellows of Harvard College

Nella vita di Oskar Schlemmer

Tutta la vita
  1. 1920–1928

    Employed by: Bauhaus

  2. 1920–1929

    Develops the course “Der Mensch”

    During his Bauhaus years Schlemmer develops the multidisciplinary course “Der Mensch” (The Human Being): in the human form he saw a measure that could provide a foothold in the disunity of his time.

  3. 1929

    Leaves the Bauhaus and moves to Breslau

    Because of the heightened political atmosphere in Germany at the end of the 1920s, and in particular the appointment of the Marxist architect Hannes Meyer as Gropius’s successor, Schlemmer resigns from the Bauhaus and takes a job at the Breslau Academy of Art and Applied Art.

Tutte le opere

Nella stessa sala · Gallery 1500, floor 1, Modern and Contemporary Art, Harvard Art Museums

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